Concert Review: Pompous Pilot / Dsoedean @ The Cafe Acoustic; July 16th, 2011

St. Joseph, Missouri isn’t a huge attractions for bands. Most bands hit surrounding areas and avoid St. Joe unless of course they are from St. Joe. This was the case with Saturday July 16th 2011 show at the Cafe Acoustic in St. Joe. A couple local bands joined forces to put their talents on display.

It was my first experience with the Cafe Acoustic and I was impressed. Parking sucks and the venue is small but it seemed to have good sound and be very band friendly. The Cafe Acoustic would be anything but acoustic with these two bands performing.

Pompous Pilot took the stage first; a band that has been on the scene in the city for years. The band is comprised of Kiley Bodenhamer on vocals and guitar, Sam Blumer on bass and drummer Jeff Jensen. They are a straight-forward 3-peice band with few frills, just straight ahead rock. The band has an album out named roads? and it is available on itunes and cdbaby. The album has some strong material on it but it appears to be totally in their rear view mirror at this point. The band is sporting almost all new material; much of it their best yet.

The strongest of this material in my opinion is “Peace, She Said” aka “Songs/Bombs” which has become a staple in their setlist. Other highlights are “Kids” and “Pink Pistol” a driving instrumental that would fit in any good heist movie soundtrack. This material has yet to make it on a purchasable disc but I’m sure will be in the near future.

Pompous Pilot on stage at the Cafe Acoustic ( not Dsoedean as the grainy picture might lead you to believe.)

Pompous Pilot on stage at the Cafe Acoustic ( not Dsoedean as the grainy picture might lead you to believe.)

Dsoedean would take the stage next. Unlike Pompous Pilot they are a fresh face on the music scene. They are playing shows in St. Joe and Kansas City supporting their pair of strong EPs; Send A Sign and On An Edge. Dsoedean, like Pompous Pilot, is a 3-piece band, just drums, bass and guitar; the way it should be. The band is Zale Bledsoe singing and guitar, Marcus Words on bass, and Bobby Floyd on drums. Their sound and style resemble Modest Mouse but is far more polished than Modest Mouse was at this point in their career.

I had seen Pompous Pilot about four times so I knew what to expect from the band. Dsoedean was a different story. They are a great pairing with Pompous Pilot but are a very different act to see. Pompous lets their music blast through their subdued lyrics while Dsoedean puts their heartfelt lyrics front an center behind big hooks.

Dsoedean would perform their entire first EP, Send A Sign and I believe their whole second EP as well. Their first EP features the crowd favorite “Under Toe.” The band translated the music very well to the stage not only matching but exceeding the intensity of the songs on record. The material off the second EP; On An Edge was new to me. My first impressions were great for the aggressive “Shuffle Your Feet” and near the end of the set “Climb The Fence.”

The set ended with “Like The Ghost” and was interrupted by a broken guitar string. Pompous Pilot would also break a guitar string on their last song but would power through it to finish their set. “Like The Ghost” was re-started with the same vigor as the first time an finished an impressive performance. They are a good band, go here to find their music.

Dsoedean at the Cafe Acoustic on July 16th 2011.

Dsoedean at the Cafe Acoustic on July 16th 2011.

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The Best of…Camper Van Beethoven…a greatest hits compilation

Camper Van Beethoven is a band from mainly the 1980s fronted by Cracker frontman David Lowery. Cracker is my favorite band and was before I ever really listened to Camper Van Beethoven. Most fans of the bands were fans of Camper Van Beethoven and followed Lowery to Cracker.

Because I went about this reverse, Camper Van Beethoven almost seems like a secondary band to me to Cracker. The bands are different but are also very comparable because of David Lowery’s writing and singing. There was a time in the early 2000s when the difference between the two bands was only exchanging Greg Lisher(Camper) for Johnny Hickman(Cracker.)

So I have decided to make a stab at a one disc greatest hits for David Lowery’s first band, Camper Van Beethoven. It is noteworthy that Camper Van does have a greatest hits/best of compilation available. This can be used as a guide. Here is their track listing for “Popular Songs of Great Enduring Strength and Beauty.”

Camper Van Beethoven - Popular Songs of Great Enduring Strength and Beauty

Camper Van Beethoven - Popular Songs of Great Enduring Strength and Beauty

  1. The Day That Lassie Went to the Moon
  2. Border Ska
  3. Take the Skinheads Bowling
  4. Pictures of Matchstick Men
  5. Skinhead Stomp
  6. Opi Rides Again/Club Med Sucks
  7. Eye of Fatima (Parts 1&2)
  8. ZZ Top Goes to Egypt
  9. Sad Lovers’ Waltz
  10. When I Win the Lottery
  11. The History of Utah
  12. Seven Languages
  13. All Her Favorite Fruit
  14. Good Guys & Bad Guys
  15. Circles
  16. One of These Days
  17. Ambiguity Song
  18. Shut Us Down

Here is my list:

  1. The Day That Lassie Went to the Moon
  2. Take the Skinheads Bowling
  3. Ambiguity Song
  4. Cowboys From Hollywood
  5. Sad Lover’s Waltz
  6. Seven Languages
  7. Good Guys & Bad Guys
  8. The History Of Utah
  9. Shut Us Down
  10. Eye of Fatima (Parts 1&2)
  11. She Divines Water
  12. One of These Days
  13. Life Is Grand
  14. Sweethearts
  15. When I Win The Lottery
  16. All Her Favorite Fruit
  17. Pictures of Matchstick Men
  18. Think About Me
  19. The Long Plastic Hallway
  20. 51-7
  21. Might Makes Right
  22. Hippy Chicks
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Concert Review: The Rainmakers 6/4/11, Krug Park in St. Joseph, MO

The Rainmakers re-united in early 2011 and recorded a new album of material. The reunion wasn’t a true full one as guitarist Steve Phillips elected to remain in his band the Elders and Jeff Porter would take Phillips place. The band released a new record, 25 On, their first album of new material since 1996.

The band played a couple big shows in Kansas City and took a quick trip to the geographical hotbed of Rainmakers fans in Europe, also known as Norway. They showed up to The Krug Park Amphitheater in St. Joseph on Saturday 6/4/11 to a very respectable crowd of anxious fans.

My newly signed copy of The Rainmakers new album "25 On" (top to bottom) Jeff Porter, Bob Walkenhorst, Rich Ruth(left) and Pat Tomek(bottom right)

My newly signed copy of The Rainmakers new album "25 On" (top to bottom) Jeff Porter, Bob Walkenhorst, Rich Ruth(left) and Pat Tomek(bottom right)

Most of the band played the same show last year. The only problem was that it was in a steady rain and the band was missing bass player Rich Ruth. Jeff Porter had not formally become a Rainmaker at the time either. That night was an enthusiastic show but was only seen by a few fans, possibly under 100 people.

2011 was different. The band was officially billed as The Rainmakers and were ready take St. Joseph by storm. A light rain shower cooled the crowd right before the band started their set that lasted close to 2 hours. The band blasted into possibly their best song right away, “Downstream.”

They would play a 25 songs set that would hit both their first and last albums very hard and fill in the gaps in-between with some well chosen songs from the rest of their catalog. They would go on to play 10 of the 11 songs from their debut album. The would also plug their new disc appropriately by playing 6 songs from it. They would do 4 from “The Good News and the Bad News” and another 2 from “Flirting With The Universe” and 3 from their sophomore effort “Tornado.” The only album to not get represented was the 1996 concept album “Skin” that really works better as a complete album as opposed to individual songs.

I found myself wondering how this show was any different than the other four times I have had the pleasure of watching Bob Walkenhorst play. The addition of Rich Ruth on bass being the most notable difference. There was definitely a different energy to this Rainmakers show in comparison to the Walkenhorst shows I had previously seen. I had never seen them billed as The Rainmakers before this St. Joseph show.

Walkenhorst was very animated, not that he isn’t always. He is a very good entertainer and adds a lot of energy to the show. He took it to another level when fronting the band that brought him his musical success. Bass player Rich Ruth and guitarist Jeff Porter frequently visited each-others sides of the stage to sing harmonies and backup vocals. The three members used much of their time on stage to move around and appeared to be having a very good time. Rich Ruth and new guitarist Jeff Porter had a ton of fun with each-other and if you didn’t know better you would have thought they were both original members of the band. The only member to stay put was drummer Pat Tomek who was understandably tied to his drum kit.

The absolute shocker for me was when bass player Rich Ruth took over lead vocals to sing a Rainmakers song I didn’t think I would ever hear, “Nobody Knows.” The song is from the Rainmakers first album released in 1986 and I had never seen it because Bob Walkenhorst didn’t perform lead vocals on the track so he had never done it. The trick is that Rich Ruth didn’t perform lead vocals either. It was guitarist Steve Phillips who wrote and performed the song on the album. Ruth took the mic and bravely took on the song. He couldn’t sing it quite like the young Steve did 25 years earlier but did a very good job and made it the highlight of my night.

The Rainmakers returned for the encore by doing a surprising a cappella version of “Turpentine” off of their new album 25 On. They then busted out one of their better known songs that I had never seen. The first album also contained the tounge-in-cheek “Big Fat Blonde” that Walkenhorst refused to perform for several years during the Rainmakers hiatus. The song was busted out to close the evening and made it really really feel like a true Rainmakers show.

The Rainmakers pose for a picture with a fan after the show. The graciously stayed to sign everything for everyone that wanted a signature or take a picture. Left to right: Jeff Porter, Rich Ruth, a fan, Bob Walkenhorst, Rich Ruth

The Rainmakers pose for a picture with a fan after the show. The graciously stayed to sign everything for everyone that wanted a signature or take a picture. Left to right: Jeff Porter, Rich Ruth, a fan, Bob Walkenhorst, Rich Ruth

The Rainmakers the 25 song setlist from the Krug Park Amphitheater in St. Joseph, MO on 6/4/2011

  • Downstream
  • Hoo Dee Hoo
  • Shiny Shiny
  • Long Gone Long
  • The One That Got Away
  • Given Time
  • Small Circles
  • Rockin’ At the T-Dance
  • Like Dogs
  • Nobody Knows
  • Kansas City Times
  • The Lakeview Man
  • Drinkin’ On The Job
  • The Wages of Sin
  • Reckoning Day
  • You Remind Me Of Someone
  • Missouri Girl
  • Spend It On Love
  • Government Cheese
  • Another Guitar
  • Last Song of the Evening
  • Information
  • encore break
  • Turpentine (a cappella)
  • Let My People Go-Go
  • Big Fat Blonde
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Concert Review: David Bazan in Kansas City, MO 6/3/11 at the Record Bar

So David Bazan made his way through Kansas City supporting his very solid new disc Strange Negotiations on Friday. The June 3, 2011 show would rely heavily on the new record and of course some older Pedro The Lion material.

I first saw Bazan live on a solo electric tour soon after his first solo release, the Fewer Moving Parts EP. It was a great show and I got a chance to talk to Mr. Bazan and quickly pegged him to be one of the nicest and easiest to talk to guys to catch on tour. Shamefully, I didn’t catch him on his “Curse Your Branches” tour so this was the first time I had seen him since.

David Bazan's Curse Your Branches cd sleeve autographed

David Bazan's Curse Your Branches cd sleeve I got signed after the show. I got a chance to briefly talk with David and thank him for coming to Kansas City when I got it signed.

I hadn’t listened to much of his music the first time I attended a show of his so this would be a very different experience. It was a very full show, probably not a sell out but definitely not far from it. It was hot, let me rephrase that, it was fucking scorching in the Record Bar. What the hell Record Bar? Was your A/C broken? Are fans too expensive? It was nearly unbearable. Another note: charging $4 for a bottle of domestic beer is a good way to keep your bartenders from being tipped. But I digress…

So it was shoulder to shoulder for much of the show and really, really hot with now air movement whatsoever. The Soft Reeds from the Kansas City area(I think) were on first and were followed by Bazan’s opener Cotton Jones.

Cotton Jones had a nice sound. A big band of six member but impressively allowed each other to play instead of trying to play over each other which I have seen many bands do. Cotton Jones can most easily be described as “New Morning” era Bob Dylan. Soft, deep vocals accompanied by acoustic guitar, some but not too much electric guitar, drums, bass, accordion/xylophone and of course trumpet/tuba. The mix was very good for Cotton Jones, nice relaxing music with good lyrics. If the band had a fault it would be that many of their songs were the same mid-tempo, but every song seemed to have something to set it off from the others so I thought it worked well.

David Bazan and his 3 man band took the stage at 11:20 and played until 12:40 as planned. The setlist as I mentioned focused on the Strange Negotiations record. I have no problem with a band trying to sell their latest record when they are trying to make a living at this business as Bazan is. If I go see the Rolling Stones it is a different story, can the new crap and play Tumbling Dice, you’ve already made your money.

That being said, I missed all 3 of the songs I really would have liked to have heard Bazan play. I am a big “Curse Your Branches” fan and wanted to hear both “Hard To Be” and “Please Baby Please” off that record but they didn’t make the setlist in Kansas City. I also would have liked to have heard a song from David Bazan’s Headphones side project called “Never Wanted You” that is fantastic but missed it as well. These are minor points because it was a good show and I still got to hear a lot of good music.

The setlist for David Bazan at the Record Bar in Kansas City, MO on 6/3/11 is as follows:

I Don’t know about the second to last song, everything else is was definitely played and in this order.

  • Wolves at the Door
  • How I Remember
  • Level With Yourself
  • Bless This Mess
  • People
  • Up And Coming Monarchs
  • Virginia
  • Big Trucks
  • Transcontinental
  • Eating Paper
  • Magazine
  • Cold Beer & Cigarettes
  • Bearing Witness
  • Won’t Let Go
  • Don’t Change
  • ?When They Really Get To Know You They Will Run?
  • Strange Negotiations

Of the 17 songs played, 8 appear on “Strange Negotiations.” The record was officially released on May 24th so this is one of the very first shows supporting the record of which he played 8 of the 10 songs.

I don’t know if it was time constraints or the fact that is was hot as shit but Bazan made it clear that there would be no encore by waving his arms for the encore clapping to stop after the last song. The crowd definitely didn’t get cheated out of an encore though, he played his full allotted time. He may have even skipped the formality of leaving the stage for an encore and just played the songs strait through. In a venue like the Record Bar the band must exit the stage through the crowd which makes this much more difficult to do.

David Bazan always requests questions at his shows. This make for interesting stage banter and adds another dimension to his shows as well. On this night one fan would ask multiple question and not very good ones at that. It killed the Q&A portion of the show a little in my opinion. I still love that David Bazan elects to do this at shows. Highlights of Bazan’s set for me were probably “Eating Paper” a song on the new record that has some tasty guitar playing on it. “Cold Beer and Cigarettes” was good to hear as well. The undoubtable highlight however would have to be the juiced up version of “How I Remember” from the “Fewer Moving Parts” EP.

I hope Bazan makes his way back through in Lawrence or Omaha later this year, If you ever get a chance, go see him perform. He has a lot to say and is a great performer.

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David Bazan Kansas City, MO @ The Record Bar 6/3/11 setlist

David Bazan Kansas City, MO @ The Record Bar 6/3/11 setlist

Don’t know about the second to last song, everything else is correct. Review to follow.

  • Wolves at the Door
  • How I Remember
  • Level With Yourself
  • Bless This Mess
  • People
  • Up And Coming Monarchs
  • Virginia
  • Big Trucks
  • Transcontinental
  • Eating Paper
  • Magazine
  • Cold Beer & Cigarettes
  • Bearing Witness
  • Won’t Let Go
  • Don’t Change
  • ?When They Really Get To Know You They Will Run?
  • Strange Negotiations
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Lyric of the day: Cottonseed

“They say every sin id deadly but I believe they may be wrong,

I’m guilty of all seven and I don’t feel too bad at all.”

 

Drive-By Truckers – Cottonseed – The Dirty South

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Review: Will Johnson Living Room Show 5/16/11 Kansas City, KS

Will Johnson is a solo artist, singer/guitarist for Centro-Matic, singer/guitarist for South San Gabriel, Drummer for the Monsters of Folk and half of the duo Johnson and Molina. On this night he was solo acoustic in someone’s living room.

He was playing songs in their most stripped down form. He was promoting his newest release under his solo moniker, The Little Raider EP. You can buy The Little Raider EP here. He sampled his catalog to put on a great intimate show.

Will Johnson's Little Raider EP from 2011.

Will Johnson's Little Raider EP released in Spring 2011.

Johnson’s music is great for this kind of environment. While his catalog with Centro-Matic is largely of a sonic nature, many of his other projects focus the quieter side of things. He focuses on storytelling and painting pictures with the lyrics to his songs.

The environment was very relaxed with the crowd sitting around talking about music, baseball and living room decor. The best part about a small show like this is that you lose the annoyances of a bar show, mainly the jackasses that talk during songs.

The most telling moment of this show and any show involving Will Johnson in my opinion is the first time you hear his voice. It always takes me off guard how big his voice is. If you have heard his records you have an idea but it really is something that is entirely different live. The records just doesn’t seem to portray how full his voice is.

Because of his vast catalog, I was unable to keep a setlist, the fact that he tends to do many new and unreleased songs doesn’t help either. I can verify that among the songs played were: “Flashes and Cables” “Just To Know What You’ve Been Dreaming” “Philo Manitoba” “Little Raider” “Devil on the Interstate Line” “The Scorpion” and the great closer “Nothin’ But Godzilla.”

The highlight for me was my favorite song by Johnson, “Just To Know What You’ve Been Dreaming.” A song that I have strangely enough seen Jason Isbell cover live. Johnson has been doing these living room tours for a while now and I would highly recommend catching one if you ever get a chance.

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Listen To… The Rainmakers

The Rainmakers are somewhat of a local band for me. They basically call Kansas City home. They first surfaced in the mid-1980’s and appeared to be headed to reasonable amount of fame. They sold some records and played some sold out shows, made it on MTV and lived the life for a little while.

Now it has been roughly 25 years and The Rainmakers have split and recently re-formed. They have six proper studio albums. The first coming in 1986 and the sixth in 2011. They aren’t on MTV anymore, thankfully, but they have a small loyal following, in the Kansas City area and strangely Norway mainly.

The lead singer of the band is Bob Walkenhorst. Walkenhorst regularly plays shows in Westport, MO at a great little venue called the Record Bar. Walkenhorst usually plays every Wednesday at 7pm.

Bob Walkenhorst(left) performing as Walkenhorst/Porter in St. Joseph, MO in 2010 with new Rainmakers guitarist Jeff Porter.

Bob Walkenhorst(left) performing as Walkenhorst/Porter in St. Joseph, MO in 2010 with new Rainmakers guitarist Jeff Porter.

The Rainmakers most recent album is their first with new guitarist Jeff Porter. Former guitarist Steve Phillips performs with The Elders now. Pat Tomek on drums and Rich Ruth on bass make up the rhythm section of the band. Here is a brief run-through of their albums:

The Rainmakers (1986)

The self-titled debut features likely the Rainmakers 2 most well known songs and is undoubtedly the album to pick up if you don’t have any Rainmakers in your collection. The 2 songs are “Let My People Go-Go” and “Big Fat Blonde” The album is solid from start to finish and has recently been remastered with bonus tracks which is great news if you are a huge dork like me.It features what is in my opinion the absolute best Rainmakers song: “Downstream”

Check out: Let My People Go-Go, Big Fat Blonde, Downstream, Nobody Knows and Information

Tornado (1987)

The sophmore effort by The Rainmakers was no slouch either. It has solid rock songs and will never get as many listens as it deserves. It contains the big slow dance prom-style song “Small Circles.” On a personal note it features one of two of the first rock songs I ever liked: “Wages of Sin” the other being Lou Reed’s “Last Great American Whale” if you are curious.

Check out: Snakedance, Wages of Sin, Small Circles and The Lakeview Man

The Good News and the Bad News (1989)

This was The Rainmakers last big chance to try to make it. Unfortunately they would not reach Rolling Stones status but that doesn’t mean their music is any worse than the legendary bands’.

Check out: Reckoning Day, Hoo Dee Hoo and Spend It On Love

Flirting With The Universe (1994)

This album seemed less ambitious to take over the world and more just a simple effort to make good music to anyone who wanted to listen. A more grown up album that still has the genuine Rainmakers sound.

Check out: Another Guitar, Width of a Line, Little Tiny World and Spite

Skin (1997)

Talk about a grown up, adult album; how about a concept album about a pornographer. This is it. A really interesting concept album in my opinion possessing 13 solid cuts that flow well instead of the soaring rockers that filled the Rainmakers previous albums.

Check out: Did You See The Lightening, Too Many Twenties and Hunger Moon

25 On (2011)

The first album without all four original members. A very competent Jeff Porter fills in on guitar/keyboards and helps put out a fun album to bring fans back to the glory days of the band. Some corny references(“Missouri Girl”) and slapstick fun(“Like Dogs”) helps a light hearted album be a solid addition to a great catalog of music.

Check out: Given Time, Like Dogs and Turpentine

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Listen To…Vic Chesnutt/Lawrence, KS 11/21/2008

Vic Chesnutt and the Amorphous Strums performing live

Vic Chesnutt and the Amorphous Strums performing live at the Jackpot Saloon in Lawrence, KS in 2008.

Vic Chesnutt is criminally under-rated among music buyers. He is well respected among musician I believe. He has long been backed by REM’s Michael Stipe and several other musicians. His records are really hard to find. He has released somewhere along the lines of 15 full length records since 1990 counting his records as Brute.

He took his own life on Christmas Eve/Christmas in 2009. He had been a paraplegic since the early 1980’s, before he ever released a record. He was always a tortured soul, you can hear it in his music. Much of his music is dark and brooding.

I have had the pleasure of seeing Mr. Chesnutt live twice. Once in Omaha and once in Lawrence, Kansas. To see him perform his songs is really an emotional experience. It is hard to imagine someone who would evoke so much emotion from performing live songs. It is all in the songs; anger, happiness, sadness, depression…it is all in the songs.

Vic Chesnutt and the Amorphous Strums performing live at the Jackpot Saloon in Lawrence, KS in 2008.My favorite of the two times I saw him perform live was at the Jackpot Saloon in Lawrence, Kansas. He was touring with the band Elf Power who served as his backing band both at the show and on the record he was promoting.

The record is Dark Developments credited to Vic Chesnutt, Elf Power and the Amorphous Strums. They performed eight of the nine songs on that record that evening plus I believe it was two additional solo Vic songs.

I got some great pictures of Vic performing that night. I don’t get many really good pictures at concerts because, while I like to take pictures at shows, I don’t like to use a flash and annoy the performers. The lighting was good that night, bright enough to take pictures but not so bright that the people were just white blobs.

As far as Vic’s records go, I think “Drunk” is likely his most noteworthy record. I personally like “West of Rome” better but they are both classic records. These two records made up most of the tribute album “Sweet Relief” that had a ton of great artists covering Vic’s songs. These performers included: REM, Garbage, Cracker, Sparklehorse and Live.

Also excellent in my opinion is a later record from his catalog, “North Star Deserter.” I would recommend checking it out if you get a chance as well.

I can honestly say that when Vic died back in 2009, it was the first time I had ever felt any emotion toward a “celebrity” when they passed away. I always thought it was a matter of time before Vic died, he had previous suicide attempts and even wrote a great song about it on his last record called “Flirted With You All My Life,” In my opinion I think that is the best song from his entire brilliant career.

There you go, now listen to Vic Chesnutt.

Vic Chesnutt and the Amorphous Strums performing live at the Jackpot Saloon in Lawrence, KS in 2008.

Vic Chesnutt Lawrence, KS Poster

Vic Chesnutt Lawrence, KS Poster

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The Best Of…Paul Westerberg; a greatest hits compilation

Paul Westerberg was the lead singer of the Replacements back in the ’80s and achieved legendary status by doing so. Not so recognized is his solo career that started in the early 1990s with the album 14 Songs.

I personally think his solo career is fantastic. I have seen him get so-so reviews for years now and it is frustrating because much of his solo catalog is excellent. He has accumulated about 10 albums over that period, the latest releases being digital only not at all conventional.

This is a picture of my copy of "Stereo" by Paul Westerberg that I got autographed back in 2005 when I saw him at the Grand Emporium in Kansas City.

This is a picture of my copy of "Stereo" by Paul Westerberg that I got autographed back in 2005 when I saw him at the Grand Emporium in Kansas City.

Westerberg has continued to make music but after doing the soundtrack to the animated movie “Open Season” really changed the way he did things. He seems to record everything in his basement now and I think even plays all of the instruments himself.

I have crammed an 80 minute blank disc full of a whopping 23 songs for my version of a Paul Westerberg best of compilation here. I have included his work as Grandpaboy as well. Grandpaboy is essentially the same a solo Paul Westerberg material.

Westerberg has a compilation out called “Besterberg” a great album name but it is more of an anthology with soundtrack songs and not a pure best of. My version of a Westerberg best of is below.

  1. It’s A Wonderful Lie
  2. Dyslexic Heart
  3. As Far As I Know
  4. Love Untold
  5. Psychopharmacology
  6. Mr. Rabbit
  7. 2 Days ‘Til Tomorrow
  8. Making Me Go
  9. Knockin’ On Mine
  10. Once Around The Weekend
  11. Looking Up In Heaven
  12. MPLS
  13. Love You In The Fall
  14. No Place For You
  15. Crackle & Drag
  16. Vampires & Failures
  17. World Class Fad
  18. High Time
  19. Waiting For Somebody
  20. Lush and Green
  21. Let The Bad Times Roll
  22. Devil Raised A Good Boy
  23. Let’s Not Belong Together
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