Album at a glace: Radkey – Dark Black Makeup

Radkey - Dark Black Makeup

4Stars

Radkey has finally done it. They made the record many (myself included) didn’t know if they could make. Why? Because Radkey had never let off the throttle before. On a 4-song EP you can just balls out rock, but for a full-length record you need a tempo change and Radkey realized this. They have typical punk/metal songs like we all know they do so well like on “Love Spills” and “Parade It” and they may never be more punk again in their career than they are on “Le Song.” The key to the madness? The song “Hunger Pain.” While it is far from the best song on “Dark Black Makeup it achieves “key track” status by being so loungey right in middle of the rocking record. This album is what Radkey has always needed, be proud of our three brothers from St. Joseph, they have done amazing things against huge odds.

Key Track: “Hunger Pain”

radkey.net

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250 Word Album Review: Tracy Huffman and the Walking Sticks

Tracy Huffman And The Walking Sticks

3.5Stars

Tracy Huffman can really write a song, this album proves it. If you know Huffman this record is not much new to you with only 4 are new tracks. The songs do sound different though, they are very loose and relaxed like you’ve never heard him before. It sounds like the band is held together with wing nuts and scotch tape and at any time could crumble to pieces.

This gives songs like “Burned Out” and “Jerry” a fresh feel. The jam at the end of “Jerry” sets it apart from the other five times it has been recorded by Huffman; this doesn’t make it any less of a great song though, each version has it’s charm. Songs about drugs are stupid, there are lots of them and most suck, I’ll say it. Huffman’s “Drugs” is an exception though, it has a relaxed acceptance that is really a microcosm of the record and proves why this group of songs is worth listening to. “Keeping My Head On Straight” is a great example of what Huffman does best; write his own redemption songs. With the strums of the electric guitar accompanied by lyrics that make you wonder if he is talking to himself, a girl, the police or all three, the song has a great endearing quality.

Moments of humor are accompanied by moments of desperation and happy is paired with sad here. The contradictions keep enough tension to make you not want to stop listening.

Key Track: “Drugs” “Keeping My Head On Straight” “Jerry”

tracyhuffman.bandcamp.com

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250 Word Album Review: Missouri Homegrown – Stray Dogs of Rock N Roll

Missouri Homegrown - Stray Dogs of Rock N Roll

4Stars

Missouri Homegrown’s first studio album is the most rock and roll album you will ever hear come out of St. Joseph. Sure it follows all rock and roll stereotypes but it is supposed to. It is pompous, snarky and crude and it is all the better for it.

The anthem “High In Missouri” will have you singing along whether you like it or not and “Stray Dogs” is the down tempo swan song that proves this band is better than the rest. “Stray Dogs” is the relaxed tempo breaker that builds from a piano beginning to a rocking end that this proves the legitimacy of Missouri Homegrown. The music on “Baby Mercury” sounds like two cats fighting their way out of a burlap sack while in contrast the lyrics flow perfectly telling an all too familiar tale. The song may not stand out at first listen to the record but in many ways is the jewel here. “Wagon Wheel Motel” captures a mood few bands can, it is desperate and weak all the while being just creepy enough for you to know there is more to the story than the words say. “Another Way To Kick” is a balls out Tom Petty-style rocker and “Hey All You Rock and Rollers” is about as 70s anthem as it gets.

This first studio recording for the band cashes in on all the checks the band has written over the last few years. It is exactly what they promised they could do.

Key Tracks: “Baby Mercury” “Stray Dogs” “High In Missouri”

facebook.com/MissouriHomegrown

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250 Word Album Review: Lucero – All A Man Should Do

Lucero - All A Man Should Do

4Stars

Lucero doesn’t rock out too much on their new record. It’s predominantly slow and as piano player Rick Steff steps into the spotlight behind lead singer Ben Nichols, lead guitarist Brian Venable steps back from it. This makes the album slow and reflective, seemingly avoiding the rash decisions that make up much of Lucero’s song catalog. Ben Nichols’ lyrics carry the weight though and this record is still every bit as intriguing as any other release by the band.

On the opening “Baby Don’t You Want Me” Nichols is already pining for a lost love in what can be called a  microcosm of Lucero’s career. “Can’t You Hear Them Howl?” is the most rocking of anything on the record as the howling is done by the horn section. The song echoes the Stones’ “Gimme Shelter” in your head with the same kind of strong driving push by the horns. “Went Looking For Warren Zevon’s Los Angeles” is one of the best song titles you will hear this year, it is also a very good song. Like most on this record it is a relaxed tune that finds Nichols stealing the spotlight with his great lyrics. On “They Called Her Killer” Nichols weaves a tale of the girl all guys have had that is brutal and you can tell by the vivid lyrics Nichols has a specific girl in mind.

This record isn’t the rocker many people wanted but Lucero still have added to their lofty alt-country legacy. Look for this record and its great album art in my top 10 albums of 2015 list in December.

Key Tracks: “They Called Her Killer” “Can’t You Hear Them Howl” “Went Looking For Warren Zevon’s Los Angeles”

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Top 5 Albums: Drive-By Truckers

The Drive-By Truckers have had an interesting career. Patterson Hood and Mike Cooley have been the two-headed monster leading this band the whole time for what it just under two decades now. Behind Hood and Cooley players have come and gone but none more noteworthy than Jason Isbell who’s Truckers career spans a balmy 10 songs in total but had a huge impact still. Three pre-Isbell albums, four Isbell album and 4 post Isbell albums make up this groups expansive 11 album catalog. Here is my opinion on what of those are the best:

Here are the nominees:

  • Gangstabilly (1998)
  • Pizza Deliverance (1999)
  • Southern Rock Opera (2001)
  • Decoration Day (2003)
  • The Dirty South (2004)
  • A Blessing and a Curse (2006)
  • Brighter Than Creation’s Dark (2008)
  • The Fine Print (2009)
  • The Big To-Do (2010)
  • Go-Go Boots (2011)
  • English Oceans (2014)


#1 Album: The Dirty South

Year: 2004

Stand-out tracks: “Lookout Mountain” “Where The Devil Don’t Stay” “Goddamn Lonely Love” “Never Gonna Change”

Drive-By Truckers - The Dirty South

This is where Hood, Cooley and Isbell were operating in perfect sync with one another. With Hood having 6 songs written by him and 4 by Isbell and Cooley each, it is the most evenly distributed album in their catalog. Hood has “Lookout Mountain” and “Tornadoes,” Cooley has “Where The Devil Don’t Stay” and “Cottonseed” and Isbell has “Never Gonna Change” and the brilliant slow burning songs “Danko/Manuel” and “Goddamn Lonely Love.” All three songwriters were on fire and as a whole the album gelled perfectly. Rocking, emotional, slow, fast… this album has it all and always will be DBT’s masterpiece.



#2 Album: Decoration Day

Year: 2003

Stand-out tracks: “Decoration Day” “Outfit” “Marry Me” “Hell No, I Ain’t Happy”

DriveByTruckersDecorationDayJason Isbell’s first album with the band took them to a new level. He contributed 2 of the 15 tracks on the record and one could argue they are the best 2 DBT songs ever. “Decoration Day” is one of the best story songs you will ever hear with the Hatfield/McCoy parrellell and “Outfit” hands down life lessons like a songwriter that is 60 instead of in his early 20s. Hood nails some raw anger on “Hell No, I Ain’t Happy” and “Sink Hole” as well as having a great perspective on “Heathens.” Cooley’s “Marry Me” is filled with endlessly classic one liners like “Rock and Roll means well but can’t help tell young boys lies.” I think The Dirty South is a better record but I’ll never argue with this one being in the top spot either.



#3 Album: Brighter Than Creation’s Dark

Year: 2008

Stand-out tracks: “3 Dimes Down” “A Ghost To Most” “Self Destructive Zones”

Drive-By Truckers - Brighter Than Creation's DarkThe first album after Isbell’s departure from the band was actually pretty damn good. It could have been a disaster after the high expectations left by Decoration Day and The Dirty South but Hood let Cooley write half the songs here and it was a brilliant move. “3 Dimes Down” “A Ghost To Most” “Bob” and “Self Destructive Zones” are all brilliant Cooley contributions. Hood also throws some solid songs in like “The Righteous Path” and “The Man I Shot.” Cooley steals the show here though and saved DBT from being “Isbell’s former band.”



#4 Album: Southern Rock Opera

Year: 2001

Stand-out tracks: “Zip City” “Women Without Whiskey” “Let There Be Rock”

Drive-By Truckers - Southern Rock OperaThis album broke the band on the strength of a brilliantly constructed concept. Their stories of the south were instantly endearing. From the feuding of “Ronnie and Neil” to the name dropping “Let There Be Rock” this album was instantly likable. “Zip City” may be Cooley’s best song and it fits perfect here, “Women Without Whiskey” is yet another brilliant Cooley song that will always identify the band. There are a few holes on this album making is sprawl a little long but when songs are good they are very good, an easy step up from the band’s first two records.



#5 Album: The Fine Print

Year: 2009

Stand-out tracks: “TVA” “Rebels” “Little Pony and the Great Big Horse”

Drive-By Truckers - The Fine PrintHere is my dark horse pick for the top 5. With no clear album that rounds out the top 5 for me I looked at DBT’s b-side collection and decided the songs here warrant some major respect. The cover of Tom Petty’s “Rebels” is great (much better than the Dylan “Like A Rolling Stone” cover) and a version of Warren Zevon’s “Play It All Night Long” sounds like the band could have written it. Cooley’s “Little Pony and the Great Big Horse” is a great little story song written like a children’s lullaby and the Hood’s “The Great Car Dealer War” is fun to follow. Jason Isbell’s “TVA” is brilliant and belongs among Isbell’s best songs he’s ever written. Sure this record is up and down but there are some damn good songs here.



A special thanks to RiffRaf.net for the idea to do this.

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250 Word Album Review: Have Gun, Will Travel – Science From An Easy Chair

Have Gun Will Travel - Science From An Easy Chair

3.5Stars

Have Gun, Will Travel are no strangers to making music at this point with several albums under their belt. When you are good musicians who can write good songs you need to keep yourself interested in what you are doing. So what do you do? You write a concept album about British explorer Sir Ernest Shackleton and his 1914 imperial trans-Antarctic expedition on its 100th anniversary of course. Maybe it’s not that obvious of a topic and you can’t really pick that up by listening to the music but it does give it a nice tie-together.

The theme gives the songs a certain amount of cohesiveness but it is the very good songwriting that really makes this album worthwhile. “Spirit of Discovery” could be a big radio single if the radio wasn’t filled with studio template garbage. The song is big, catchy and well crafted. It has hooks and doesn’t wear thin on your ears, it is a clear favorite here. The throwback sounds on “True Believers” and others let the country roots of the band bleed through while some, like “True Believers,” morph into all out rockers. The band is able to downshift well too, on “Goodnight Sweet Chariot” the rumble their way through a slow burning track letting the listener focus more on the lyrics. They can even put together a good groove without lyrics on several short intermissions and on the largely instrumental “The Rescue Party” where they find a smooth groove and stick with it. The concept of the record makes it slightly more interesting but the strong songs alone make it worth a listen.

Key Tracks: “Spirit of Discovery” “Good Old Shakespeare” “The Rescue Party”

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250 Word Album Review: Joshua Fletcher – Ready, Aim

Joshua Fletcher - Ready, Aim

Joshua Fletcher - Ready, Aim gets 2.5 Stars

Joshua Fletcher is a pure singer songwriter, listening to the tracks on “Ready, Aim” you can clearly tell that they were carefully created quietly with an acoustic guitar. The songs here are given a bigger sound thanks to clean sounding studio backing tracks. This gives the songs enough bounce and variance to maintain the listeners attention.

The songs here deal with love and the good and bad surrounding it. “The Eye and the Storm” is a prime example where we find Fletcher plucking his acoustic strings along to the soundtrack of some memories. Most songs here are best found alongside a glass of wine and some candlelight most likely as they remain sweet and gentle mostly. The harmonica aided “We Are All Alone” has a driving stomp that bucks the tempo with by far the biggest sounding drums on the album. “Oh Midnight” is among the fastest tempo songs here as well with its pulse being a quick, thin sounding drum beat that drives the song. On the song Fletcher bellows like early Ryan Adams as he doesn’t try to hide the obvious comparisons he is sure to get.

The album is slower for most of the tracklist and the better songs seem to have a faster tempo. Fletcher writes solid lyrics and knows how to write a song too, if you are in the mood for something not too abrasive this just might be it.

Key Tracks: “We Are All Alone” “The Eye and the Storm”

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250 Word Album Review: Courtney Barnett – Sometimes I Just Sit and Think, Sometimes I Just Sit

Courtney Barnett - Sometimes I Just Sit and Think, Sometimes I Just Sit

Courtney Barnett - Sometimes I Just Sit and Think, Sometimes I Just Sit gets 4 stars

Here’s an interesting record, Courtney Barnett’s “Sometimes I Sit and Think and Sometimes I Just Sit.” The Austrailian singer/songwriter ravages her way through a grungy debut. Not since Kim Deal of the Breeders delivered such confident vocals as a frontwoman for a rock band has this kind of music sounded so good.

Barnett sings over crunchy riffs with her unique talk-sing vocal delivery and it works. Her lyrics harken back to Dylan’s thin wild mercury phase in the late 60s and her singing style sounds like Lou Reed growling out his most rocking tunes. The brilliant “Pedestrian at Best” is one of the better rock songs of the year. When she shouts “Put me on a pedestal and I’ll only disappoint you” something inside all of our self-doubting selves can relate. Her lackluster approach to the laid back inebriated haze of “An Illustration of Loneliness (Sleeless in New York)” is dead on. It wanders like a dizzy kid that just got off the playground merry-go-round. On “Aqua Profunda!” she once again spits attitude as she passively sings “I much prefer swimming to jogging.” On the drawn-out 7-minute “Small Poppies” she reveals her inner sad eyed lady as she strums away on a few psychedelic riffs.

The album is going to be mentioned on lists of best albums of 2015 for sure. Barnett became a hot topic at SXSW this year and it has propelled her to the tongues of many interested in good music. This album is the start of something very good. It may even make you wonder if there is hope for the world of rock and roll after all.

Key Tracks: “Pedestrian At Best” “Aqua Profunda!” “An Illustration of Loneliness”

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250 Word Album Review – Ashley Raines & The New West Revue – I’ll Fight: A Collection of Cover Songs

Ashley Raines & The New West Revue - I'll Fight; A Collection of Cover Songs

Ashley Raines & The New West Revue - I'll Fight; A Collection of Cover Songs gets 3.5 Stars

The consistently productive Ashley Raines returns with a small collection of cover songs. Before hearing a note it is instantly interesting for the section of covers alone. The title track is taken from possibly America’s greatest living band, Wilco. On Wilco’s “I’ll Fight” Raines digs deep in the soul of the song to reveal the foreign appeal of it. From Raines’ lips the lyrics sound a little more yearning and desperate, setting the tone for the EP. It should come as no surprise that the songs here all have a dark tone. It should come as no surprise that “bitter” is in the title of two of the songs either.

With covers taken from the likes of Bob Dylan, Willie Nelson and the Kinks you might think Raines has taken a well worn path here but you couldn’t be further from the truth. His selection from Dylan’s immense catalog is “All The Tired Horses” and consists of two lines repeated on end for over four minutes, not your typical Dylan song, I mean, Dylan’s “Up to Me” has like 17 verses right? This song is two lines. The funny thing is that it works. You can hear the exhaustion in Raines’ voice, the music builds and and releases making the song actually quite interesting. On The Kinks’ “Strangers” we find Raines once again choosing the path less taken with a quite nice rundown of the mid-era Kinks song. Overall the song choices are very strange here but are surprisingly cohesive considering the artists chosen which is exactly what makes the 7 song sampling work well.

Key Tracks: “All The Tired Horses” “Strangers”

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250 Word Album Review: Dismal Swamp Lords EP

Dismal Swamp Lords

2.5Stars

The Dismal Swamp Lords could be any bar band. They also could be your favorite bar band just as easily. Their bluesy rock pulls few punches, they just hold steady on their righteous path. They let their southern rock influences bleed into the slide guitar powered blues. They rely on a power trio to trudge through tracks like “Black Crow Blues” with a thick sound with a deep low end.

On the short instrumental “I Married A Marxist” they take the swamp to the beach for a little Ventures inspired number before getting back to the business at hand on “Lucky Charms.” The slide guitar intro to “Lucky Charms” lets it shine more than anywhere else on the record, highlighting the band’s most distinct feature. “The Devil Does The Driving” has a solid strut and plenty of attitude, the  clear and very matter-of-fact vocal delivery pushes all the focus onto the stompy music which is the band’s greatest strength.

The Dismal Swamp Lords are luckily far from dismal, there may not be a ton to set them apart from any solid blues-rock band you hear but there is no reason to think they are any worse either. This EP is a solid listen with good production and a nice clean sound, it should be interesting to see what the power trio could do over the course of an entire album.

Key Tracks: “The Devil Does The Driving” “Lucky Charms”

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