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Concert Review: Hanni El Khatib at The Riot Room in Kansas City, MO, 5/9/13

Jack White and Dan Auerbach’s influence is being painted all over modern music. These two visionaries spearhead this latest “update on the blues” and their disciples are sprinkling the music scene as we speak and audiences are eating it up. Going hand-in-hand with the resurgence of vinyl records; this is the sound of now; this is the sound the cool kids want to hear.

A direct result of all of this is guitar-slinging bluesman Hanni El Khatib. Khatib’s momentum from his recent release of his second full-length record, Head In The Dirt, carried him through Kansas City to the hot, packed Riot Room where he would sweat out about four pounds during his hour long set along with opening acts The Devil and St. Joseph’s Radkey.

Hanni El Khatib poster for The Riot Room in Kansas City, MO 5/9/13.

El Khatib would naturally be headlining so two opening acts were due up first. The Devil would grace the stage the earliest with a slow burning metal sound made by three women and one guy. The bass and drums held ground for the male guitar player to add most of the texture to the music while the group did their best to emulate a brooding Black Sabbath. The lead singer would attempt to lose herself in her vocals but appear a bit tense; she couldn’t have been too nervous with the outfit she was wearing however because it was showing more skin than you’ll see during the average concert. Their dark music (matched by the stage lighting drenched in dark orange) seemed to stay in first gear all night and could have benefited from a couple faster musical breakouts.

The Devil would at one point naturally pimp that they had t-shirts for sale and ask people to find them on facebook. This is a very great task to ask with a generic name like “The Devil.” Try putting “The Devil” into google and finding them; it is a horrible selection of a band name. They will go on the list with the all-time hardest bands ever to find on the internet. Among these are The The, The Band and the all-time worst band to find on the internet; Live.

The Devil (the band, not the ruler of the dar) soak up the orange stage lights at The Riot Room.

The Devil (the band, not the ruler of the dark) soak up the orange stage lights at The Riot Room.

Radkey is one of the hottest names in the Kansas City area right now and they would hit the stage next. They were recently added to regular rotation on 96.5 The Buzz in Kansas City and two of the regular on-air personalities (Lazlo and Slimfast) were even on hand to see Radkey and of course El Khatib. Being a veteran of over a half dozen Radkey shows now I knew exactly what to expect and that is exactly what I got. Their punk sound is only accented by their costumes that they don at each show: the flannel, the cut-off jean jacket and mo-hawk. All the mic time in-between songs would belong to bass wielding Isaiah involving much of the same banter I’ve heard before and a not very surprising little shot at their hometown of St. Joseph.

Radkey’s set led off with “Out Here In My Head” and “Mind Ride” to get the exuberant crowd bouncing. “Is He Alright?” has a slightly different feel than other songs by the band and is a nice addition to their set to break things up a bit. The audience was buzzing and had a few people that obviously just showed up for Radkey. The response for “Cat & Mouse” was particularly emphatic because of its recent plays on 96.5 The Buzz. They would end with the catchy “N.I.G.G.A. (not okay)” and seamlessly move into a cover of Outkast’s “Hey Ya” a song that I once heard them say was for St. Joseph only. Everyone in the crowd that I talked to was seeing Radkey for the first time; they blow first time viewers away nearly every time and this show seemed to be no exception. It will be interesting in the future to see how people respond to the band after they have already heard the songs, listened to the banter and saw their uniforms before.

Radkey continues to kick open doors so hard they tear the hinges off. Lead singer Dee Radke (above) playing at The Riot Room opening for Hanni El Khatib.

Radkey continues to kick open doors so hard they tear the hinges off. Lead singer Dee Radke (above) playing at The Riot Room opening for Hanni El Khatib.

Radkey setlist for 5/9/13 at The Riot Room in Kansas City, Missouri.

  • Out Here In My Head
  • Mind Ride
  • Is He Alright?
  • Little Man
  • Spirals
  • Pretty Things
  • Cat & Mouse
  • Red Letter
  • N.I.G.G.A. (not okay)
  • Hey Ya (Oukast cover)

Hanni El Khatib took the stage for a rare headlining gig on his 2013 tour. He is in the middle of a set of dates opening for The Black Angels and El Khatib had just this and one other date with his name in the largest copy on posters for this tour. The small, 240 person capacity Riot Room was very close to a sellout if it wasn’t. It was shoulder to shoulder with sweat beading up on everyone’s skin by the time El Khatib found the stage lights. He would hammer into his set with one of his best songs early in “Build, Destroy, Rebuild” with its very New York punk feel that got the crowd all stirred up. He would follow with a newer song, “Nobody Move” that proved he wouldn’t be playing venues the size of The Riot Room much longer.

Hanni El Khatib would carry three other band members with him; a drummer that would make the bass drum bounce so hard on the stage you thought it was going to walk off, a bass player and a guitar/keyboard player. Ultimately even though El Khatib’s music is very guitar heavy; the songs with keyboard seemed to come across better than having dueling guitars. The show didn’t have the soaring guitar work I expected. It was no slouch by any means but I expected a little of the “guitar masturbation” that is common with this type of music. A crowd favorite would be “You Rascal You” getting a good response but the track ultimately pales in comparison to his other songs. The doo wop of “Dead Wrong” was a brilliant change of pace for the set giving a nod to the 50′s sound that you can hear in his music if you listen carefully.

Hanni El Khatib gestures to fans at The Riot Room in Kansas City, Missouri on 5/9/13.

Hanni El Khatib gestures to fans at The Riot Room in Kansas City, Missouri on 5/9/13.

The set would roll through many songs from his new record Head In The Dirt and the presence of The Black Keys’ Dan Auerbach on those songs could be heard on nearly all of them even though he wasn’t in attendance. El Khatib has certainly used the cross of The White Stripes and The Black Keys to form his bluesy sound for his new album. He would play nine of the eleven tracks off of that album including “Pay No Mind” “Can’t Win Them All” and “Save Me.” He would also hit the record for the shows slowest moment with the song “Penny” as well as the song with the best legs for radio play “Family.”

In lieu of an encore he would remain on the hot stage and power through the set mainly because there is no backstage and he would have to fight the crowd to get off and back on. The encore set would be two songs and include “Family” followed by “Loved One.” The jangly, hit powered “Family” probably would have made for a more climactic finale but it would be the first of the two songs. After the song the band would hit the side door to go outside and try to dry their sweat-soaked clothes. It was obvious at this show’s end that this bluesy rock style of music has a loyal audience and is here to stay.

Hanni El Khatib setlist for 5/9/13 at The Riot Room in Kansas City, Missouri.

  • Head In The Dirt
  • Build, Destroy, Rebuild
  • Nobody Move
  • Sinking In The Sand
  • Penny
  • You Rascal You
  • Skinny Little Girl
  • Can’t Win Them All
  • Pay No Mind
  • Fuck It, You Win
  • Dead Wrong
  • Save Me
  • Roach Cock
  • Family
  • Loved One
 
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Posted by on May 12, 2013 in Concert Review

 

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Coming Soon: Ashley Raines

Ashley Raines poster for a show at The Dawg House in Forest City on 5/16/13.

WHO’S PERFORMING?  Ashley Raines (Colorado)

WHAT TO EXPECT?  A brutally honest show…

Raines brings a stripped down version of the New West Revue on the road for his shows. He might bring one person with him for accompaniment on stage but expect a scaled back show. Raines makes the most of his time on stage rattling off songs from his extensive catalog and often divides his show into two complete normal length sets. He is 10 albums in for his career and it seems like he writes new songs quicker than he books shows to play them at. It is the perfect time to sit back in a small bar, have a beer and enjoy a criminally underrated talent.

WHERE IS IT?  The Dawg House, 108 Commercial St., Forest City, MO

WHEN IS IT?  Thursday, May 16th, 2013; 8:00pm

WHY SHOULD I GO?  Raines is a rare treat. His dark lyrics give you just a glimpse into the madness that must go on in his head. He plays several instruments and can shock you at any time with something really different.

He plays mostly originals but every once in a while he busts out a great cover song. He is notorious for his fittingly dark version of Warren Zevon’s “My Shit’s Fucked Up.” He recently released a digital single of a eerie cover of Tom Waits already dark tune “Alice” with any luck he will be playing that song as well.

His (even newer) digital single is called “Old Time Religion” and should make a nice addition to the about 25 requests I have to bestow upon Mr. Raines during the show. I don’t look forward to many St. Joe area shows as I am this one. It is a little bit out of town but I give you my word that it will be well worth the short drive.

 
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Posted by on May 8, 2013 in Coming Soon

 

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Coming Soon: Care To Learn benefit with Eyelit and The Souveneers

Care To Learn fundraiser event poster with Eyelit and The Souveneers.

WHO’S PLAYING?  Eyelit (St. Joseph, MO) Souveneers (St. Joseph, MO)

WHAT TO EXPECT?  Great original music… and prizes!

The Souveneers are a great shape-shifting band led by the throw back vocals and songwriting of Jerrad Hardin. Hardin is flanked by one, two or several other musicians that involved in the band. If you’re lucky, Colby Walter will be present adding his Dwight Yoakam-style americana guitar and exercising some demons on mandolin. Brean Reiley sometimes adds her sweet, soft vocals and ukulele  Seth Campbell will play some upright bass with the group and add an entire dynamic to the band while Dustin Hawkins works the drum kit. Other musicians may or may not be involved. This makes nearly every Souveneers performance a one of a kind show and you should be sorry if you miss any of them, I know I have been.

Eyelit will put you to sleep. Not in a bad way; their music will put you in a state of bliss that leaves you totally satisfied and wondering how such a clean, refined, quiet sound could come from this group of musicians. Led by the husband-wife duo of Austin and Dansare Marks; Eyelit is sure to leave you impressed. Austin Marks is a  great songwriter choosing every word very carefully and Dansare’s vocals will simply blow you away. Dansare Marks easily has the most beautiful voice of any member of any of the bands in St. Joseph. The backing band could pull out drums or a banjo or some instruments that only more educated people than I could tell you the name of.

WHERE IS IT?  The First Ward House, 2101 St. Joseph Avenue, St. Joseph, MO 64505

WHEN IS IT?  Friday, May 17th, 2013; 9:00 pm, 21+ $5

WHY SHOULD I GO?  For the kids…

Care To Learn is a non-profit group that help kids of different ages get the things they need. This includes health, hunger and hygiene, the most basic and most important things a child should be provided with. While there are several chapters of Care To Learn all the proceeds from this benefit will stay local. The group is run by local volunteers so 100% of the money raised at this show (and other events) will go straight to the children in need. This is the first (and right now) only chapter in Northwest Missouri and is organized by Union Star’s own Mindi Phillips.

You can check them out here: https://www.facebook.com/CareToLearnUnionStar?fref=ts

There will be prizes as well. Gift cards and from what I am hearing a lot of other really cool stuff will raffled off and there may even be silent auction if you aren’t feeling so lucky. You can get a sneak peak at the items by visiting the above link and while you’re at it give their facebook page a like.

For the slim cost of $5 you can see two great local talents and know your money will go to buy needy children anything from toothbrushes to wheelchairs. Donations will also be accepted from patrons with especially warm hearts. The true prize will be getting to hear these two great original bands play tons of original music. Watch out in particular for The Souveneers to play “I Carry Her With Me” and “Blood Diamond” and Eyelit to play “Motionless” and “High.”

 

 
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Posted by on May 6, 2013 in Coming Soon

 

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VOT concert posters!: Andy Grooms Living Room

Andy Grooms Living Rooms poster for his series of shows at Piatto 614 during May 2013.

 
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Posted by on May 5, 2013 in VOT Posters

 

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Concert Review: Tracy Huffman at Magoon’s Delicatessen in St. Joseph, MO 5/1/13

The best songwriters can pierce you to the bone with just one line. Hidden among the lore of Jesse James and the Pony Express in the town of St. Joseph, Missouri lies one of these songwriters. Tracy Huffman has been out to the California coast to soak up the sun after starting with humble beginnings in the Midwest and has comfortably found his niche right here where he started.

Huffman strolls into Magoon’s Delicatessen wielding not much more than his black acoustic guitar case and after prepping for the show sits down to glance up through his long black hair to see a small audience ready to linger on each word he has to say. It is an every Wednesday occurrence for Huffman to setup shop for about 3 hours in the downtown bar. The buses will visibly zip by in the window behind him and occasionally a police car or ambulance will create the closest thing Huffman will ever have to a light show in the small venue.

Songwriter Tracy Huffman raids his songbook at a weekly show at Magoon's in St. Joseph, Missouri.

Songwriter Tracy Huffman raids his songbook at a weekly show at Magoon’s in St. Joseph, Missouri.

Huffman’s biggest fan is likely the grey haired bartender Doug Snyder who can be found slinging suds from behind the bar. He happily sings along with nearly every line enjoying what is likely his favorite night of the week to work. The Magoon’s regulars all know Huffman’s music and give him requests when he looks like he is in a quandary of what to play. When a friend yells out something like “Somebody’s Buried There” Huffman takes a brief moment to take stock of the song in his head and nearly flawlessly trots it out. Huffman pulls from his entire career’s catalog to fill out his mental setlist for the night. Nothing is set in stone and seemingly nothing is off limits for him to play. He also mixes in several covers of songs you can tell the songwriter loves himself.

He plays acoustic on this night but occasionally pulls out an electric on occasion as well. He would perform a solo set for the Magoon’s crowd but on any Wednesday could pair himself with local blues legend Jerry Forney, jack of all trades Colby Walter, The Motors bandmate Sean Cleary or one of a few other musicians. His guitar playing can’t be ignored as well, he comes up with good, original licks and has no problem keeping up with whoever is on stage with him.

His strength is always in his originals however. These songs are delivered with a stark honesty that is apparent to anybody who takes a break from their conversation to listen. He has an amazing ability to deliver a knockout punch with just one line of a song. Doug Snyder’s favorite Huffman line may well be “You feel like a bomb, that never got lit.” For me personally it was a line from a song off of Huffman’s latest fantastic album Pieces, ”Dark Side of the Road.” The lyrics ”Take me by the hand, the way my baby never could, because my baby’s got a heart, but ain’t no damn good” hit me in a way where they are far more personal than Huffman could have ever intended.

Tracy Huffman performs live at Magoon's in St. Joseph, Missouri on 5/1/13.

Tracy Huffman performs live at Magoon’s in St. Joseph, Missouri on 5/1/13.

The brilliant singer/songwriter trolls through covers of artists like Tom T. Hall, John Prine and Randy Newman as well as hitting some songs by the most giant artists of all time. He started this particular evening’s set with “Tomorrow Is A Long Time” originally by Bob Dylan before quickly moving to a rendition of “The Needle and The Damage Done” by Neil Young. A more playful cover of Tom Petty and the Heartbreakers’ “Listen To Her Heart” would fall later in his set. The most entertaining songs always come straight out of Huffman’s pen. The brilliant line that Snyder loves is from “The Great Unknown” and the duality of the song “Jerry” is always fun to try to figure out; in-between Huffman adds the great radio-ready pop-folk of “Jealous Boy.” A loving tribute is payed to possibly Huffman’s greatest hero with “Chuck Berry’s Red Guitar” and he pays homage to John Prine or possibly Billy Joe Shaver with his tune “Pissin’ In The Wind” then follows with a conceivable devil’s advocate to Neil Young’s “The Needle and the Damage Done” with his original song “Drugs.”

The cold hard facts are that you can see Huffman with a dozen or two of your closest friends on any given Wednesday at Magoon’s in St. Joseph. The songwriter has the resume and talent to justify him playing to a crowd of triple digits every week but the small town is lucky enough have this jewel hidden away within it’s classic buildings and historical lore. The power to relate to a complete stranger with one simple song lyric isn’t a common thing; anyone who wants to pay attention to Huffman could find a shocking personal connection at any given time and should feel grateful for the opportunity.

 
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Posted by on May 3, 2013 in Concert Review

 

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Concert Review: Airborne Toxic Event at Liberty Hall in Lawrence, KS 4/24/13

Airborne Toxic Event / Kodaline poster for their show at Liberty Hall in Lawrence, Kansas. Some shows are a little out of your cannon. I’ll be the first to admit The Airborne Toxic Event is not a band I would normally go see. They are a good band and I have listened to them for a few years now but I just have never been enticed enough to drop dough on a concert ticket. Sometimes circumstances lead a person to strange situations and that is a great thing. The band was legit; this I knew, so I was in. The show started really early. An 8:00 start time is not something I am used to as a concertgoer at all. Being out the door by a quarter til 11:00 and on my way home was definitely an appealing thing though considering the hour and half drive I had ahead of me. The opening band that hit the stage at 8:00 was Kodaline from Ireland.

Kodaline fights jetlag during their half-hour set at Liberty Hall in Lawrence, Kansas on 4/24/13.

Kodaline fights jetlag during their half-hour set at Liberty Hall in Lawrence, Kansas on 4/24/13.

Kodaline is a basic four piece band that looked and sounded very European. The lead singer’s hair brought back memories of when Tears For Fears ruled the world and the band, and the group admitted they were suffering from jet-lag  worked their way through a well received opening set. The crowd at Liberty Hall was limited to the floor while the balcony’s seats remained empty. The polite crowd that seemed to not know the new band from across the pond accepted them as a mellow, but formidable opener for The Airborne Toxic Event. Kodaline had the drum sound of an 80s band as well. The actual drum kit lacked the bass thump of most live shows and instead sounded electronic, softening the music. Their song “High Hopes” was likely the highlight of their set with its gentle sway and pleasing melodies. The songwriting was good but like many European bands they sounded a lot like other European bands, You could hear the U2, think of their softer, slower songs, and you could hear the heavy influence of bands like The Verve and Travis as well. The biggest correlation was easily drawn to Coldplay. If someone asked, “What does Kodaline sound like?” The easy answer is simply “Coldplay.” While Kodaline really lacked anything to set them apart from many other similar bands they still won over the half-filled venue and championed many new additions to their 57,000+ facebook likes I’m sure.

The Airborne Toxic Event uses their backdrop to their full advantage at Liberty Hall in Lawrence.

The Airborne Toxic Event uses their backdrop to their full advantage at Liberty Hall in Lawrence.

Soon after Kodaline; the sheet would be torn down from the backdrop revealing The Airborne Toxic Event’s giant 3-D bird with and arrow sticking in it and blood coming out the other side. This caused an eager roar from the crowd. The soundman would soak up some undeserved attention by playing each instrument a little too much while another stagehand would wipe off all of the band’s mics getting ready for the show to start. The Airborne Toxic Event has an edgy sound that screams East Coast to me even though they are from California. They have released two well-received albums including one that placed in the Top 20 on the Billboard charts in the US. They also have a third album that was literally days away from being released at the time of this show in Lawrence, Kansas.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

The band could be classified as modern glam as they have strong pop sensibilities but still share some punk leanings. They would roughen up the crowd right away with the punky “Gasoline” and hit one of their more popular songs early with “Does This Mean You’re Moving On?” During “Does This Mean You’re Moving On?” lead singer Mikel Jollett would hop on top of the giant speakers on the side of the stage and hang over the edge far above the crowd while singing the song only armed with his microphone. One of the highlights of the band’s 16-song set would be the guitar driven and hook heavy “Changing.” The crowd favorite “Numb” would have been a candidate to fit in with Kodaline’s set because of the 80s rock feel of the track. The group would tease their new album by doing “Safe” and “Timeless” from the upcoming record but the audience seemed to already know them well and were not taken off guard.

What did surprise many attendees was the cover of The Magnetic Fields song “Book of Love” that started the three-song encore. An almost solo acoustic version of the sappy “The Graveyard Near The House” would follow adorned by a quiet and respectful crowd sing-along. Jollett would comment after the singing it that he “never thought anybody would know that song.” This comment seemed strange because he performs the song frequently at the band’s nearly 200 shows per year. The comment did make the crowd feel special though and help draw a connection between he and his audience. They would end with their song “Missy” and mix in a medley of great American songs by including Johnny Cash’s “Ring of Fire,” Tom Petty’s “American Girl” and Bruce Spingsteen’s “Born In The U.S.A.” They would change a few words around in the medley cover, not changing the songs drastically but making them sound a bit off.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

The Airborne Toxic Event plays to a young, eager crowd at Liberty Hall in Lawrence, Kansas on 4/24/13.

In the end the crowd was left satisfied and got a sprinkling of a few guitar picks as well. The band sincerely thanked the audience on a couple of occasions and didn’t seem to mind the half empty room at all. Jollett would gaze over the crowd as if it were Wembly Stadium acting both satisfied and amazed. The very young and mostly female audience returned as much energy as the band could have hoped for as well. Many shows don’t have the main band going on before 10:30 and on this night the band was saying their goodbyes at that point. There was nothing bad about it though. The group rocked like you’d expect any indie rockers to do and left the crowd happy and saving their money for the new album to be released within a week after of the show. Airborne Toxic Event at Liberty Hall in Lawrence, KS 4/24/13 setlist:

  • Gasoline
  • Happiness Is Overrated
  • Does This Mean You’re Moving On?
  • True Love
  • Changing
  • Something New
  • Numb
  • Safe
  • Wishing Well
  • Timeless
  • Sometime Around Midnight
  • All I Ever Wanted
  • All At Once
  • encore
  • Book of Love (Magnetic Fields cover)
  • The Graveyard Near The House
  • Missy > Ring of Fire(Johnny Cash) > American Girl(Tom Petty) > Born In The U.S.A.(Bruce Springsteen) > Missy
 
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Posted by on May 2, 2013 in Coming Soon

 

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Guest Column: Record Store Day Is Every Day For Me

Record Store Day 2013 Logo

By Danny R. Phillips

For the neo-hippie contingent, April 20th is a borderline religious holiday; for someone like me however, 4/20 this year held a much more important distinction then being a day of getting high and killing a bag or two of Chili Cheese Fritos: this year, 4/20 was Record Store Day.

Record Store Day, for those not familiar with vinyl geekdom, is a day set aside to celebrate brick and mortar record shops.  Places like Lovegarden Sounds and Kief’s Audio, both in Lawrence, KS, The Lucky Tiger, Joe City Records and Record Wearhouse in St. Joseph, MO and to a lesser degree, outlets like Hastings that carry the almighty records.  Many record labels and bands press limited run vinyl.  Doing so in hopes that worshippers of the hallowed black circle (ok, sometimes it’s clear, a picture disc or colored) will max out credit cards, drain bank accounts and obliterate tax refunds; all to purchase some long lost Husker Du, a coveted “Songs for Slim” or a tenth anniversary offering of The White Stripes “Elephant” on alternate color vinyl.

Husker Du Record Store Day release, Amusement

Hüsker Dü’s 2013 Record Store Day release, Amusement.

I would like to think I am above the hoopla, this painfully obvious money grab, that my standards are higher, my resolve stronger.  They were not.  I bought in hook, line and sinker.  I got up early with my teenaged daughter Drew in tow as we headed to St. Joe for some deals.  Disappointed, I found that none of the outlets in St. Joe was carrying any of the special RSD releases.  Thanks to a couple good friends (thanks Clint and Steve) I landed the records I wanted but it got me thinking.  “I don’t need one day a year to shine a light on my beloved records. For me, every day is Record Store Day.”

I truly love the idea of walking into a record shop, digging through the racks with little to no plan; the only clear objective is to find something to enjoy.  Curiosity guiding my fingers, mind racing,  What will I find?  What will I find?  This feeling is the meaning of Record Store Day to me.  Long ago, I traded in “hobbies” that did nothing but harm me, eating away at my being, allowing my love of records to take their place, never to look back.

The Stooges / Black Keys "No Fun" Split 7" released for Record Store Day 2013.

The Stooges / Black Keys “No Fun” Split 7″ released for Record Store Day 2013.

It is corny I know but music and records have always been a shelter of sorts for me.  As a kid, I could block the world outside, ignore the pain of the many surgeries that came along with my Cerebral Palsy, the negativity brought to bear by an a-hole stepfather.  With the help of some 1970’s earmuff headphones, a scratchy LP carefully selected from my Mom or older sister’s collections and a cool gatefold jacket to get lost in, I could forget who I was, be someone else.

Records and the music held within the grooves calmed my soul during some of the most trying times of my life. The loss of my beloved grandfather, moving away from my friends, abuse and loss have all been made better by a disc spinning at 78, 45 or 33 and a third rpm.  I’ve built a soundtrack through and because of these experiences.  That music that has stayed with me for my entire 38 years and will until I leave this Earth.

Sure, I got “No Alternative,” The Cure’s “Kiss Me Kiss Me Kiss Me,” Husker Du’s “Amusement/Statues” and the side by side Stooges/Black Keys doing the classic garage monster “No Fun.”  It was a good Record Store Day but then again, every day is Record Store Day to me.

 
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Posted by on April 26, 2013 in Guest Writers

 

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Concert Review: Lucero / Langhorne Slim at The Granada, Lawrence, KS 4/23/13

Lucero and Langhorne Slim poster for their 4/23/13 show at The Granada in Lawrence, KS.

Seeing a band live after just listening to their music is similar to watching a movie after reading a book. Inevitably the listener paints an image of the band; this could mean their look, their sound or even their attitude on stage. Lucero and Langhorne Slim teamed up for a show at The Granada in Lawrence, Kansas on April 23rd, 2013 that didn’t quite match what I had imagined in my head.

Langhorne Slim performs with The Law at The Granada in Lawrence, Kansas on 4/23/13.

Langhorne Slim performs with The Law at The Granada in Lawrence, Kansas on 4/23/13.

Langhorne Slim is a great listen on album. The voice of lead singer Langhorne Slim (Sean Scolnick) sings with a gentle rasp that serenades to go along with the roots music he plays. He carried with him a backing band on this tour (The Law) that would add a surprising punch to his music. Slim typically plays a good mixture a few fast acoustic numbers and several slower, more soulful songs. This would lead a listener to believe his set would contain several slower songs.

Langhorne Slim & The Law brought their boxing gloves to the Granada though and knocked the crowd out with a high-energy set that was a perfect opener for a alt-country band like Lucero. The group would hit their latest record, The Way We Move, very hard by playing almost exclusively songs from it. It is refreshing to hear a band with a solid back catalog have the confidence to trot out a ton of new material and play with the attitude that it is their best; for Slim this may well be the case. Right out of the gate Slim was propelling himself upward off the bass drum during “The Way We Move” and upright bass player Jeff Ratner would slap his four strings to match the intensity. Longtime drummer Malachi Delorenzo and his massively dented cymbals would sweat out the intense set and David Moore would frequent the keyboards and occasionally take his turn on the banjo.

Langhorne Slim dials up the intensity with his antics at The Granada in Lawrence, Kansas on 4/23/13.

Langhorne Slim dials up the intensity with his antics at The Granada in Lawrence, Kansas on 4/23/13.

The set would take a couple of slower turns that allowed Slim to really display his vocal skills. With his surprisingly soulful voice he would belt out the banjo adorned “Salvation,” admiring tribute to his grandpa “Song For Sid” and the highlight of the slower songs “Tonight Again (Again Tonight.)” Slim would perform “Tonight Again” with the band absent from the stage and he would bring out Lucero’s Rick Steff to join him on accordion to make for a particularly intimate version of the unreleased song. The full band would go off stage with a straight up soul version of their appropriate closing song “Past Lives.” Slim would hop down into the crowd and detour a bit into the audience while belting out the final lyrics to the song and building the audience up to a massive participation in helping sing “I ain’t dead” before giving The Granada stage to the headliner.

Langhorne Slim serenades the crowd during one of his slower numbers late in the set.

Langhorne Slim serenades the crowd during one of his slower numbers late in the set.

Langhorne Slim setlist from The Granada in Lawrence, KS 4/23/13:

  • The Way We Move
  • Bad Luck
  • Honey Pie
  • Two Crooked Hearts
  • Fire
  • Salvation
  • Someday
  • Anything For You
  • Song For Sid
  • Tonight Again (Again Tonight)
  • Found My Heart
  • Cinderella
  • Past Lives

Having never seen Lucero live I was expecting a barnburner. Raunchy guitar boogie and a fast rocking set were a given right? Not so much. While the relaxed band would blast out of the gate with a driving “Sounds of the City” their overall set would not rock as much as I had anticipated. This by no means indicates that it was a bad show because the set I was about to see is almost a given to be included in my top concerts of the year this December.

Lucero marquee at The Granada in Lawrence, KS.

The group hit their newest album, Women & Work, pretty heavily playing 6 songs from it. They played possibly their most radio friendly song of their career from it right away with “On My Way Downtown.” They would also pepper in the reflective “When I Was Young” and the rowdy title cut “Women & Work” near the top of their lengthy setlist. They would miss many of the songs that are the usual suspects in their sets and replace them with more obscure tracks. Many of these obscure tracks came straight off of the audiences’ lips.

The seven-member band would spread across the stage but never overpower the songs with too much sound. The horn section, a trumpet and saxophone, would make nice additions to many songs but also not force themselves into numbers where they didn’t fit as the players would even occasionally even walk off-stage during songs. The other five members would be on bass, drums, keyboards, and guitar and of coarse Ben Nichols singing and playing guitar. It was shocking how casually confident Nichols was. He is undoubtedly the driving force behind the band, organizing it from his spot in center of the stage clearly making him the star of the show. Lucero for the most part is not a flashy band. The bass player, drummer and guitarist weren’t terribly impressive; they were good at their craft but didn’t do a ton to stand out. Solos were few and far between but not missed in the music at all. The exceptions to the band not being terribly impressive were Ben Nichols’ fantastic vocals and Rick Steff tearing up the keyboards and accordion.

Ben Nichols vocals are striking. Even after listening to him sing on record they will still catch you off-guard. His unique range adorns Lucero’s many songs about heartbreak perfectly. His effortless singing from his tall, lanky frame gives you the impression that his voice would never give out on him. Never. He is one of the most relaxed performers you will ever see on stage. While orchestrating the setlist on the spot he would win over nearly every audience member in attendance. He would spend his time making eye contact with several spectators and even trying to listen to what they had to say and occasionally talking to them. During songs he would shoot a sideways smile the way of people that knew every word or who were pumping their fists in tribute the songs. His white t-shirt and thick facial scruff only accented his tattooed arms and salt and pepper hair, as he would belt out nearly a two hour set while not even leaving the stage.

Lucero's driving force; Ben Nichols, blasts through an nearly two hours of music non-stop at The Granada in Lawrence, Kansas on 4/23/13.

Lucero’s driving force; Ben Nichols, blasts through nearly two hours of music non-stop at The Granada in Lawrence, Kansas on 4/23/13.

Nichols would sing several heartfelt songs. “Little Silver Heart” “It Gets Worse At Night” and “Hold Me Close” would all qualify here. Many songs about Nichols family were present too including the shocking twists of “The War” and the playfulness of “Raising Hell.” The band would be releasing a new EP on this occasion named Texas & Tennessee and would play three of the four songs from it. The would also stretch clear back to 2001 to their self-titled out-of-print first album to do three songs including the fitting “All Sewn Up” near the end of the set. “All Sewn Up” is a tribute to bad tattoos and it read true for the group. Each member of the core band was visibly covered in ink, averaging likely at least 30-40 tattoos each leading me to believe a couple members don’t even own any shirts with sleeves.

On a night that would miss the power-rock boogie of “That Much Further West” “Tears Don’t Matter Much” and “The Devil And Maggie Chascarillo” it would be strange how these giant songs would be overshadowed by the tracks performed in their place. It became obvious that Ben Nichols was a much more talented songwriter than he is given credit for and that the band really doesn’t have many songs that aren’t a welcome addition to any concert.

Nichols would conclude the show without and encore because he had lost track of time and played too long; the set would still fall just 10 minutes short of two hours. After the last song he would hop out into the crowd front and center and continue to win over fans. One crowd member would loudly fall on the ground after Nichols started making his way through the eager people and the band’s singer would quickly go back and be the first person to help him up while giving him a pat on the back. Another fan would ask, “If I bought a t-shirt could the whole band sign it?” and Nichols would respond: “I don’t know about the rest of the band but I’ll sure sign it.” Ben Nichols would prove he is not only a legendary talent but one hell of a nice guy as well.

Lucero's Ben Nichols: All Sewn Up with bad tattoos and one hell of a nice guy.

Lucero’s Ben Nichols: All Sewn Up with bad tattoos and one hell of a nice guy.

The combination of Lucero and Langhorne Slim made for a fantastic show. The high intensity of Langhorne Slim & The Law and the slightly subdued set by Memphis rockers Lucero may not have been what you I expected after listening to their records but as live bands they will both easily rise beyond your expectations. Records are great but sometimes to paint the full picture you need to go to a show and lose yourself in a great performance. I would pay good money to see Langhorne Slim and/or Lucero again in a heartbeat; if the setlists were exactly the same or if their wasn’t one song repeated from this show.

Lucero setlists from The Granada in Lawrence, KS 4/23/13:

  • Sounds of the City
  • On My Way Downtown
  • Nights Like These
  • Kiss The Bottle (Jawbreaker cover)
  • Hold Me Close
  • Women & Work
  • When I Was Young
  • Joining The Army
  • Tonight Ain’t Gonna Be Good
  • Like Lightning
  • Bastard’s Lullaby
  • It May Be Too Late
  • Rick’s Boogie #2
  • Goodbye Again
  • Texas & Tennessee
  • Other Side Of Lonesome
  • Ain’t So Lonely
  • Who You Waitin’ On?
  • Little Silver Heart
  • Raising Hell
  • It Gets Worse At Night
  • What Would You Have Me Be
  • Mom
  • The War
  • Take Shelter
  • San Francisco
  • All Sewn Up
  • Fistful of Tears

 

 
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Posted by on April 24, 2013 in Concert Review

 

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250 Word Album Review: Edward Anderson – Low-Fi Goodness

Edward Anderson - Low-Fi Goodness

Edward Anderson - Low-Fi Goodness gets 4 stars

Edward Anderson escapes the shadows of projects like Magic Box and most of all Backyard Tire Fire to release his first solo album, Low-Fi Goodness. This 8 song EP plays like the solo project that it is. It is stripped down and often just features Anderson’s banjo accompanied by only his foot stomping.

Low-Fi Goodness starts with the epic line “It’s hard to think about tomorrow when you’re trying to make it through today.” on the album’s first single “Tears At Bay” making for the albums most memorable tracks. The next song, “Robbed In North Carolina,” has the gentle touch of an acoustic guitar while “Tears at Bay” is driven by a banjo. “Robbed In North Carolina” is a strange twist on a love song that takes you down the dark side of memory lane. The album continues to alternate between banjo and guitar tracks all the way to the end. The banjo songs have a rough touch while the soft strums of the acoustic guitar give the remainder of the songs a completely different feel.

The clear highlight of the EP is “Bums In The Sun” with its twisted first person narrative about how a person can fall through the cracks and become ruthless. With its soaring chorus of no remorse it makes for one of the most interesting narratives you’ll hear. “Patiently” profiles a man facing maturity and being blindly honest when put on the spot. The mixture of songs keeps the listener interested and the repeated themes make for an oddly unique experience that will keep you listening.

Key Tracks: “Bums In The Sun” “Tears at Bay”

 
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Posted by on April 17, 2013 in 250 word album reviews

 

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Concert Review: Third Wounded Man / Cupcake / Dsoedean at Cafe Acoustic in St. Joseph, MO 4/13/13

Brian Myers Birthday Blowout poster with Third Wounded Man, Cupcake and Dsoedean.Brian Myers has become an important puzzle piece in St. Joseph, Missouri. Known for his sometimes shocking honesty and blunt wit, he is either passionately loved or hated; depending on who you talk to. The turnout at the Cafe Acoustic for his “Birthday Blowout” proved that there are still several people in town he has yet to offend; the ball is in your court Mr. Myers.

Among the not-yet-offended was Brian’s girlfriend and the operator of the fantastic local business The Lucky Tiger, Amy Heath. She spent the time to make tons of heads on sticks for the crowd, each one with a unique fact about Myers; each more disturbing than the last. My favorite of which was “Brian once got busy in a Burger King bathroom.” No word on whether a second party was involved in this act.

The occasion did bring together three great bands as well. All three brought very different styles of music to the table. First up was one of St. Joseph’s hardest working bands: Dsoedean. Dsoedean was in its three piece variety featuring Colby Walter on bass. Zale Bledsoe would take exclusive guitar duties while Bobby Floyd would pound on his low-sitting drum kit. While the limitations of a bass around Walter’s neck inhibits his abilities, it does give the band a more brash, garage rock sound than when Walter is able to tickle the keys of his keyboard. The band continued to move up the ramp to their much anticipated first full-length release, Continue To Move.

Dsoedean busting through their opening set at Cafe Acoustic on 4/13/13. Left to right: Colby Walter, Bobby Floyd and Zale Bledsoe.

Dsoedean busting through their opening set at Cafe Acoustic on 4/13/13. Left to right: Colby Walter, Bobby Floyd and Zale Bledsoe.

Third Wounded Man would take control of the stage next with Bill Blizzard on drums, Tyson Bottorff on bass and occasionally taking a shot at the mic and Todd Cooper relentlessly taking on guitar and vocals. Blizzard would hit the drum head so hard it was difficult to imagine either the drum skin or drum stick wouldn’t eventually give way and his thrash-metal drum style perfectly complimented Bottorff’s machine gun bass playing and Cooper’s aggressive vocal and guitar style.

Third Wounded Man makes Cafe Acoustic's neighbors angry on 4/13/13. Left to right: Bill Blizzard, Todd Cooper and Tyson Bottorff.

Third Wounded Man makes Cafe Acoustic’s neighbors angry on 4/13/13. Left to right: Bill Blizzard, Todd Cooper and Tyson Bottorff.

Todd Cooper has the best guitar poses in town, he would lean his long frame back, position himself under the mic with a wide stance and sing up to the metal gods while doing his best to make ears bleed. The 20 plus year veteran to the hard rock scene has perfected how to sing in a heavy band. He avoids the “sceamo” tactics and really belts out clear, understandable vocals to go along with the band’s driving sound. Third Wounded Man has already stockpiled a few grade A original songs like “Every Little Thing She Does Is Tragic,” the Rush referencing ”March of the True” and an overdue ode to album release day in “Ghosts of Tuesday’s Past.” They would even debut a new song named “I, Escapist” that is sure to graffiti the bands setlists for the foreseeable future. The group would also give a loving headbanging nod to one of the Ramones better songs by covering “I Believe In Miracles” before they would turn the stage over to the next act.

Cupcake challenges the limits of what is normal at the Cafe Acoustic, 4/13/13. Left to right: Shardie, Jeff Jensen, Marc Darnell and Kiley Bodenhamer.

Cupcake challenges the limits of what is normal at the Cafe Acoustic, 4/13/13. Left to right: Shardie, Jeff Jensen, Marc Darnell and Kiley Bodenhamer.

Cupcake would close out the night with their standard amount of weirdness. Jeff Jensen and Kiley Bodenhamer would steady the boat while the guitar playing of Shardie and vocals and guitar of Marc Darnell would attempt to tip the boat over. The crowd would be enticed to leave their seats and gather around the stage for the band’s antics. The set could be nicely summed up by Darnell uncomfortably positioning his guitar so he could lift his shirt to show his bare stomach for no apparent reason. The only debate about Cupcake is whether they are more fun to watch or to listen to; luckily those two things go hand-in-hand.

The three bands really didn’t fit together as a cohesive bill but kept the audience on their toes. The group of friends and music lovers that gathered to honor the revered Brian Myers would get a supreme sampling of what St. Joseph has to offer musically. Each band had it’s own personality and each band was personally connected to Myers. In retrospect, the powerful hooks of Dsoedean, the thrash of Third Wounded Man and the abstractness of Cupcake may have been the perfect way to celebrate St. Joseph’s favorite Jew’s birthday.

 
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Posted by on April 14, 2013 in Concert Review

 

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