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250 Word Local Album Review: Dsoedean – Continue To Move

Dsoedean - Continue To Move

From the opening notes of “Daylight” to the closing sounds of “Continue To Move” Dseodean’s first full-length album is a carefully planned out group of songs that doesn’t cut corners anywhere. The unique drumming of Bobby Dean Floyd laces the Zale Bledsoe penned songs with the perfect backdrop for this autobiographical album. Marcus Words’ subtle poppy bass lines let Colby Allen Walter wander on keyboards and additional guitars to texture the songs and add an appropriate weirdness to each track.

On songs like “Perfect World” Bledsoe stretches his vocals to the edge of their range while having a personal tone anyone can relate to. The experimentation on several songs like “When The Bankers Go To Lunch” and “Find A Way” keep Continue To Move from turning into a mountainous affair while songs like “Daylight” and “Shuffle Your Feet” could easily flow through radio airwaves instead of whatever the richest label is pushing.

This album is carefully crafted, recorded well and has the mixing punch of any national record you will hear. Seeing these songs develop live over the past year or two live has made the release of Continue To Move all that much more special for me. This is a great listen from beginning to end and has the legs to gain popularity far beyond its local beginnings. Maybe I am too close to the situation to fairly judge this record or maybe Dsoedean has made the finest, most professional damn record St. Joseph has ever seen.

Key Tracks: “Daylight” “Perfect World” “Continue To Move”

You can pick up Continue To Move at the This Tall Records bandcamp page, you can pre-order the cd or a limited edition cassette here: http://thistallrecords.bandcamp.com/album/continue-to-move. Also watch out for a 7″ vinyl single very soon (rumor has it that it will be clear.)

 
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Posted by on May 18, 2013 in Local Album Reviews

 

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Concert Review: Hanni El Khatib at The Riot Room in Kansas City, MO, 5/9/13

Jack White and Dan Auerbach’s influence is being painted all over modern music. These two visionaries spearhead this latest “update on the blues” and their disciples are sprinkling the music scene as we speak and audiences are eating it up. Going hand-in-hand with the resurgence of vinyl records; this is the sound of now; this is the sound the cool kids want to hear.

A direct result of all of this is guitar-slinging bluesman Hanni El Khatib. Khatib’s momentum from his recent release of his second full-length record, Head In The Dirt, carried him through Kansas City to the hot, packed Riot Room where he would sweat out about four pounds during his hour long set along with opening acts The Devil and St. Joseph’s Radkey.

Hanni El Khatib poster for The Riot Room in Kansas City, MO 5/9/13.

El Khatib would naturally be headlining so two opening acts were due up first. The Devil would grace the stage the earliest with a slow burning metal sound made by three women and one guy. The bass and drums held ground for the male guitar player to add most of the texture to the music while the group did their best to emulate a brooding Black Sabbath. The lead singer would attempt to lose herself in her vocals but appear a bit tense; she couldn’t have been too nervous with the outfit she was wearing however because it was showing more skin than you’ll see during the average concert. Their dark music (matched by the stage lighting drenched in dark orange) seemed to stay in first gear all night and could have benefited from a couple faster musical breakouts.

The Devil would at one point naturally pimp that they had t-shirts for sale and ask people to find them on facebook. This is a very great task to ask with a generic name like “The Devil.” Try putting “The Devil” into google and finding them; it is a horrible selection of a band name. They will go on the list with the all-time hardest bands ever to find on the internet. Among these are The The, The Band and the all-time worst band to find on the internet; Live.

The Devil (the band, not the ruler of the dar) soak up the orange stage lights at The Riot Room.

The Devil (the band, not the ruler of the dark) soak up the orange stage lights at The Riot Room.

Radkey is one of the hottest names in the Kansas City area right now and they would hit the stage next. They were recently added to regular rotation on 96.5 The Buzz in Kansas City and two of the regular on-air personalities (Lazlo and Slimfast) were even on hand to see Radkey and of course El Khatib. Being a veteran of over a half dozen Radkey shows now I knew exactly what to expect and that is exactly what I got. Their punk sound is only accented by their costumes that they don at each show: the flannel, the cut-off jean jacket and mo-hawk. All the mic time in-between songs would belong to bass wielding Isaiah involving much of the same banter I’ve heard before and a not very surprising little shot at their hometown of St. Joseph.

Radkey’s set led off with “Out Here In My Head” and “Mind Ride” to get the exuberant crowd bouncing. “Is He Alright?” has a slightly different feel than other songs by the band and is a nice addition to their set to break things up a bit. The audience was buzzing and had a few people that obviously just showed up for Radkey. The response for “Cat & Mouse” was particularly emphatic because of its recent plays on 96.5 The Buzz. They would end with the catchy “N.I.G.G.A. (not okay)” and seamlessly move into a cover of Outkast’s “Hey Ya” a song that I once heard them say was for St. Joseph only. Everyone in the crowd that I talked to was seeing Radkey for the first time; they blow first time viewers away nearly every time and this show seemed to be no exception. It will be interesting in the future to see how people respond to the band after they have already heard the songs, listened to the banter and saw their uniforms before.

Radkey continues to kick open doors so hard they tear the hinges off. Lead singer Dee Radke (above) playing at The Riot Room opening for Hanni El Khatib.

Radkey continues to kick open doors so hard they tear the hinges off. Lead singer Dee Radke (above) playing at The Riot Room opening for Hanni El Khatib.

Radkey setlist for 5/9/13 at The Riot Room in Kansas City, Missouri.

  • Out Here In My Head
  • Mind Ride
  • Is He Alright?
  • Little Man
  • Spirals
  • Pretty Things
  • Cat & Mouse
  • Red Letter
  • N.I.G.G.A. (not okay)
  • Hey Ya (Oukast cover)

Hanni El Khatib took the stage for a rare headlining gig on his 2013 tour. He is in the middle of a set of dates opening for The Black Angels and El Khatib had just this and one other date with his name in the largest copy on posters for this tour. The small, 240 person capacity Riot Room was very close to a sellout if it wasn’t. It was shoulder to shoulder with sweat beading up on everyone’s skin by the time El Khatib found the stage lights. He would hammer into his set with one of his best songs early in “Build, Destroy, Rebuild” with its very New York punk feel that got the crowd all stirred up. He would follow with a newer song, “Nobody Move” that proved he wouldn’t be playing venues the size of The Riot Room much longer.

Hanni El Khatib would carry three other band members with him; a drummer that would make the bass drum bounce so hard on the stage you thought it was going to walk off, a bass player and a guitar/keyboard player. Ultimately even though El Khatib’s music is very guitar heavy; the songs with keyboard seemed to come across better than having dueling guitars. The show didn’t have the soaring guitar work I expected. It was no slouch by any means but I expected a little of the “guitar masturbation” that is common with this type of music. A crowd favorite would be “You Rascal You” getting a good response but the track ultimately pales in comparison to his other songs. The doo wop of “Dead Wrong” was a brilliant change of pace for the set giving a nod to the 50′s sound that you can hear in his music if you listen carefully.

Hanni El Khatib gestures to fans at The Riot Room in Kansas City, Missouri on 5/9/13.

Hanni El Khatib gestures to fans at The Riot Room in Kansas City, Missouri on 5/9/13.

The set would roll through many songs from his new record Head In The Dirt and the presence of The Black Keys’ Dan Auerbach on those songs could be heard on nearly all of them even though he wasn’t in attendance. El Khatib has certainly used the cross of The White Stripes and The Black Keys to form his bluesy sound for his new album. He would play nine of the eleven tracks off of that album including “Pay No Mind” “Can’t Win Them All” and “Save Me.” He would also hit the record for the shows slowest moment with the song “Penny” as well as the song with the best legs for radio play “Family.”

In lieu of an encore he would remain on the hot stage and power through the set mainly because there is no backstage and he would have to fight the crowd to get off and back on. The encore set would be two songs and include “Family” followed by “Loved One.” The jangly, hit powered “Family” probably would have made for a more climactic finale but it would be the first of the two songs. After the song the band would hit the side door to go outside and try to dry their sweat-soaked clothes. It was obvious at this show’s end that this bluesy rock style of music has a loyal audience and is here to stay.

Hanni El Khatib setlist for 5/9/13 at The Riot Room in Kansas City, Missouri.

  • Head In The Dirt
  • Build, Destroy, Rebuild
  • Nobody Move
  • Sinking In The Sand
  • Penny
  • You Rascal You
  • Skinny Little Girl
  • Can’t Win Them All
  • Pay No Mind
  • Fuck It, You Win
  • Dead Wrong
  • Save Me
  • Roach Cock
  • Family
  • Loved One
 
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Posted by on May 12, 2013 in Concert Review

 

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Coming Soon: Ashley Raines

Ashley Raines poster for a show at The Dawg House in Forest City on 5/16/13.

WHO’S PERFORMING?  Ashley Raines (Colorado)

WHAT TO EXPECT?  A brutally honest show…

Raines brings a stripped down version of the New West Revue on the road for his shows. He might bring one person with him for accompaniment on stage but expect a scaled back show. Raines makes the most of his time on stage rattling off songs from his extensive catalog and often divides his show into two complete normal length sets. He is 10 albums in for his career and it seems like he writes new songs quicker than he books shows to play them at. It is the perfect time to sit back in a small bar, have a beer and enjoy a criminally underrated talent.

WHERE IS IT?  The Dawg House, 108 Commercial St., Forest City, MO

WHEN IS IT?  Thursday, May 16th, 2013; 8:00pm

WHY SHOULD I GO?  Raines is a rare treat. His dark lyrics give you just a glimpse into the madness that must go on in his head. He plays several instruments and can shock you at any time with something really different.

He plays mostly originals but every once in a while he busts out a great cover song. He is notorious for his fittingly dark version of Warren Zevon’s “My Shit’s Fucked Up.” He recently released a digital single of a eerie cover of Tom Waits already dark tune “Alice” with any luck he will be playing that song as well.

His (even newer) digital single is called “Old Time Religion” and should make a nice addition to the about 25 requests I have to bestow upon Mr. Raines during the show. I don’t look forward to many St. Joe area shows as I am this one. It is a little bit out of town but I give you my word that it will be well worth the short drive.

 
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Posted by on May 8, 2013 in Coming Soon

 

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Coming Soon: Care To Learn benefit with Eyelit and The Souveneers

Care To Learn fundraiser event poster with Eyelit and The Souveneers.

WHO’S PLAYING?  Eyelit (St. Joseph, MO) Souveneers (St. Joseph, MO)

WHAT TO EXPECT?  Great original music… and prizes!

The Souveneers are a great shape-shifting band led by the throw back vocals and songwriting of Jerrad Hardin. Hardin is flanked by one, two or several other musicians that involved in the band. If you’re lucky, Colby Walter will be present adding his Dwight Yoakam-style americana guitar and exercising some demons on mandolin. Brean Reiley sometimes adds her sweet, soft vocals and ukulele  Seth Campbell will play some upright bass with the group and add an entire dynamic to the band while Dustin Hawkins works the drum kit. Other musicians may or may not be involved. This makes nearly every Souveneers performance a one of a kind show and you should be sorry if you miss any of them, I know I have been.

Eyelit will put you to sleep. Not in a bad way; their music will put you in a state of bliss that leaves you totally satisfied and wondering how such a clean, refined, quiet sound could come from this group of musicians. Led by the husband-wife duo of Austin and Dansare Marks; Eyelit is sure to leave you impressed. Austin Marks is a  great songwriter choosing every word very carefully and Dansare’s vocals will simply blow you away. Dansare Marks easily has the most beautiful voice of any member of any of the bands in St. Joseph. The backing band could pull out drums or a banjo or some instruments that only more educated people than I could tell you the name of.

WHERE IS IT?  The First Ward House, 2101 St. Joseph Avenue, St. Joseph, MO 64505

WHEN IS IT?  Friday, May 17th, 2013; 9:00 pm, 21+ $5

WHY SHOULD I GO?  For the kids…

Care To Learn is a non-profit group that help kids of different ages get the things they need. This includes health, hunger and hygiene, the most basic and most important things a child should be provided with. While there are several chapters of Care To Learn all the proceeds from this benefit will stay local. The group is run by local volunteers so 100% of the money raised at this show (and other events) will go straight to the children in need. This is the first (and right now) only chapter in Northwest Missouri and is organized by Union Star’s own Mindi Phillips.

You can check them out here: https://www.facebook.com/CareToLearnUnionStar?fref=ts

There will be prizes as well. Gift cards and from what I am hearing a lot of other really cool stuff will raffled off and there may even be silent auction if you aren’t feeling so lucky. You can get a sneak peak at the items by visiting the above link and while you’re at it give their facebook page a like.

For the slim cost of $5 you can see two great local talents and know your money will go to buy needy children anything from toothbrushes to wheelchairs. Donations will also be accepted from patrons with especially warm hearts. The true prize will be getting to hear these two great original bands play tons of original music. Watch out in particular for The Souveneers to play “I Carry Her With Me” and “Blood Diamond” and Eyelit to play “Motionless” and “High.”

 

 
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Posted by on May 6, 2013 in Coming Soon

 

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VOT concert posters!: Andy Grooms Living Room

Andy Grooms Living Rooms poster for his series of shows at Piatto 614 during May 2013.

 
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Posted by on May 5, 2013 in VOT Posters

 

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Concert Review: Tracy Huffman at Magoon’s Delicatessen in St. Joseph, MO 5/1/13

The best songwriters can pierce you to the bone with just one line. Hidden among the lore of Jesse James and the Pony Express in the town of St. Joseph, Missouri lies one of these songwriters. Tracy Huffman has been out to the California coast to soak up the sun after starting with humble beginnings in the Midwest and has comfortably found his niche right here where he started.

Huffman strolls into Magoon’s Delicatessen wielding not much more than his black acoustic guitar case and after prepping for the show sits down to glance up through his long black hair to see a small audience ready to linger on each word he has to say. It is an every Wednesday occurrence for Huffman to setup shop for about 3 hours in the downtown bar. The buses will visibly zip by in the window behind him and occasionally a police car or ambulance will create the closest thing Huffman will ever have to a light show in the small venue.

Songwriter Tracy Huffman raids his songbook at a weekly show at Magoon's in St. Joseph, Missouri.

Songwriter Tracy Huffman raids his songbook at a weekly show at Magoon’s in St. Joseph, Missouri.

Huffman’s biggest fan is likely the grey haired bartender Doug Snyder who can be found slinging suds from behind the bar. He happily sings along with nearly every line enjoying what is likely his favorite night of the week to work. The Magoon’s regulars all know Huffman’s music and give him requests when he looks like he is in a quandary of what to play. When a friend yells out something like “Somebody’s Buried There” Huffman takes a brief moment to take stock of the song in his head and nearly flawlessly trots it out. Huffman pulls from his entire career’s catalog to fill out his mental setlist for the night. Nothing is set in stone and seemingly nothing is off limits for him to play. He also mixes in several covers of songs you can tell the songwriter loves himself.

He plays acoustic on this night but occasionally pulls out an electric on occasion as well. He would perform a solo set for the Magoon’s crowd but on any Wednesday could pair himself with local blues legend Jerry Forney, jack of all trades Colby Walter, The Motors bandmate Sean Cleary or one of a few other musicians. His guitar playing can’t be ignored as well, he comes up with good, original licks and has no problem keeping up with whoever is on stage with him.

His strength is always in his originals however. These songs are delivered with a stark honesty that is apparent to anybody who takes a break from their conversation to listen. He has an amazing ability to deliver a knockout punch with just one line of a song. Doug Snyder’s favorite Huffman line may well be “You feel like a bomb, that never got lit.” For me personally it was a line from a song off of Huffman’s latest fantastic album Pieces, ”Dark Side of the Road.” The lyrics ”Take me by the hand, the way my baby never could, because my baby’s got a heart, but ain’t no damn good” hit me in a way where they are far more personal than Huffman could have ever intended.

Tracy Huffman performs live at Magoon's in St. Joseph, Missouri on 5/1/13.

Tracy Huffman performs live at Magoon’s in St. Joseph, Missouri on 5/1/13.

The brilliant singer/songwriter trolls through covers of artists like Tom T. Hall, John Prine and Randy Newman as well as hitting some songs by the most giant artists of all time. He started this particular evening’s set with “Tomorrow Is A Long Time” originally by Bob Dylan before quickly moving to a rendition of “The Needle and The Damage Done” by Neil Young. A more playful cover of Tom Petty and the Heartbreakers’ “Listen To Her Heart” would fall later in his set. The most entertaining songs always come straight out of Huffman’s pen. The brilliant line that Snyder loves is from “The Great Unknown” and the duality of the song “Jerry” is always fun to try to figure out; in-between Huffman adds the great radio-ready pop-folk of “Jealous Boy.” A loving tribute is payed to possibly Huffman’s greatest hero with “Chuck Berry’s Red Guitar” and he pays homage to John Prine or possibly Billy Joe Shaver with his tune “Pissin’ In The Wind” then follows with a conceivable devil’s advocate to Neil Young’s “The Needle and the Damage Done” with his original song “Drugs.”

The cold hard facts are that you can see Huffman with a dozen or two of your closest friends on any given Wednesday at Magoon’s in St. Joseph. The songwriter has the resume and talent to justify him playing to a crowd of triple digits every week but the small town is lucky enough have this jewel hidden away within it’s classic buildings and historical lore. The power to relate to a complete stranger with one simple song lyric isn’t a common thing; anyone who wants to pay attention to Huffman could find a shocking personal connection at any given time and should feel grateful for the opportunity.

 
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Posted by on May 3, 2013 in Concert Review

 

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Concert Review: Airborne Toxic Event at Liberty Hall in Lawrence, KS 4/24/13

Airborne Toxic Event / Kodaline poster for their show at Liberty Hall in Lawrence, Kansas. Some shows are a little out of your cannon. I’ll be the first to admit The Airborne Toxic Event is not a band I would normally go see. They are a good band and I have listened to them for a few years now but I just have never been enticed enough to drop dough on a concert ticket. Sometimes circumstances lead a person to strange situations and that is a great thing. The band was legit; this I knew, so I was in. The show started really early. An 8:00 start time is not something I am used to as a concertgoer at all. Being out the door by a quarter til 11:00 and on my way home was definitely an appealing thing though considering the hour and half drive I had ahead of me. The opening band that hit the stage at 8:00 was Kodaline from Ireland.

Kodaline fights jetlag during their half-hour set at Liberty Hall in Lawrence, Kansas on 4/24/13.

Kodaline fights jetlag during their half-hour set at Liberty Hall in Lawrence, Kansas on 4/24/13.

Kodaline is a basic four piece band that looked and sounded very European. The lead singer’s hair brought back memories of when Tears For Fears ruled the world and the band, and the group admitted they were suffering from jet-lag  worked their way through a well received opening set. The crowd at Liberty Hall was limited to the floor while the balcony’s seats remained empty. The polite crowd that seemed to not know the new band from across the pond accepted them as a mellow, but formidable opener for The Airborne Toxic Event. Kodaline had the drum sound of an 80s band as well. The actual drum kit lacked the bass thump of most live shows and instead sounded electronic, softening the music. Their song “High Hopes” was likely the highlight of their set with its gentle sway and pleasing melodies. The songwriting was good but like many European bands they sounded a lot like other European bands, You could hear the U2, think of their softer, slower songs, and you could hear the heavy influence of bands like The Verve and Travis as well. The biggest correlation was easily drawn to Coldplay. If someone asked, “What does Kodaline sound like?” The easy answer is simply “Coldplay.” While Kodaline really lacked anything to set them apart from many other similar bands they still won over the half-filled venue and championed many new additions to their 57,000+ facebook likes I’m sure.

The Airborne Toxic Event uses their backdrop to their full advantage at Liberty Hall in Lawrence.

The Airborne Toxic Event uses their backdrop to their full advantage at Liberty Hall in Lawrence.

Soon after Kodaline; the sheet would be torn down from the backdrop revealing The Airborne Toxic Event’s giant 3-D bird with and arrow sticking in it and blood coming out the other side. This caused an eager roar from the crowd. The soundman would soak up some undeserved attention by playing each instrument a little too much while another stagehand would wipe off all of the band’s mics getting ready for the show to start. The Airborne Toxic Event has an edgy sound that screams East Coast to me even though they are from California. They have released two well-received albums including one that placed in the Top 20 on the Billboard charts in the US. They also have a third album that was literally days away from being released at the time of this show in Lawrence, Kansas.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

The band could be classified as modern glam as they have strong pop sensibilities but still share some punk leanings. They would roughen up the crowd right away with the punky “Gasoline” and hit one of their more popular songs early with “Does This Mean You’re Moving On?” During “Does This Mean You’re Moving On?” lead singer Mikel Jollett would hop on top of the giant speakers on the side of the stage and hang over the edge far above the crowd while singing the song only armed with his microphone. One of the highlights of the band’s 16-song set would be the guitar driven and hook heavy “Changing.” The crowd favorite “Numb” would have been a candidate to fit in with Kodaline’s set because of the 80s rock feel of the track. The group would tease their new album by doing “Safe” and “Timeless” from the upcoming record but the audience seemed to already know them well and were not taken off guard.

What did surprise many attendees was the cover of The Magnetic Fields song “Book of Love” that started the three-song encore. An almost solo acoustic version of the sappy “The Graveyard Near The House” would follow adorned by a quiet and respectful crowd sing-along. Jollett would comment after the singing it that he “never thought anybody would know that song.” This comment seemed strange because he performs the song frequently at the band’s nearly 200 shows per year. The comment did make the crowd feel special though and help draw a connection between he and his audience. They would end with their song “Missy” and mix in a medley of great American songs by including Johnny Cash’s “Ring of Fire,” Tom Petty’s “American Girl” and Bruce Spingsteen’s “Born In The U.S.A.” They would change a few words around in the medley cover, not changing the songs drastically but making them sound a bit off.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

In the end the crowd was left satisfied and got a sprinkling of a few guitar picks as well. The band sincerely thanked the audience on a couple of occasions and didn’t seem to mind the half empty room at all. Jollett would gaze over the crowd as if it were Wembly Stadium acting both satisfied and amazed. The very young and mostly female audience returned as much energy as the band could have hoped for as well. Many shows don’t have the main band going on before 10:30 and on this night the band was saying their goodbyes at that point. There was nothing bad about it though. The group rocked like you’d expect any indie rockers to do and left the crowd happy and saving their money for the new album to be released within a week after of the show. Airborne Toxic Event at Liberty Hall in Lawrence, KS 4/24/13 setlist:

  • Gasoline
  • Happiness Is Overrated
  • Does This Mean You’re Moving On?
  • True Love
  • Changing
  • Something New
  • Numb
  • Safe
  • Wishing Well
  • Timeless
  • Sometime Around Midnight
  • All I Ever Wanted
  • All At Once
  • encore
  • Book of Love (Magnetic Fields cover)
  • The Graveyard Near The House
  • Missy > Ring of Fire(Johnny Cash) > American Girl(Tom Petty) > Born In The U.S.A.(Bruce Springsteen) > Missy
 
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Posted by on May 2, 2013 in Coming Soon

 

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