The Vinyl Court: Neva Dinova – You May Already Be Dreaming

Neva Dinova - You May Already Be Dreaming

Neva Dinova – You May Already Be Dreaming LP album jacket

  • Artist: Neva Dinova
  • Album: You May Already Be Dreaming (2008)
  • Purchased at: Zebedee’s RPM (Kansas City, MO) for $12

The thrill of the hunt is what keeps you coming back to the same record bins week after week or month after month. You always want to find that gem you never thought you’d hold. While thumbing through the import section at Zebedee’s RPM in Kansas City I came across one of those gems; Neva Dinova’s “You May Already Be Dreaming.”

It stands as the now defunct Saddle Creek band’s last release and I had the chance to buy it at a live show back in 2008, shortly after the record’s release. I didn’t have a turntable at the time, so I passed it up and have regretted it ever since. The die-cut cover with a curtain border reveals the inner sleeve of a praying mantis over a cityscape that is way cooler at LP size than CD. The music is great too, with the dark and powerful song “Clouds”  leading the way and more experimental songs like “Supercomputer” and “Squirrels” adding to the album’s brilliance. The

album had a low print run and vanished to the point I never thought I would see it again. A Saturday spent flipping through record bins produced it for me and reminded me why I spend hours passing up sub-par records looking for a gem.

Rating: B+

 

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Concert Review: The Presidents of the United States of America at Town Center Plaza in Leawood, KS 6/19/14

Fans gathered at Town Center Plaza in Leawood, Kansas for the Sunset Music Fest feauring The Presidents of the United States of America. Most people in attendance had heard the song "Peaches."

Fans gathered at Town Center Plaza in Leawood, Kansas for the Sunset Music Fest feauring The Presidents of the United States of America. Most people in attendance had heard the song “Peaches.”

The Presidents of the United States of America (or PUSA for my typing fingers’ sake) don’t tour much anymore and hopes for a show in the Kansas City / Omaha areas seemed bleak. The band booked a FREE show in Leawood, Kansas at a mall-type of area for the Sunset Music Fest with the help of 90.9 The Bridge. They are a great family friendly band so this made perfect sense. The narrow alleyway where the band would set up was maybe a hundred feet wide but stretched a long way in-between stores on each side providing a strange area to see a show. The alleyway wasn’t a whole lot wider than the stage but set up their lawn chair all the way back to a distant parking lot on the other side of the alley from the stage.

PUSA would be preceded by local all american heroes Not A Planet. The Westport natives were impressive and had no problem keeping the attention of the crowd. With some bluesy boogey like on “My Train Is Coming” and a crunchy guitar coating nearly every song, their sound is tailor made for what exemplifies indie rock. Their time on stage was short and the weather was really hot but the impending rain held off, as it would for the headliners.

Not A Planet plays live in Leawood, Kansas for the Sunset Music Fest.

Not A Planet plays live in Leawood, Kansas for the Sunset Music Fest.

 

PUSA came on stage before 8:30 (it was a family event after all) and would have a lot of fun during their roughly hour and a half set. The group is more than a one-hit wonder but most people only know them for their great self-titled first album, so you could call them a one-album wonder I suppose, but they are much better than that. They would hit this record hard right out of the gate and end up playing 9 of the 13 tracks off of it. They would sprinkle in favorites from most of their other albums since that 1995 landmark including their new album Kudos To YouKudos got plenty of love with 6 songs getting performed off of it including the two best songs off of it, “Poor Little Me” and “She’s A Nurse.” The grinding guitar of “Mach 5” was surprising while the exclusion of “Jennifer’s Jacket” was disappointing, but overall the set was a huge amount of fun and was greeted with lots of fanfare.

Lead signer Chris Ballew would be his energetic self, jumping around stage and even doing one of the band’s biggest hits, “Dune Buggy”, while standing on top of a chair. Newish guitbass player Andrew McKeag would match Ballew’s bassitar while Jason Finn would play the conventionally named drums. The irresistible pop of “Some Postman” was great and the Mark Sandman (of Morphine) tribute was great. The other hits like “Lump” “Volcano” and of course “Peaches” delighted the crowd of casual music fans. “We’re Not Going To Make It” would close out their main set and the encore would be their great cover of The Buggles’ “Video Killed The Radio Star” and they would close out the way they started the set, with their emphatic version of MC5’s “Kick Out The Jams.”

The Presidents of the United States of America perfroming live at the Sunset Music Fest at Town Center Plaza in Leawood, Kansas. Lead singer Chris Ballew (left) performs their song "Dune Buggy" from on top of a chair simply because he is a rock star and can do that sort of thing.

The Presidents of the United States of America perfroming live at the Sunset Music Fest at Town Center Plaza in Leawood, Kansas. Lead singer Chris Ballew (left) performs their song “Dune Buggy” from on top of a chair simply because he is a rock star and can do that sort of thing.

The Presidents of the United States of America at Town Center Plaza in Leawood, KS 6/19/14 setlist:

  • Kick Out The Jams (MC5 cover)
  • Kitty
  • Volcano
  • Poor Little Me
  • Some Postman
  • Boll Weevil
  • She’s A Nurse
  • Back Porch
  • Lump
  • Crown Victoria
  • Tiki God
  • Dune Buggy
  • Finger Monster
  • Feather Pluckin’
  • Good Morning Tycoon
  • Ghosts Are Everywhere
  • Bug City
  • Slow Slow Fly
  • Mach 5
  • Kansas City (Wilbert Harrison cover)
  • Peaches
  • We’re Not Going To Make It
  • encore break
  • Video Killed The Radio Star (The Buggles cover)
  • Kick Out The Jams (reprise) (MC5 cover)
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Album at a glance: The Invisible World – Welcome To The Invisible World

The Invisible World - Welcome To The Invisible World

This Kansas City group simply has a solid rock sound, they don’t break eardrums or serenade you to sleep but instead tread in the middle ground. It goes down smooth never being hard to swallow while not being offensive or boring. The 90s sounding rocker “Jeans” has hints on country and alternative rock sandwiched with crisp sounding drums and a driving pace while they take their shot at a My Morning Jacket rocker on “Better Man” all while making the track maintain a radio friendly sound. The slow burning “Cars” leads the way as a highlight here with its gentle acoustic strums rounding out the 5 song EP nicely for a professional sounding release.

Key Track: “Cars”

Find it at: http://welcometotheinvisibleworld.com/

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Concert Review: Moonshine Sorrow at The Muny Inn, St. Joseph, MO 5/24/14

Moonshine Sorrow playing live at The Muny Inn in St. Joseph, MO on 5/24/14

Moonshine Sorrow playing live at The Muny Inn in St. Joseph, MO on 5/24/14

You can’t judge a book by its cover and you can’t always just a band by their covers either. Many times seeing a band perform a song by one of their influences gives you a great idea what to expect but not always. Take the band Moonshine Sorrow from Waterloo, Iowa. They rolled through St. Joseph on their way to Columbia, Missouri on tour and took a night to play at The Muny Inn relinquishing a unique and eclectic group of cover songs..

They played to a crowd expecting some rowdy country and they delivered. Some covers they did weren’t too surprising; hearing the Grateful Dead and Merle Haggard covers isn’t going to shock anyone in an environment such as this. As some of the prettiest girls in the town danced away in front of the band, a moment of shock followed the question ringing out of the speakers: “Does anybody out there like Rancid?” The band did apparently because they busted through “Radio” and later “Olympia, WA” by the West Coast punk band. Mixed in with the vintage outlaw country of Merle Haggard’s “Mama Tried” and the old blues classic “Mercury Blues” by K.C. Douglas it made for an interesting mix of covers. The best of their covers may have been even different yet with Hank III’s “Pill I Took” or the brilliant, underrated banjo playing musician from Iowa, William Elliott Whitmore’s “Hell or High Water.”

Moonshine Sorrow was far more than a cover band too, they put forth their own brand or rowdy country with songs like “While You’re Drinkin’” and “Streets of Waterloo.” Singer Rush Cleveland delivers an outlaw country croon on these while the other singer Sewerratt delivers more of a punkbilly approach on aggressive originals like “Feed Me, Fuck Me, Buy Me Weed.” Druncle Dutch feverishly blew his harp with Dammit Jim plugging away on the bass and Willie D handled the drums. They even have a sense of humor about playing empty bars, on their song “8 Hours For 2” where they proclaim “There ain’t nothin’ this old country band won’t do” which apparently includes driving 8 hours to play for 2 hours. They are already scheduled back in town again for early September and it will undoubtedly be a show worth catching.

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The Vinyl Court: The Old 97’s – Most Messed Up

The Old 97's - Most Messed Up limited edition to 500 LP jacket

The Old 97’s – Most Messed Up limited edition to 500 LP jacket

  • Artist: Old 97’s
  • Album: Most Messed Up
  • Purchased at: Homer’s (Omaha, NE) for $20

Indie bands are doing some really cool things with record releases these days. The Old 97’s for example just released their 10th studio album in April and sent out 500 copies of the vinyl record to independent record stores across the county a week before the official release date. They did it bootleg style, with a plain white LP jacket with just a stamp of the band and record name on the front (Backwards of course: the record is named “Most Messed Up”.) It is also hand numbered to 500 and pressed on translucent orange vinyl while the regular vinyl release was only pressed on black. Nowhere on the jacket, inner sleeve or even record label itself are the band, album name or song titles listed except the plain stamp on the cover.

I was lucky enough to stumble across number 302/500 at Homer’s record store while in Omaha for a concert and being a long-time 97’s fan it was an easy decision to pick it up. While these Texas alt-country rockers are far from the first ones to do this, it was still thrilling to get my hands on a copy of such a limited product.


Rating: B-

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Far and Wide: A discussion about the impact of fathers on musicians

By Dylan Michael Bentley

In recognition of Father’s Day 2014, Vocals on Top granted me the honor of interviewing some highly skilled musicians and songwriters about their fathers. Each interviewee generously answered the same six questions about the role their father had in the development of their art.


 


 

Chicago Famer

Chicago Farmer

Chicago Farmer carries on the Folk tradition. A disciplined and consummate wordsmith with a hauntingly distinct voice, he deftly encodes complex themes into plainspoken story-songs that capture the essence of the working-class and life in the Midwest. His latest release, Backenforth, IL, is dedicated to his father.

What is your father’s name and what is/was his primary profession?

Kevin Diekhoff- Salesman

What were the styles of music and some of the artists he favored and how did they affect and impact your musical upbringing?

My dad loved Rock N’ Roll and even sang for a while in a band called Remedy. He loved The Doors, Stones, Zep, and his favorite band of all time was Ten Years After.
The attitude and freedom of this music definitely rubbed off on me and my musical journey. Like him, I didn’t take too well with being told what to do, what to wear, and when to be somewhere. We both chose a path of being our own bosses, making our own rules, and being able to express our individualism. He encouraged me to be my own person and to pursue that freedom. I think it comes across in the music I write and create.

What hand did he have in nurturing and developing your talent, and how big of a proponent is/was his support to you?

When most teenagers tell their fathers they want to write and make music for a career, the normal response is either “you’re absolutely crazy,” or “do it in your spare time as a hobby and have something to fall back on.” My Dad said, “Go For It and Go All In.” Not only did his words inspire me then, but they continue to inspire me today. He was definitely my biggest fan and supporter from day one. Whether it was the first days screaming off key in our basement with an electric guitar and half stack amplifier rattling the house, to performing at a large theatre acoustically in front of 300 people who could hear a pin drop, his encouragement has always been with me. As he traveled from town to town, working his job, he would play my songs for everyone he met and make sure they were aware of Chicago Farmer.

How have his teachings and life informed your art, if at all?

My Dad always taught me to be kind and to respect people. You never know when your next best friend, band member, partner in crime etc… is going to walk around the corner and come into your life. It’s the relationships you build that last a lifetime.

Whether it’s work ethic, philosophy, character, confidence, pragmatism, etc… what do you think is one of the most important attributes you take from him and how do you apply it to your profession?

My Dad believed you could be a good guy and still finish first, you just have to work a whole lot harder than the pricks out there. Being a Salesman, he also always said you have to really believe in your product if you’re going to sell it. This also rang very true to me. The first few times I went into the recording studio I recorded music just to do so, and although I thought the outcome was good, I didn’t believe in it enough.

In closing, is there anything specific about your father-a story, advice he gave you, etc…-you would care to share with us?

Now I’m always sure that every recording, every song, and everything I do when I travel from town to town is something I’m proud of and something I believe in. If not, you might as well just stay home.



Grayson

Grayson

Grayson is an Australian indie-folk, alt-country musician currently living in Nashville, Tennessee. A gifted live performer and emotionally perceptive songwriter, he supplies delicate vocal deliveries on top of bright, memorable compositions.

What is your father’s name and what is/was his primary profession?

Desmond Edser – Retired football player and car salesman.

What were the styles of music and some of the artists he favored and how did they affect and impact your musical upbringing?

He liked classical music as well as the whole love-song generation from America in the 50s and 60s. He liked great vocals

What hand did he have in nurturing and developing your talent, and how big of a proponent is/was his support to you?

He could strum a few chords. He didn’t push me into music but supported me all the way.

How have his teachings and life informed your art, if at all?

His stories and the lessons he taught me have always inspired me both as a person and as a writer.

Whether it’s work ethic, philosophy, character, confidence, pragmatism, etc… what do you think is one of the most important attributes you take from him and how do you apply it to your profession?

To be on time. Always be 5 minutes early.

In closing, is there anything specific about your father-a story, advice he gave you, etc…-you would care to share with us?

“Work hard. Don’t do drugs. Always be good to your mum. Never share your money, girl or car. These are the things that get you far”



Michael McFarland

Michael McFarland

Michael McFarland is an indie/alt-pop musician living in Asheville, North Carolina. His latest release, A Sarcastic Tango, is an impressive set of songs comprised of hyper-articulate lyricism, charming melodies and memorable hooks.

What is your father’s name and what is/was his primary profession?

John Woolman Watson, Professor Emeritus of Nuclear Physics

What were the styles of music and some of the artists he favored and how did they affect and impact your musical upbringing?

Growing up, my dad’s record collection was comprised mainly of 60s folk artists – Pete Seeger, Phil Ochs, Peter Paul & Mary, John Denver, The Kingston Trio, interspersed with a solid collection of Tijuana Brass and Harry Belafonte records. I know for sure that a lot of the focus on melody and harmony in my songwriting came from those sources. On top of that, the experience of listening to music on vinyl – sitting on the floor next to the record player with my headphones on – greatly particularly, and again when I was 13 or fourteen, with his Alvarez Yairi steel string guitar. He showed me how to play four basic chords – G, C, Em, and D – and let me pursue it on my own from there, so he really was the one who started the ball rolling. Another thing that has been essential that he instilled in me was the idea that if you put your mind to it, you can teach yourself almost anything – but there’s nothing wrong with asking for help along the way.

What hand did he have in nurturing and developing your talent, and how big of a proponent is/was his support to you?

My father’s always been supportive of me following a path that would bring me fulfillment and happiness. When my passion started leaning towards music in my teenage years, he always supported my efforts, but not at all in a stage parent-y way. He would drive me to band practice, give constructive feedback on my songs and performances, but didn’t do the work for me. Practicing, booking shows, creating merchandise, recording – those were all my responsibility, and costs came out of my own pocket. I can’t think of a better preparation for how things are in the music business, and I’m grateful for that.

How have his teachings and life informed your art, if at all?

Dad was the first person to put a guitar in my hands – initially when I was probably about 10 or 11, with a small classical guitar, which I didn’t take to particularly, and again when I was 13 or fourteen, with his Alvarez Yairi steel string guitar. He showed me how to play four basic chords – G, C, Em, and D – and let me pursue it on my own from there, so he really was the one who started the ball rolling. Another thing that has been essential that he instilled in me was the idea that if you put your mind to it, you can teach yourself almost anything – but there’s nothing wrong with asking for help along the way.

Whether it’s work ethic, philosophy, character, confidence, pragmatism, etc… what do you think is one of the most important attributes you take from him and how do you apply it to your profession?

One thing that I learned from my father, through actions as much as words, is that it’s ok for a man to have emotions, and to express those. Seeing my father’s eyes well up with emotion when discussing the death of his sister, or the crack in his voice when telling me he’s proud of what I’ve done, showed me that there’s nothing wrong with feeling boy joy and loss deeply and visibly. As a songwriter, I lay the full range of emotions bare for all to hear. I’m thankful that I learned early on that’s not something that you need to hold back.

In closing, is there anything specific about your father-a story, advice he gave you, etc…-you would care to share with us?

I love Dad’s ability to seamlessly associate the high-minded and the mundane. I recall riding in the car with him at some point in my early teenage years, and we were talking about the comic strip Calvin and Hobbes. I put forth the idea that what made Calvin so fascinating was that, while he’s a hellraiser much of the time, tormenting his parents and babysitter, when he’s off in the woods with Hobbes he becomes quite philosophical. He responded, “Mao Tse-tung, in spite of the atrocities he was responsible for, was also known as a poet and a philosopher. Does the latter negate the former?



Michael Adams

Michael Adams

Michael Adams is an indie-folk musician from Normal, Illinois. In the vein of Josh Ritter, his delicate compositions are complemented by thoughtful songwriting.

What is your father’s name and what is/was his primary profession?

Ronald Lester “Leck” Adams, retired union painter.

What were the styles of music and some of the artists he favored and how did they affect and impact your musical upbringing?

WMAQ, Merle, Willie, Johnny, George, Conway, Oak Ridge Boys, Statler Brothers, could sing every word to all of it at a very young age, nickname growing up was Freddy, after Freddy Fender.

What hand did he have in nurturing and developing your talent, and how big of a proponent is/was his support to you?

He encouraged me to perform at restaurants and bars when I was 5, I had a routine to shaboom shaboom. He bought my first guitar and supports my music till this day.

How have his teachings and life informed your art, if at all?

Just knowing that I come from the cotton fields of Arkansas through him, makes it feel a little more authentic to me when I reach back to grab some of that dirt to throw in one of my songs, he always told me to be honest.

Whether it’s work ethic, philosophy, character, confidence, pragmatism, etc… what do you think is one of the most important attributes you take from him and how do you apply it to your profession?

Work ethic.

In closing, is there anything specific about your father-a story, advice he gave you, etc…-you would care to share with us?

He has a birthmark that covers most of his left arm, and is the toughest son of a bitch I know. I received flowers from a girl once when I was thirteen, feeling pretty good about myself. I asked the old man if he ever got flowers, he said “no son, I got blowjobs.”



Chris Corkery

Chris Corkery

Chris Corkery is a singer-songwriter from Lexington, Illinois. An inexhaustible talent for jumping from genre to genre with precision and ease, he has experimented with honky tonk, rock n’ roll, folk, blues, country and americana.

What is your father’s name and what is/was his primary profession?

My father’s primary profession is a physician, neurologist to be precise. He deals with diagnosing and treating problems with the spinal cord and brain.

What were the styles of music and some of the artists he favored and how did they affect and impact your musical upbringing?

Does WBBM 780 News Radio count? Dad never listened to music. I mean he liked the Stones’ “Cant Always Get What You Want,” (because he would say that to us all the time) and the Beatles’ “Get Back.” And some blues when it would come on the radio when he was in a good mood, but otherwise, nothing. We had no vinyl in our house. No music playing. Zip. Zero. Nada. Everything I learned about with music I had to seek out on my own.

What hand did he have in nurturing and developing your talent, and how big of a proponent is/was his support to you?

Nurturing. The only thing that really sticks out was when I was living at home during college, and he and mom were pretty rocky, this is right before the divorce. I was playing acoustic guitar in the living room, trying to learn a Beatles song. He came in and said, “’Is this ever going to make you any money?” With a smirk on his face. So it wasn’t until years and years later when I started gigging out more and actually making money at it that he saw, “Oh, ok maybe he’s got something with this.” But to this day, music shows just aren’t his scene. So it was actually a way of me asserting my individuality by just throwing myself into music, especially after my parents’ divorce.

How have his teachings and life informed your art, if at all?

His love for history I share, so when I started getting into the Dylan and Townes’ style story songs about the Civil War or 20th century America, I loved it. Old sea shanties that Jerry Garcia would do, stuff like that. I loved songs which had a historical theme to them, and still do.

Whether it’s work ethic, philosophy, character, confidence, pragmatism, etc… what do you think is one of the most important attributes you take from him and how do you apply it to your profession?

His work ethic, and more so, his craving for learning. His curiosity, really lead me to, and continues to lead me to, discover new music, new artists, new songs, new ways of playing and writing. I think that’s the biggest thing.

In closing, is there anything specific about your father-a story, advice he gave you, etc…-you would care to share with us?

 I think it was the fact he thought the idea of playing music was kind of bullshit that made me so driven. I wish he could see me out there now; it’s just not his scene. But I think he’d like some of my songs, I know he’s proud in his own way. I don’t come from a musical family. I really just dove in all my own, and am glad it turned out that way.



Dylan Michael Bentley is a pretty fine singer/songwriter and is an occasional contributor here at Vocals On Top and always provides a good perspective on other artists music. Here he went above and beyond to honor some great fathers. This artcile is pretty damn cool, you should share it and give Bentley’s facebook page a like: https://www.facebook.com/dylanmichaelbentley


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Coming Soon: Scruffy & The Janitors / Cupcake / Rev Gusto at First Ward

Scruffy & The Janitors, Rev Gusto and Cupcake First Ward poster

WHO’S PLAYING?  Scruffy & The Janitors (St. Joseph, MO) Rev Gusto (Kansas City, MO) Cupcake (St. Joseph, MO)

WHAT TO EXPECT?  New music from St. Joe’s hottest band Scruffy & The Janitors…

Scruffy & The Janitors is not only the hottest band in St. Joseph right now but are one of the warmest in the Kansas City scene too. With a huge spike in exposure with the release of their “Dirtleg” music video and the recent success of their sing “Shake It Off” the are getting a lot of traction. They are coming up on their first show at The Midland Theater soon and will be headed to Canada soon. The “Anglo” EP is ready to be released with 4 songs on it including “Dirtleg” and “Shake It Off” which have both have a fair amount of airplay on Kansas City’s 96.5 The Buzz.

Scruffy & The Janitors sounds like: The Strokes, Led Zeppelin, Alternative Blues

Rev Gusto is a Kansas City export that has a softer approach than Scruffy. Their power pop songs take from all the usual suspects like Big Star and Nada Surf carrying the torch of the genre with a nice clean sound.

Rev Gusto sounds like: Big Star, Semisonic, warm summer days

Cupcake is a band that sound like not many other bands. If you haven’t seen them, you should. Get there early to catch their set.

Cupcake sounds like: Modest Mouse, Pixies, demonic possession

WHERE IS IT?  The First Ward House, 2101 St. Joseph Avenue, St. Joseph, MO 64505

WHEN IS IT?  Friday, June 13th 2014; 9:30, $5

WHY SHOULD I GO?

  • Scruffy has been all over 96.5 The Buzz lately
  • There will be a limited amount of Scruffy’s Anglo EP for sale
  • Get yourself a tie-dye Scruffy shirt
  • The First Ward is now smoke free
  • If you do like to smoke they have a huge deck you can smoke on
  • Cupcake is always interesting, you should see what happens
  • Rev Gusto is from KC, they don’t play here a lot
  • It’s a celebration! Think of it as a birthday party for a CD
  • Your friends will be there, they will miss you

You should RSVP on facebook to the event so you don’t forget, here is the link: https://www.facebook.com/events/608808309216269/

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250 Word Album Review: Anders Parker – There’s A Bluebird In My Heart

Anders Parker - There's A Bluebird In My Heart

Anders Parker - There's A Bluebird In My Heart gets 3.5 Stars

Anders Parker flies just under the radar the way many great indie acts have to now. With a style similar to Jim James of My Morning Jacket (but not that terrible solo album James released) he could easily be exposed to a much larger audience but simply hasn’t gotten the recognition. Using his strong songwriting and a mixture of delicate ballads and edgy rockers he has all the tools that James has, just not the fanfare.

The title There’s A Bluebird In My Heart makes it sound like you are going to get a mushy bunch of acoustic numbers but that isn’t entirely true. There are a good share of soft rockers here like “Don’t Let The Darkness In” and “Silver Yonder” but Parker turns up the amps long enough to keep you from getting complacent. The 8-plus minute “The Road” opens the record with edge having a driving drum beat and some solid but patient riffs awaiting you as you get further into the song. “Animals”  is where Parker lets the most raunchy guitar loose as the guitar line mimics the vocals and follows along the stompy beat creating the album’s most appealing track.

As the record winds, Parker lets loose on another rocker clocking in at over 8 minutes with the song “Jackbooted Thugs” and bookends the album well as the middle of it sticks with a pretty consistent slower pace. The songs here rival anything he wrote with Varnaline and once again prove that Parker is, in fact, an underrated songwriter.

Key Tracks: “Animal” “The Road” “Don’t Let The Darkness In”

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Album at a glance: See Through Dresses – See Through Dresses

See Through Dresses - self titled LP

In the vein of The Cure, Joy Division and Interpol, Omaha’s See Through Dresses debut album is a stellar showcase of how a dated sound can still be productive. Having male and female lead vocalists help to make this record avoid monotony while the well written songs gel the album together well. The whining guitar solos fit nicely with low end dominated music like on “Happy” and “Rainbow Jane” but the clear standout song is the powerful “You Get Sick Again” that finds the band channeling the best of their influences and hitting on all cylinders. For fans of shoegazer rock like The Prids, this release should be a welcome addition to their collections.

Key Track: “You Get Sick Again”

Find it at: http://seethroughdresses.bandcamp.com/

 

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250 Word Album Review: Ashley Raines & The New West Revue – Blush EP

Ashley Raines - Blush

Ashley Raines - Blush - Most Messed Up gets 3.5 StarsAshley Raines returns with the Blush EP that is every bit as dark and brooding as his last release, One Trick Mule. Raines summons the honest and unfiltered voice inside us all by pulling no punches and being as straight-forward as you’ll hear. His songs are so brutally blunt you won’t be sure if they are his songs or the voice coming from deep inside yourself or stories from the church confessional.

On “Songs Cheap” he spills his thoughts on the value of his music, if Raines could ever have a theme song, this would be it. With the telling lyric “Maybe with a little luck, I’ll sell a million of them and make a thousand bucks” his frustration about the depreciated value of songs is all too clear. During “Tricks of the Trade” he throws pessimistic one-liners out right and left like “there’s a sucker born each minute” “You’re either for us or against us” and “You find that weakness and you prey” perfectly expressing how you feel at your lowest.

These quiet songs tug on the nervous feeling deep in your gut with the slow slide of a violin bow across fragile strings or the solemn blast of a trumpet. If you aren’t listening closely the songs will pass you by as they aren’t built with energy, but rather are carefully constructed of tension and doubt. A fresh sound for any ears willing to give it the time.

Key Tracks: “Songs Cheap” “Tricks of the Trade”

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