250 Word Album Review: Dylan Michael Bentley – Change In The Wind

Dylan Michael Bentley - Change In The Wind

Dylan Michael Bentley - Change In The Wind gets 3.5 starsDylan Michael Bentley ups the production and cans his filters for his latest album Change In The Wind. It is easy to think the album is a self portrait and that Bentley is simply putting his heart on his sleeve for this group of songs.

If you are curious what this album is about, look no further than the song “Knock, Knock.” Bentley sings “and I thought about killin’ myself, every once in a while since I was a child.” and quickly replies with “Things have been goin’, pretty good, lately.” then chronicles “Used to drink myself to sleep, Now the whiskey’s got no hold on me.” These lyrics make it obvious how the album title came about. The short and abrupt “Run” passes with a fitting sense of urgency but leaves time for a little harmonica while he takes on a little strum and stomp approach during “Woman In A White Dress” that would make Ryan Bingham proud.

The blunt scratching of the guitar strings on “Ramblin’ Gamblin’ Trav’lin” fights the clean production most of the album has with the whole song lacking even one smooth strum of the strings. The porcelain sound of “Blame It On The Weather” provides a  nice break from the pace that dominates the record and the gentle instrumentation never overshadows the delicate song. The record might cover a lot of bad times but the music is upbeat enough to keep them from dragging you down or keep you from putting the record on for another listen.

Key Tracks: “Knock, Knock” “Candle” “Run”

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The best of… Black Rebel Motorcycle Club – A greatest hits type compilation

The best of... Black Rebel Motorcycle Club front cover

The best of… Black Rebel Motorcycle Club front cover

 

The best of... Black Rebel Motorcycle Club back u card

The best of… Black Rebel Motorcycle Club back u card

 

 

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Concert Review: Todd Snider at Knucklehead’s Saloon in Kansas City, MO 10/16/13

Todd Snider Fall 2013 Tour Header

Todd Snider has no children; doesn’t want children actually and he just records and tours. Todd Snider pretty much just plays music. When one tour is over it seems the next is being planned and his fans never tire of his shows because each one is just about as unique as it could possibly be.

Snider is a storyteller. He loves to tell stories and his songs are just an excuse to tell more stories in between telling stories. His anecdotes are outrageous and hilarious and even in the cases where you have heard him tell the same stories before he still makes it fresh and you can’t resist laughing.

The Coal Men would open his show at Knuckleheads in Kansas City on 10/16/13; almost one year exactly since Snider last played the venue. The Coal Men are fellow East Nashillers and it is a good thing because apparently being from West Nashville is a bad thing as the group joked on stage. The band had a relaxed approach to their no frills style that you would expect from Nashville. A Steve Earle influence was written all over them but when done well it is always enjoyable. They played a solid set highlighted by their song “Midnight You” that had a delicate touch on its alt-country groove.

The Coal Men perform live at Knuckleheads in Kansas City on 10/16/13.

The Coal Men channel a little Steve Earle live at Knuckleheads in Kansas City on 10/16/13.

Todd Snider came out and immediately grabbed one of the many instruments on stage; a mandolin. He would appropriately pluck at it while almost talking his way through “Play A Train Song” with a very slowed down rendition. This approach would ring true for much of Snider’s set as he would rarely kick back and sing. This worked well for story songs like “Just Like Old Times” and “The Devil You Know” but would hinder other songs like “If Tomorrow Never Comes” and “In The Beginning” as it took much of the punch out of those songs. The song most effected would be his call and answer anthem “Stuck On A Corner” where the crowd shouts back “Yeah, Yeah” to the lyrics; it didn’t ruin the song but it made the pace awkward and took some of the fun out of it.

The first set would end with Todd strumming away with “Ballad of the Devil’s Backbone Tavern” but when a train whistle from the very close train tracks kept his vocals from being heard it derailed Snider. He would wander off topic and not even finish the song. He would go into a Jerry Jeff Walker story where he proclaimed that he was able to defeat his hero and now friend, Walker, in trivia contests… about Walker himself.

The second set would pack a little more punch than the first and include more songs. He would cover his requests with this set and there would be several. He would play “Conservative Christian Right Wing…” at a request, a song that has grown boring for me and I’m sure other Snider fans share the sentiment. He would also pull out some great, surprising songs like “That Was Me” and “Big Finish.” An unfortunate theme of the night would be cover songs with Snider diving head first into them and doing a total of five. A rain would start to fall during the second set and no one would be effected in the outdoor venue. The temperatures were cold and the rain didn’t help but the show was more than enough to distract the crowd from the less than stellar conditions.

Todd Snider plays through the rain and cold outside at Knuckleheads in Kansas City, Missouri on 10/16/13.

Todd Snider plays through the rain and cold outside at Knuckleheads in Kansas City, Missouri on 10/16/13.

His standard Jerry Jeff Walker cover of “Mr. Bojangles” made a lot of sense and a take at Neil Young’s “After The Goldrush” was a very nice surprise to hear. He would also hit on Rusty Wier’s “Don’t It Make You Wanna Dance” and The McCoy’s “Hang On Sloopy” that were less thrilling. His encore poem about Gary Coleman was funny in the classic Snider humor and at last he finally reached for his electric guitar. The electric taunted me all night as I had never heard him play one, when he did finally pick it up it would be for a crowd sing-a-long of a sloppy version of “Hang On Sloopy.”

As always the show had brilliant high points however. “Alright Guy” is one of the finest songs he has written and I was thrilled to hear “The Devil You Know.” “Broke” was a nice song to throw in that he doesn’t play very often and I remember last year yearning to hear “In The Beginning.” a wish that was fulfilled this year. A Todd Snider show is always fun; this is all the man does and he has found a way to make his stage show different every time, something you can’t say for about 98% of the acts you will ever see grace the stage.

Todd Snider setlist from Knuckleheads in Kansas City, MO on 10/16/13:

  • Play A Train Song (on mandolin)
  • Broke
  • Good Fortune
  • Tension
  • If Tomorrow Never Comes
  • In The Beginning
  • Is This Thing Working (on banjo)
  • Ballad Of The Devil’s Backbone Tavern
  • [The Full Jerry Jeff Walker Story]
  • Mr. Bojangles (Jerry Jeff Walker cover)
  • Big Finish
  • The Devil You Know (on banjo)
  • Conservative Christian…
  • Statistician’s Blues
  • [Drive-thru Story]
  • Stuck On The Corner
  • The Last Laugh
  • [REK Disappearing Act]
  • They Call Me The Breeze (JJ Cale cover)
  • Alright Guy
  • Just Like Old Times
  • After The Gold Rush (Neil Young cover)
  • Don’t It Make You Wanna Dance (Rusty Wier cover)
  • That Was Me
  • Enjoy Yourself
  • tour poem (“Kim is my favorite now”)
  • Hang On Sloopy (The Yardbirds cover)
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Setlist: Colby Walter sings Dylan at Cafe Acoustic 10/17/13

Colby Walter sings Bob Dylan 10/17/13 poster

Setlist from Colby Walter sings Dylan at Cafe Acoustic on 10/17/13:

  • She Belongs To Me (Bringing It All Back Home)
  • All I Really Wanna Do (Another Side)
  • In The Mood (Biograph)
  • The Times They Are A-Changin’ (The Times They Are A-Changin’)
  • Love Minus Zero/No Limit (Bringing It All Back Home)
  • I Want You (Blonde On Blonde)
  • Ballad In Plain D (Bringing It All Back Home)
  • Corina Corina (Freewheelin’)
  • Don’t Think Twice It’s Alright (Freewheelin’)
  • Stuck Inside of Mobile with the Memphis Blues Again (Blonde on Blonde)
  • All Along The Watchtower (John Wesley Harding)
  • Meet Me In The Morning (Blood on the Tracks)
  • Mississippi (“Love & Theft”)
  • Simple Twist of Fate (Blood on the Tracks)
  • Most of the Time (Oh Mercy)
  • Girl of The North Country (Freewheelin’)
  • Buckets of Rain (Blood on the Tracks)
  • Honey Just Allow Me One More Chance (Freewheelin’)
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250 word album review: God Is An Astronaut – Origins

God Is An Astronaut - Origins

God Is An Astronaut - Origins gets 3 stars

The great thing about instrumental albums is that a band is forced to push their boundaries to keep from getting monotonous. You’ll find an abundance of styles on God Is An Astronaut’s record Origins. Each passing song will take you on a journey that lets its own unique scenarios play out in your head.

The guitar, drums and bass must all share time and space with horns, keyboards and other electronic noises. If you had to pigeonhole the music it would be instrumental electronica. The synth-heavy songs often range to an outer space feel with coats of relaxed electronica like on “Reverse World.” Some songs are led by a solid bass grooves or even a drum beat but they all get their flavor from a thick coating of keyboards.

Origins could just as easily be a soundtrack to a sci-fi movie; the futuristic “Weightless” can attribute to that. You can almost feel the tension of a sneak attack in the works during “Red Moon Lagoon” and track a high speed chase during “Transmissions” and follow all the way to the final credits rolling during “Light Years From Home.”

Instrumental records are so open to interpretation that they can be what you make them. God Is An Astronaut definitely hits their mark musically on Origins but the only problem is that there is little to make the listener come back to it. It is a great album to be in the background while something else is going on but will fail to have you searching your CD collection to pull it out much.

Key Tracks: “Reverse World” “Weightless”

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250 Word Album Review – Austin Miller – More Than One Way

Austin Miller - More Than One Way

 

Austin Miller - More Than One Way gets 4 stars

Austin Miller lets the lyrics take the reins on his album More Than One Way. A singer/songwriter should after all. The arrangements around the songs are very good and the interesting and meaningful lyrics. Gently used horns and a plethora of instrumentation accompany the songs but the lyrics are always given the spotlight.

The record starts with great optimism on the title track and “How Far” before diving into a different mood. A short instrumental is needed before the stark “Moving Along” comes about. In “Moving Along” Miller refuses to turn the other cheek as he begrudgingly reports “It’s not alright and I will not let this slide” in a well thought out tone where you know he won’t ever budge. A pedal steel is used brilliantly in spots on the album like on “In The City” although it is difficult not to listen for Neil Young’s “Helpless” break out during the song.

Miller’s vocal delivery throughout More Than One Way is top notch. Each lyric is delivered confident and carefully as the 10 songs unfold. Late in the album on “Like You Mean It” the lyrics “Haunt me like you mean it / tell me like you’ve seen it” are piercingly descriptive. Miller shows every bit of talent that americana acts like Mumford and Sons and Bon Iver have taken to the bank. More Than One Way is a confident, well recorded album that is definitely worth seeking out.

Key Tracks: “Moving Along” “Like You Mean It” “More Than One Way”

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250 word album review: Ed Roland and the Sweet Tea Project – Devils ‘n Darlins

Ed Roland and the Sweet Tea Project - Devils 'n Darlins

Ed Roland and the Sweet Tea Project - Devils 'n Darlins gets 2.5 stars

You’ll find no surprises on Ed Roland’s first record as Ed Roland and the Sweet Tea Project. Devils ‘n Darlins has the same big pop hooks Roland has always been able to write with Collective Soul, the sound is just stripped of the distortion and some more americana instrumentation is added.

There are a couple songs that would fit nicely on a Collective Soul record here, most notably the lead single “Love Won’t Bring Us Down” and “Just As I Am.” There are also songs that sound nothing like Collective Soul other than the fact that Roland is singing like “Going To Birmingham” and “Oh Lord.” The latter sounding like it was heavily inspired by the band Alabama. Vocal duties are even given to other members of the band on a couple songs making for a nice change-up mid record, neither of which will blow you away but they still fit in the scheme of the record and make Devils ‘n Darlins feel like a little more than just a solo project.

The album allows Roland to indulge in acoustic strums and even some banjo and ukelele; something he couldn’t really get away with in his alternative 90’s powerhouse band. This feels like a one off project and a bit of a scattered collection but it is a fun project. If the Sweet Tea Project can focus a little more on the next record maybe they can drop the “Ed Roland” from their name and gain an identity of their own.

Key Tracks: “Love Won’t Bring Us Down” “Devils ‘n Darlins”

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250 Word Album Review: 2 a.m. Orchestra – Working To Divide

2 a.m. Orchestra - Working To Divide

2 a.m. Orchestra - Working To Divide gets 3.5 stars

2 a.m. Orchestra is a shapeshifting project in more ways than one. Not only are the band members a rotating cast of sorts but they shed and take on styles easily on their album Working to Divide. It isn’t so much a genre shifting album but style-shifting within their alternative rock sound.

The album begins with its best song, “Heads and Tails” that is a ferocious opener that will make you want to restart the record before ever finishing it. After a couple of shots of melodic guitar rock to start the album with “Heads and Tails” and “Ain’t Got The Fight” they settle into a smooth piano laden Grandaddy-type number with “Believe In Me.” They meander into Weezer territory with “Have It Your Way,” Jack Johnson land on “Living Longer” and even break in some strings on “Fire Escape.” The album is a blender of influences shining through the songs and whatever influence is strongest at the moment pulls the song its way without ever wandering too far from home.

2 a.m. Orchestra is at its best with Nada Surf power pop like the lead single “Heads and Tails” and “Karmic Wealth.” Despite all of the references, their music doesn’t sound enough like any of these bands to be distracting; it makes the record an interesting listen. The thing that will keep your interest on Working to Divide isn’t the album as a whole, it is songs that stand on their own and you will find that that alone makes it worth a listen.

Key Tracks: “Heads and Tails” “Ain’t Got The Fight”

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250 Word Album Review: Band 13 – Signal Shift

Band 13 - Signal Shift

 

Kansas City group Band 13 attacks with a shotgun style approach on Signal Shift. They switch gears often going from hard rock to funky grooves and even take a trip to the farm for a little down home country. The album shows the band’s range and also shows how much they aren’t content to stick within one well formed rut.

The smooth Red Hot Chili Pepper grooves on “The Sweet Majestic” and “Deja Vu” is an odd combination to be so close to the intentionally tongue-in-cheek country-fried “Beastboy Shindig” but neither style is where Band 13 is best heard. The majority of the album is made up of songs like “The Last Living Dinosaur” with its loungey groove that sounds like it was spawned on a southern California beach. When you hear the Nirvana style feedback at the beginning of “All Night Long” and hear the Zeppelin sounding guitars on “Zero Warning” you can tell that the band is honed in. The Iron Maiden style vocals that adorn “Zero Warning” and “Light Years” show that Band 13’s influences flow far deeper than the Chili Peppers and make for the better songs on Signal Shift.

When the distortion is buzzing and crunchy riffs adorn the lyrics you’ll see the true Band 13; the album shows that country twang and funk are in the arsenal as well but the rock is what will keep you listening.

Key Tracks: “Zero Warning” “Light Years”

 

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Concert Review: Rancid / Tim Timebomb in Lawrence, KS 9/21/13

Rancid and Tim Timebomb 2013 tour poster.At this point Rancid is a stone cold given as an elite band. I don’t mean just in the punk scene, I mean in rock in general, they are clearly a top tier act. There is no mistaking their contribution to music after being together for 21 years and as Tim Armstrong would say “We have no plans of stopping anytime soon.” The bare bones four man group wears two decades well; the high mo-hawks may be gone but angst and attitude are still there, right along with their energy. The group’s front man, Armstrong, would even pull double duty by opening with his side project Tim Timebomb and Friends on the summer 2013 tour.

Tim Timebomb and friends took the stage in Lawrence, Kansas before many people could even make it through the door and those who didn’t show up early really missed out. Lars Frederiksen pushes Armstrong to remain pretty hardcore in Rancid but without him in Tim Timebomb, Armstrong is free to wallow in his ska and reggae indulgence. The 40 minute set would primarily be covers with completely fresh interpretations of the original songs. The group would be complete with two guitars, drums, bass, trombone and a trumpet making for the ska sound.

The set would start appropriately with the shout of the first song’s title “Into Action.” The song would be from Armstrong’s first and only solo record and fit perfectly with Tim Timebomb. The highlight of the entire set would be the Tim Timebomb original “She’s Drunk All The Time” that had enough swing in it to get the early crowd stirring. A couple Hank Williams Sr. covers would be thrown alongside songs by Bad Manners, The Faces and The Specials. The crowd would really bounce for the cover of the NOFX anthem “Bob” and when Timebomb concluded their set with legendary punk band Operation Ivy’s “Sound System” the crowd started to bubble like like a boiling pot and the first aggressive mosh pit of the night would form.

Tim Timebomb and Friends opens for Rancid at The Granada in Lawrence, KS on 9/21/13.

Tim Timebomb and Friends opens for Rancid at The Granada in Lawrence, KS on 9/21/13.

Tim Timebomb setlist from The Granada in Lawrence, KS on 9/21/13

  • Into Action
  • Change That Song Mr. DJ
  • Concrete Jungle (The Specials cover)
  • She’s Drunk All the Time
  • Thirty Pieces of Silver (Hank Williams cover)
  • My Bucket’s Got a Hole in It (Hank Williams cover)
  • Lip Up Fatty (Bad Manners cover)
  • Bob (NOFX cover)
  • California Sun (The Rivieras cover)
  • Ooh La La (The Faces cover)
  • Too Much Pressure (The Selecter cover)
  • Working (Cock Sparrar cover)
  • Sound System (Operation Ivy cover)

Rancid would aggressively take the stage next; tearing straight into “Roots Radicals” “Journey To The End of the East Bay” “Maxwell’s Murder” and “The 11th Hour” all from their masterpiece album …And Out Come The Wolves. This would just be the tip of the iceberg of the 29 song set. They would play one of only a couple newer songs next with “Last One To Die” then quickly found their way back to older material.

Tim Armstrong would keep his hat and sunglasses on the entire night and would use them to enhance his great stage presence. With his extra long guitar strap allowing his hollow body axe to hang extra low he would turn it sideways and jostle it around while frequenting all corners of the stage. Lars Frederiksen would be a little less animated but still be very impressive in his own way, belting out his more punk approach to lyrics than Armstrong and showing that he carries the brunt of the guitar load for Rancid’s songs. It would be surprising on the about 3 songs that bassist Matt Freeman would sing just how raspy and low his vocals were and new-ish drummer Branden Steineckert would be very animated for a percussion man standing on his drum stool and even on his bass drum several times from his elevated platform behind the rest of the band.

The set would roll on with hardcore punk songs like “Dead Bodies” “Bloodclot” and “Tenderloin” with bouncy, more reggae fueled numbers like “I Wanna Riot” and “Time Bomb” to offset them. A couple of the highlights would be Freeman belting out the chorus of on of the groups oldest songs in “Rejected” and Lars absolutely killing the guitar work on “Old Friend.” Lars would be alone on the stage for a sing-along version of “The War’s End” that was far from quiet and intimate. The group would play their newest song “Fuck You” proving their edge is far from lost and the massive hit “Time Bomb” would send them off stage for an encore break.

Rancid brings their 21 years of stage experience to The Granada in Lawrence, KS on 9/21/13.

Rancid brings their 21 years of stage experience to The Granada in Lawrence, KS on 9/21/13.

The intense “Radio” would lead off the encore set and it would of course end with a phenomenal sendoff, “Ruby Soho.” The pit would never really pause for the whole show, it would always be moving one direction or another, constantly changing like a spring with a strong undercurrent. The crowd surfers would be in full force making the short trip to the top of the pit and then the front of the stage and the “punk rock” look was widespread with tons of tattoos, leather jackets, spiked hair and shaved heads. The older, “former punks” were there too; they just stayed on the upper tier and endured a little less physical punishment. Up front or in back Rancid was impressive as hell and nearly every mouth was singing along during the show, just like the same mouths will be the next time Rancid rolls through town.

Rancid setlist from The Granada in Lawrence, KS on 9/21/13

  • Roots Radicals
  • Journey to the End of the East Bay
  • Maxwell Murder
  • The 11th Hour
  • Last One to Die
  • Dead Bodies
  • Old Friend
  • Hooligans
  • I Wanna Riot
  • Nihilism
  • Black & Blue
  • Fuck You
  • Gunshot
  • Listed M.I.A.
  • The Wars End
  • East Bay Night
  • Salvation
  • Bloodclot
  • Rejected
  • It’s Quite Alright
  • Fall Back Down
  • St. Mary
  • Olympia WA.
  • Something in the World Today
  • Tenderloin
  • Time Bomb
  • encore break
  • Radio
  • Black Derby Jacket
  • Ruby Soho
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