250 Word Album Review: Spacehog – As It Is On Earth

Spacehog - As It Is On Earth

Spacehog - As It Is On Earth gets 3.5 stars

Spacehog returns after a hiatus of about a decade with their fourth album As It Is On Earth and you can’t tell they took a second off. The Hogyssey was released in 2001 and it appeared it might be the group’s final gift to their fans. They have returned now after 12 years but surely the Langdon brothers have grown up a bit, entered adulthood and their music will have a completely different sound right? Nope.

The prime example is the playfulness of “Oh, Dinosaur” with its sweeping chorus and bouncy drums. The unmistakable catchiness of tracks like “I Wish You Well” will make you think you heard these songs ten years ago and you are rediscovering something you forgot you loved. The strongest track here is “Love Is A Curious Thing” which just may stand as the band’s best song since 1995’s Resident Alien.

Some bands feel the need to grow and stretch their limits to be artistically relevant and others are comfortable just doing what they do best. Spacehog falls into the latter category. The songs here could easily fit on any of their records, whether it be from 1995 or from 2013. If you have ever liked Spacehog, at any point, you will probably like this record because it is catchy and has good songwriting but don’t expect this album to change your life, It will just make a nice little addition to it.

Key Tracks: “Love Is A Curious Thing” “I Wish You Well” “Oh, Dinosaur”

Posted in 250 word album reviews | Tagged , , , , , , , , | Leave a comment

Concert Review: Steve Earle at The Crossroads in Kansas City, MO 7/9/13

Steve Earle poster from The Crossroads in Kansas City on 7/9/13.

Steve Earle is a flat-out legend. If he never made a new album again he would go down in history as one of the best songwriters in his genre of all time. Still, with his all his great songs from a career decades long he put his new album, The Low Highway, front and center at his show at the Crossroads in Kansas City, playing all 12 songs off the record.

It is always refreshing to see an artist have that kind of confidence in their newest work and not rely so much on the past. Earle did have a little different perspective though; he played all the hits too. A 33 song set clocking in at about 2 hours and 20 minutes covered not only all of The Low Highway but songs from almost every one of his albums as well.

The show would start on a hot night outdoors evening with the sun still hitting the stage. Steve Earle and The Dukes would appear from the backstage area to a less than overwhelming crowd and reception. It was a Tuesday in July in Kansas City but it was still overall a weak showing of support for the hardcore troubadour. This could have been a case where a venue too large was booked for a show though; If the same amount of people would have been packed in a smaller indoor venue it might have had a much different feel. This incarnation of The Dukes would feature female vocalist/violinist Eleanor Whitmore, ace guitarist Chris Masterson, Will Rigby on drums and longtime bass player Kelley Looney.

Earle would grab an acoustic guitar and slowly strum his way into the lead song of the set and lead song off his new album with “The Low Highway” before bursting in much more lively “21st Century Blues” with the classic line “Where the hell is my flying cars?” The sloppy stomp of “Calico County” would be next before Earle would play some older tunes for a bit with “Taneytown” and “Hard Core Troubadour” reassuring the crowd it wouldn’t be all new music on this night.

Steve Earle took on both songs from his entire catalog and his complete new album The Low Highway at The Crossroads in Kansas City, Missouri on 7/9/13.

Steve Earle took on both songs from his entire catalog and his complete new album The Low Highway at The Crossroads in Kansas City, Missouri on 7/9/13.

As the sun would start to hide behind The Crossroads’ high wooden plank fences, Earle’s set would continue to hit new songs hard with the bouncy and upbeat “That All You Got?” and “Love’s Gonna Blow My Way” with an impressive violin solo included by Whitmore. Earle would switch instruments several times throughout the evening which was foreshadowed by his arsenal of about 25-30 guitars, mandolins, banjos and violins on the side of the stage. Earle’s flannel shirt with cut-off sleeves would continue to collect sweat as the evening wore on and he would take little time in between songs before hitting his next number. He would even step to the front of the stage for a short harp solo during “I Thought You Should Know” that would have been much better if not for a few sound issues during the song.

As Earle would sit down at a piano to play “After Mardi Gras” an audience member would yell for “Copperhead Road” and Earle would noticeably roll his eyes which was followed by a small laugh from the crowd. He would explain “I used to drink a lot, and when I drank a lot, I did a lot of stupid shit.” Again, the crowd would laugh as he pinpointed this for his failed attempts at doing things like speaking Spanish and on this song, playing piano. He would appease the crowd shortly after by playing his two biggest hits “Guitar Town” and “Copperhead Road” ending the requests he has to hear likely every night.

Violinist/second bassist Eleanor Whitmore with her orange flowery dress and glowing red hair would play the part of Lucinda Williams on the great duet “You’re Still Standing There” with the legendary songwriter. Earle would then speak modestly of his ability to play the banjo as well before taking on the appropriate “Warren Hellman’s Banjo” with that instrument. The main set would end with “The Galway Gal” and both “Down The Road II” from his new album and the original “Down The Road” from 1986’s Guitar Town.

Steve Earle & The Dukes closing out their set at The Crossroads in Kansas City, Missouri on 7/9/13. Left to right: Eleanor Whitmore, Chris Masterson, Steve Earle and Kelley Looney. Drummer Will Rigby is obscured by Masterson.

Steve Earle & The Dukes closing out their set at The Crossroads in Kansas City, Missouri on 7/9/13. Left to right: Eleanor Whitmore, Chris Masterson, Steve Earle and Kelley Looney. Drummer Will Rigby is obscured by Masterson.

The first of two encores would feature “City of Immigrants” off the very underrated 2007 album Washington Square Serenade and the best guitar solo of the night would be turned in by ace guitarist Chris Masterson during “My Old Friend The Blues” and the crowd would happily sing along with the infectious “I Ain’t Ever Satisfied.” The second encore would have a rockabilly theme as the band would come out and shamefully cover The Troggs’ “Wild Thing.” Earle likely has written about 50 songs better than this so it was disappointing to see it show up in the setlist. The group would reach back as far in Earle’s catalog as you can go and play the rockabilly singles “Nothin’ But You” and “Continental Trailways Blues” before retiring after the political “The Revolution Starts Now.”

The 33 song set from the 58 year old songwriter was surprising to see, but it gave him a chance to display his new material alongside of all the songs 90% of the crowd came to hear. His voice may not have been as strong as it once was and a few lyric mash-ups would occur but the show wouldn’t disappoint for anybody. At this point for an icon of this stature to be playing so many shows and for a fan to be able to easily get within the first about 10 rows to see him is a truly special thing. Playing shows like this is simply what the man does and likely will always do, after watching him it appears it is the only thing he ever wants to do.

Steve Earle setlist from The Crossroads in Kansas City, MO on 7/9/13:

  • The Low Highway
  • 21st Century Blues
  • Calico County
  • Taneytown
  • Hard Core Troubadour
  • I Thought You Should Know
  • That All You Got?
  • Love’s Gonna Blow My Way
  • After Mardi Gras
  • Pocket Full of Rain
  • This City
  • Ben McCulloch
  • You’re Still Standin’ There
  • Invisible
  • Burnin’ It Down
  • Guitar Town
  • Copperhead Road
  • Free Men (Kelly Looney song)
  • Warren Hellman’s Banjo
  • Little Emperor
  • Billy and Bonnie
  • Mystery Train Part II
  • The Galway Girl
  • Down the Road Part II
  • Down the Road
  • encore
  • Remember Me
  • City of Immigrants
  • My Old Friend the Blues
  • I Ain’t Ever Satisfied
  • encore
  • Wild Thing (The Troggs cover)
  • Nothin’ But You
  • Continental Trailways Blues
  • The Revolution Starts Now
Posted in Concert Review | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

Coming Soon: The Please, Please Me / For The Sound

The Please, Please Me's "Notes" poster for their Cafe Acoustic show on 7/21/13 with For The Sound in St. Joseph, Missouri.

WHO’S PLAYING?  The Please, Please Me (Austin, TX) and For The Sound (St. Joseph, MO)

WHAT TO EXPECT? Sunday to be the best day of your weekend…

The Please Please Me led by Jessie Torrisi plays sultry pop songs that will break your heart and make you fall back in love all at once. The unique and elaborate drum setup is only accented by Torrisi’s drumming on her log on a few songs. A slick looking cello and female cellist holds the sound together and gives the songs a smooth feel. The hook heavy tunes are pleasing to the ear and leave you in a better mood after hearing them. Listen for songs from their pretty stellar new 5 song EP that was just released. The best track is likely “All Danced Out” while “Dreamin'” has a… well… dreamy quality to it. The poster above was inspired by a pop number from the EP named “She Leaves Notes” that will hopefully crack the setlist again. The centerpiece of every Please, Please Me’s setlist is “Hungry Like Me” that is simple one of the best pop song you will ever hear.

For The Sound is the mellower side of Dsoedean frontman Zale Bledsoe. For The Sound will take on stripped down versions of Dsoedean originals at times but mostly stick to an exclusive group of all original songs. The highlights among these songs are “The Sidecar, The Lighthouse, The Good Dream” and the much newer “Fever.”

WHERE IS IT?  The Cafe Acoustic; 2605 Frederick Ave. St. Joseph, MO 64506

WHEN IS IT?  Sunday, July 21st, 2013; 8:00pm, 21+

WHY SHOULD I GO?

  • It’s FREE
  • The Please, Please Me are from out of town
  • Torrisi and company bring their good vibes all the way from Texas, you can help them get back home
  • You should talk to Jessie Torrisi and her band, they are super nice and very appreciative of their fans
  • You may be able to pick up a copy of The Please, Please Me’s new EP Shake A Little Harder
  • For The Sound opens up; The project features stripped down Dsoedean songs and delicate originals
  • Sundays are happy hour prices all day at Cafe Acoustic
  • It’s an early show so you’ll be home in time to watch a little Netflix before bed
  • what else are you going to do on a Sunday night?
Posted in Coming Soon | Tagged , , , , , , , , , , , | Leave a comment

Concert Review: Megajoos / Jerkface / Third Wounded Man at First Ward in St. Joseph, MO 7/12/13

Megajoos, Jerkface and Third Wounded Man poster for The First Ward in St. Joseph, MO

It turns out punk rock isn’t dead in St. Joseph; it just needed someone to stir the pot a little bit. Maybe it was The Megajoos, maybe it was Jerkface or Third Wounded Man or maybe it could have been the Sex Pistols style poster for the show that got the punk vibe going. The most likely cause? A couple of people relatively new to town that have the balls to stand up front when everybody else is sitting and get into a live performance. This leads to singing along, dancing, others standing up and giving the band props and yes… oh yes… it happened; a St. Joe mosh pit.

This bill was put together around the only out of town band, Megajoos, but Third Wounded Man would lead it off. I wouldn’t call the Todd Cooper led project a punk group but they would do a pretty good job of fitting that mold on this night. They would slip in covers of legendary bands The Ramones, The Misfits and most incredibly Operation Ivy. The group at several shows has embraced the punk-pop perfection of The Ramones’ “I Believe In Miracles” but The Misfits’ “Skulls” was likely a one time performance. In tribute to one fan who stood up front the whole show wearing an Operation Ivy shirt, Cooper would belt out about the first half of the classic Ivy song “Knowledge” and would be joined by that same fan and Wade Williamson on stage to sing the addicting chorus of “Skulls.”

Wade Williamson and Marc Newberry help Todd Cooper of Third Wounded Man sing The Misfits' "Skulls" live at The First Ward on 7/12/13

Wade Williamson and Marc Newberry help Todd Cooper of Third Wounded Man sing The Misfits’ “Skulls” live at The First Ward on 7/12/13

Cooper would belt out lyrics to his hard rock original songs while Tyson Bottorff would hammer away on bass and Bill Blizzard would prove to the crowd that he is the hardest hitting drummer in town. Songs with very heavy early Metallica influence like “I, Escapist” and “The March of the True” are common in the group’s set and are always well received. Bottorff would even take the brunt of the singing on the thunderous “Murder Car.” The crowd got so into the show in fact that Third Wounded Man, the first of three bands on the night, would play an encore to appease the cheering crowd playing “I, Escapist” for a second time because they had already played their entire catalog.

Complete with a smoke machine, Megajoos would take their spot under the newly installed lights at The First Ward next for a very surreal set. In what seemed like a few very short minutes the band was on stage with drummer Wesley Mitchell donning a Lone Ranger style mask and lead singer/bassist Joosy J. would have on a gorilla mask with a blonde wig on it. The heavily distorted bass made their songs sound as if they had full band despite not having a guitar on stage. The lush sound brings to mind the bass tone that Nick Oliveri had on the Queens of the Stone masterpiece Rated R.

Nashville, Tennessee band Megajoos do some head banging during their high-intensity show at The First Ward in St. Joseph, Missouri on 7/12/13. There were better pictures of them but this action shot clearly depicted them in a way that better represented what happened on stage.

Nashville, Tennessee band Megajoos do some head banging during their high-intensity show at The First Ward in St. Joseph, Missouri on 7/12/13. There were better pictures of them but this action shot clearly depicted them in a way that better represented what happened on stage.

The bass and pounding drums would never be fuzzier than on “Master Blaster” and the screeching guest vocals on “Paris Hilton” halfway through the set gave a needed break to the sound. Tongue in cheek songs like “Dominos” and “Paris Hilton” are common for the band. The highlights of their set though were likely the start-stop bounce of “Always Turn It Up Way Too Loud” and an interesting interpretation of T. Rex’s “Children of the Revolution.”

The audience would dwindle a bit in middle of the night, likely to take a break on the deck, but fill back in for a great set by the surf-rock band Jerkface. The stage area would be loaded down with band members led by lead singer / guitarist Jesse James who has likely one of the best looking guitars in town, its teal color and shape reminds me of an old Studebaker car and the tone he gets out of it fits that image as well. Trombone player Pete Bailey would spearhead the sound, texturing each song, making them sound like a ska band. Ryan Early would smoke a solo on his guitar every once in a while and Brean Reilly would strum on her ukulele and more prominently play some keyboards. The band was rounded out by the shirtless drummer Brian Shank who had “DANCE FUCKERS” sprawled across his chest and Tommy Swarz who would play bass while he looked for things to climb on during the show.

The shirtless duo of Jesse James and Brain Shank rock out during Jerkface's set at The First Ward on 7/12/13.

The shirtless duo of Jesse James and Brain Shank rock out during Jerkface’s set at The First Ward on 7/12/13.

They would start off, as they often do, with the great instrumental “Baseball Bat” led by a driving trombone and it would get some feet moving right away. As they pounded through about a dozen or so songs they would entice more and more people toward the stage and a couple times a mosh pit was even started, the first that I have seen at the many, many St. Joseph shows I have attended. Glasses would be smashed, the monitors kicked around and beers would be spilled but it was all in good fun. The throwback surf-ska of “As They Roll In” and the cowbilly-punk of “Dirty Worn Out Road” and the Johnny Cash cover “Folsom Prison Blues” may have failed to incite a mosh pit but showed the band’s range. The set would be highlighted by what is clearly the band’s best song “Alien Girl.” It is not difficult to see “Alien Girl” becoming not only a staple in the group’s sets but being blasted out of iPod’s and car stereos everywhere.

The formula added up to undoubtedly one of the best shows of the year so far. At one time interest in punk was seriously waning in this town but hopefully that is turning around. Punk is all about attitude and perspective and the newcomers, Brian and Marc, embody it and are helping spread it throughout town. If it continues it could add exponentially to the excitement level of shows. We can only hope the Megajoos return and this is the first of many shows like this.

Posted in Concert Review | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

250 Word Album Review: Presidents of the United States of America – Get Back In The Van

The Presidents of the Untied States of America - Get Back In The Van EP

The Presidents of the Untied States of America - Get Back In The Van EP gets 3.5

This free downloadable EP from one of the most fun bands of all time is a nice addition to your iTunes library. It is all previously released songs recorded as a live album. It is split into a 5 song acoustic set and a 4 song electric set and they are equally fun.

The acoustic side has a take on their anthems “Dune Buggy” and “Peaches” while the electric side takes on “Lump” among others. The true treasures though are when they play their lesser-known songs. The acoustic take on the late career (and therefor largely unknown) song “Jennifer’s Jacket” hits the bullseye and represents what the band is all about. The biggest gem here is the guys’ take on “Back Porch” where singer Chris Ballew wanders into a ramble about the bugs jamming out under the floorboards of the porch and his subsequent suicide just so he can jam with them. The finale of the set ends up being a full-fledged rocking version of the fan favorite “Kitty” off the group’s first album from 1995.

If you don’t like the playful different versions of these songs chances are you weren’t much of a Prestidents of the United States of America fan anyway. The group seems to be squeezing every bit of fun out of these songs they can get and they are doing a great job of keeping them from getting boring.

Key Tracks: “Back Porch” “Jennifer’s Jacket”

Posted in 250 word album reviews | Tagged , , , , , , , , , , , , | Leave a comment

Concert Review: Andy Grooms, Austin Marks, Michael Coman and Colby Walter at Bad Art Bistro 7/5/13

Songwriting is sometimes lost in the mix. While adding instrumentation is important to songs, when you get down to it the songwriting is the skeleton and without it, there is no song. Still, it is an overlooked aspect of music. In a world where people sing along to songs and have no idea what the words are, it seems that maybe people don’t care anymore, maybe lyrics don’t matter anymore.

Don’t tell the four song swappers that performed at The Bad Art Bistro on July 5th this. Four unique songwriters gathered on the outdoor stage on a breezy St. Joseph night to honor the sanctity of songwriting, each one with a style all their own. Andy Grooms organized the event and recruited Austin Marks from the quiet band Eyelit, Michael Coman who has been a local songwriter for years and Colby Walter who is commonly a backing member of bands.

The Four Swappers: Austin Marks, Andy Grooms, Colby Walter and Michael Coman.

The Four Swappers: Austin Marks, Andy Grooms, Colby Walter and Michael Coman.

The Bad Art Bistro was a great venue for this show. The stage built in an alley in-between two buildings was so well kept that it felt almost like it was indoors. Untamed trees showed themselves behind the stage and gently blew in the wind that switched directions as often as the songwriters would. Tarps would protect the area from the elements, although none of them would be threatening on this night. The brick walls on each side had most of the plaster coming off of them and looked like they had been swept clean, instead of covering up the age of the walls, it was embraced and cleaned; only adding to the ambiance.

The idea for the song swap was for each songwriter to play their turn in a rotation on stage. Some of the other players occasionally chime in with some impromptu additions to the singer’s songs. This wasn’t the great appeal of this event though. There would be a little bit of each player taking turns to solo but thankfully not much of it; the focus was where it should have been; on the songwriting.

Austin Marks and Andy Grooms perform at The Bad Art Bistro in St. Joseph, Missouri on 7/5/13.

Austin Marks and Andy Grooms perform at The Bad Art Bistro in St. Joseph, Missouri on 7/5/13.

The most interesting thing was the diversity of the writing in this small group. Andy Grooms took his John Prine style lyrics paired with a bit of Randy Newman style piano delivery to the stage and broke the ice. He worked as a hinge for the event because of his unique writing on the keyboards; his songs would be the easiest for others to join and many times and it was the easiest for him to add instrumentation to others’ songs as well. He would do some of his more well known songs like “Mississippi Parking Lot” as well as brand new songs like the heartbreaking “Pawn Shop.”

Austin Marks would experiment with loops as he played his electric guitar. He would casually add texture with it to other peoples songs in small doses too. His songs would have a more fragile quality than the other writers; it is almost like the songs he writes are made out of porcelain, to be admired but not to be handled too harshly. He would take on a few Eyelit songs like “She Holds His Hand Tight” and “I Wish You The Best” and even invite his wife and bandmate in Eyelit, Dansare Marks, on stage to sing a newer song that could have been pulled straight out of the Buddy Holly songbook.

Colby Walter and Michael Coman perform at The Bad Art Bistro in St. Joseph, Missouri on 7/5/13.

Colby Walter and Michael Coman perform at The Bad Art Bistro in St. Joseph, Missouri on 7/5/13.

Michael Coman would be next in the rotation and probably have the most distinct style of songwriting on stage. He would also seem to be very comfortable adding subtle licks of his unique peach electric guitar to the songs he wasn’t singing. His writing has a different bounce than anybody else’s song you will hear. Even on songs with  a topic that is not very upbeat (like seeing someone that got hit by a train) the songs still have a bounce that keeps them from getting too heavy. A good example of this is “Season’s Greeting” about seeing his Aunt Mary put in the ground in a tin can, yet the song has a light pop hook. It almost seems like his songs are so light that they only touch the ground to propel themselves back up again.

Colby Walter would round out each rotation and his songs would have the most vintage feel of any of the four participants. He would contribute the acoustic guitar and mandolin to the show and even on one song would even flick a guitar pick near the mic to add percussion. Walter’s own songs are easily pegged with a heavy Bob Dylan influence and stick to many of the same subject matters. His vocals are high and very unique making for a pass/fail test of whether the audience likes his songs or not. They were displayed well here though, with a quiet, patient audience and rare opportunity for Walter to step into the spotlight every four songs. His original songs like “Every Song I Want To Live By” and “Old Love” (that was penned the same day his was singing it) proved that the musician who normally works as a sideman belonged on the stage with the other songwriters as much as anybody else there.

It was truly a night for people to listen to the lyrics and enjoy well crafted songs. This type of event couldn’t have worked in most venues but the Bad Art Bistro provided a very appropriate backdrop on this night. The audience was thankfully more interested in listening to music than running up their bar tab so there were few distractions and the quality of the songwriters on stage were the main focus. I wish it was the focus on more nights but maybe that is why this felt like such a special show.

Posted in Concert Review | Tagged , , , , , , , , , , , , | 1 Comment

Coming Soon: Megajoos, Jerkface and Third Wounded Man

Megajoos, Jerkface and Third Wounded Man poster for The First Ward in St. Joseph, MO

WHO’S PLAYING?  Megajoos (Nashville, TN) Jerkface (St. Joseph, MO) Third Wounded Man (St. Joseph, MO)

WHAT TO EXPECT?  Ear bleeding fun…

Megajoos is a 2 piece band with heavy distorted bass and drums from the country music capitol of the world; Nashville, Tennessee. They don’t quite fit the typical Nashville mold as they are loud, wild and will rape your eardrums if you let your guard down. Like many two piece bands they are commonly much louder than bands with more members. The indie stomp of their music is hard-edged and filled with distortion all for your listening pleasure.

Jerkface is a shape-shifting band with several members. The band has many different sounds but are likely most closely defined as surf rock despite being landlocked about as far from any ocean as you can be in the United States. The band’s sound is driven by the vocals and vintage distortion of Jesse James’ guitar and is truly made unique by the addition of trombone player Pete Bailey.

Third Wounded Man is the latest beast project led by local hard rock pioneer Todd Cooper. The pounding drums and heavy guitar and bass make for a loud and abrasive band that stays away from “screamo” territory. The group is a rare treat as they can be billed with very heavy metal bands and groups that are a little more crafty like Jerkface and Megajoos. These tightly crafted songs are sure to get the crowd primed for an intense evening of music and will start things off right.

WHERE IS IT?  The First Ward House, 2101 St. Joseph Avenue, St. Joseph, MO 64505

WHEN IS IT?  Friday, July 12th, 2013; 9:00 pm, 21+ $5

WHY SHOULD I GO?

  • Megajoos are from out of town and might not be back soon, if ever… seize the day!
  • The evening’s diversity should satisfy you if you love indie-rock, heavy metal or punk.
  • Jerkface carries a certain unpredictable element with them, so it’s hard to tell how it will all go down.
  • Jerkface drummer Brian Shank has told 126 people about this show… 3 times each. He will be disappointed if you don’t get your ass there. He seems excited about it.
  • If my math is correct it will be less than $2 per band, I got to a lot of shows and that’s cheap!
  • Get there early, The First Ward has some pretty good food and spirituous beverages to go with it.
  • RSVP here to show your support and let your friends know where you will be: https://www.facebook.com/events/140597422808099/
Posted in Coming Soon | Tagged , , , , , , , , | Leave a comment

250 Word Local Album Review: Jerry Forney – Midnight on the Water

Jerry Forney - Midnight on the Water

Jerry Forney’s name echoes a lingering respect from all of his solo work and his music with The Forney Brothers and frequenting blues taverns for several years now. It appears Jerry Forney just gets more comfortable with himself and his music with his new record, Midnight on the Water.

There is no mistaking that this is a blues record but there are several moments where you can feel a down-home country influence as well. It is hard to shake up the way blues songs sound and Forney doesn’t really do that here but what he does accomplish is he makes a solid album that only a bluesman with decades of experience could make and it doesn’t feel forced one bit.

The clear highlight here is the starch of “Chrome Where I Need.” This song works well for Forney’s music as well as the clever wordplay in the song. He takes a very played-out genre of blues and puts just enough chrome where he needs it to make Midnight on the Water a fun listen. The hometown saga of “Ghost (the testimony of Jesse James)” takes interesting turns when it keeps from ever mentioning Jesse’s name. The soft touch of “Rainbow” has a delicate sweetness that almost makes up for all the heartbreak all over most blues songs.

Good blues records act as time capsules and this one is no exception. This album was made in 2013 but easily could be from 1983; in 20 years this record will likely sound like it could have been recorded then too. There are few things more consistent and reliable than the blues, and artists like Jerry Forney who do it well.

Key Tracks: “Chrome Where I Need It” “Rainbow” “Trouble No More”

Posted in Local Album Reviews | Tagged , , , , , , , , , | Leave a comment

250 Word Album Review: Eels – Wonderful, Glorious

Eels - Wonderful, Glorious

Eels - Wonderful, Glorious gets 3.5 stars

Wonderful, Glorious may just be an extension of the great trilogy of Eels albums that preceded it. It is closest in attitude to Tomorrow Morning from those three records but leaves less of a permanent stamp on your ear drums than that album did.

The fuzz guitar on songs like “New Alphabet” coat the album and only accent E’s great songwriting skills. The machine-like drums of “Bombs Away” draw you in as the opening songs builds to a loose and wild climax. The echoey drums on “Peach Blossom” sound like they are coming from a long hallway made out of tin before the songs shifts in and out of softer moments. Where Wonderful, Glorious comes up short of the high mark left by Tomorrow Morning is on the slower ballads. “True Original” fails to keep from falling into the corny lyrics category and “Accident Prone” just doesn’t have the punch of many of the Eels slower tunes. The exception is the beautiful slower song “On The Ropes” that works as an optimistic mantra of sorts.

The Eels appear to have found their wheel house and are making the most consistent records of their career at this point. The guitar fuzz and fragile lyrics have formed a sound that belongs almost solely to the Eels. The album is a solid listen and well worth the time; although it doesn’t quite measure up to Tomorrow Morning and especially Hombre Lobo.

Key Tracks: “New Alphabet” “On The Ropes” “Kinda Fuzzy”

Posted in 250 word album reviews | Tagged , , , , , , , , , , , | Leave a comment

Concert Review: The Motors at Magoon’s in St. Joseph, MO 6/12/13

The Motors poster from Magoon's on 6/12/13.

“Who is in The Motors?” I asked a friend, he said “I’m not sure but I think two or three of them live in the basement of Magoon’s.” It may have been a bit of an exaggeration but The Motors do frequent Magoon’s Delicatessen quite a bit. If any venue in St. Joseph, Missouri has a “house band” it may just be Magoon’s and that band is The Motors. Dueling singers/songwriters Sean Cleary and Tracy Huffman lead the band with their different songwriting styles while Colby Walter effortlessly plucks the bass for the band and Wilbur May beats on the drums; I don’t believe any of them actually live in the basement of Magoon’s.

A set by The Motors is a given good crowd at the downtown St. Joseph bar. You can be sure an older crowd will come out to support these local all-stars but they won’t be shy about running up bar tabs or embarrassing themselves on the dance floor. Musically, The Motors get a ton of respect because all four members are accomplished musicians and are in several other bands on top of The Motors. Singer/guitarist Tracy Huffman frequents Magoon’s every Wednesday night singing his own songs, often with guests, fellow singer/guitarist Sean Cleary is involved in other projects such as Under The Big Oak Tree and Colby Walter is one of the most well traveled musicians in town so the members are no strangers to other bands.

The Motors playing live at Magoon's in St. Joseph, Missouri on 6/12/13.

The Motors playing live at Magoon’s in St. Joseph, Missouri on 6/12/13.

The group focuses mainly on originals by the two singers but also tackle several covers to please their audience. On this night a few raunchy Rolling Stones songs were on the menu with the group taking on the dance tune “Happy” the brash “Bitch” and Cleary tearing up his slide on a killer version of “Shake Your Hips.” Also on the docket were a Bob Dylan cover in “You Ain’t Goin’ Nowhere” (though it was tagged as a Byrds cover so they might have followed that version more) a couple Neil Young songs in “Cinnamon Girl” and the vastly underrated “Everybody Knows This Is Nowhere” among songs by The Meters, Johnny Cash and  others.

The best part of seeing a show by this local supergroup is easily the original tunes though. Tracy Huffman has a deep catalog of great songs including the appropriate “Birthday” (because it always seems to be somebody’s birthday) which makes for a small sing-along with the locals. The Motors just released their first album last year called The Motors and they tend to do most of the tracks off of that album as well. Huffman doubles some songs off of this release with his solo material. Included in this list are “Piss In The River” and my personal favorite “Jerry.” The latter of which is a song whose many possible meaning have been running circles in my head for many months now.

Sean Cleary’s penned songs from that record are staples of the shows as well. “All I Hear Is Hank Songs” is a constant inclusion in the set with it’s obvious homage to Cleary’s country influences. “All You Do Is Stir It Up” is a favorite from the record as well. Also making the setlist are many songs that might be early front runners for The Motors second album. Hopefully that record will include the song usually dedicated to the married folks in the crowd “No Lovin’ Tonight” as well as other new tracks like “Lay Me Down” “Son of a Gun” and “You Put The Hurt On Me.”

The cover of The Motor self-titled debut album.

The cover of The Motors self-titled debut album.

The group would be bullied into doing their song “Finger” by one regular member of the audience and Colby Walter would even get a chance at the mic on a soulful reading of “A Candle In The Window.” The highlight of most shows for me is hearing the group perform “Yes I Will” the final song off of their excellent 13 track self-titled album that seems to have a little more punch than most songs.

As the band tears through about 3 hours of music you realize that having them play Magoon’s on a regular basis is in no way a bad thing. The band’s sound is drenched in classic rock and outlaw county that have been around for years but it doesn’t seem to get old. The two songwriters alternating throughout the night keep the sets from even getting close to monotonous and the setlists are always being shook up. Every bar should be so lucky to have a “house band” this talented.

Posted in Concert Review | Tagged , , , , , , , , , , , , , , | 2 Comments