250 Word Album Review: Eric Sommer + Solar Flares – Rainy Day Karma

Eric Sommer + Solar Flares - Rainy Day Karma

Eric Sommer + Solar Flares - Rainy Day Karma gets 3.5 Stars

Eric Sommer is an extraordinary guitar player. His album with the Solar Flares Rainy Day Karma is a supreme showcase of his talents with that instrument in his hands. The album is a bluesy collection of 10 songs that go beyond Sommer’s guitar skills to show he is actually a very good singer and song craftsman as well.

Any album beginning with the cackle of a chicken immediately informs the listener it won’t be too much of a solemn affair. The genre bending starts right after the chicken finishes with the barnyard imagery of “Farmer Brown.” The album’s best track emerges after the story of Farmer Brown is told with the song “Cover My Soul.” “Cover My Soul” takes the images of cornfields away from the first song but the lyrics are much deeper for this tune.

The album contains plenty of guitar picking at its finest, a couple times being an entire instrumental song with “Thunderstick” and “Bayou Ballet.” Though the songs contain bluesy guitar, the album is really a very upbeat record overall. The joyful lyrics of “You told me you loved me and that was good, I told everybody in the neighborhood” show this in the song “Tell Me What.” Even on “Harmony of the Meek” a song about dealing weapons in Afghanistan, Sommer keeps the music bouncy and upbeat leading to a strangely appealing mix.

Stellar tracks like “I Caught A Cab” and “Cover My Soul” steal the show on the record. Rainy Day Karma is worth a listen just to hear the superior guitar playing but listeners will find they will be rewarded with hearing a very good songwriter as well.

Key Tracks: “Cover My Soul” “I Caught A Cab” “Harmony of the Meek”

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Concert Review: Scruffy & The Janitors at The Cafe Acoustic 11/17/12

You want to live vicariously through Scruffy & The Janitors when you see them live. They are young, energetic, talented and have one of the coolest bands in town. The are already building a solid following in the local scene and have started playing shows out of town but most importantly they get better with every show they play.

The band is not lacking in talent in the first place. That being said; anyone who has seen them multiple times like myself would have to not be paying any attention at all not to see the improvement in the young band. Lead singer/bass player Steven Foster already has a knack for writing songs with good hooks and the brothers Trevin (drums) and Teriq (lead guitar) are no slouches is filling out the band’s sound. The crunchy, bluesy guitar playing of Teriq gives the band their signature sound and makes their live shows a must see.

Scruffy & The Janitors jamming live at The Cafe Acoustic on November 17th, 2012. Lead singer/bassist Steven Foster on the left and guitarist Teriq Newton on the right.

Scruffy & The Janitors playing live at The Cafe Acoustic on November 17th, 2012. Lead singer/bassist Steven Foster and lead guitarist Teriq Newton.

Scuffy & The Janitors played the Cafe Acoustic on Saturday November 17th carrying the whole weight of the night with no opening act. The group already has a large enough following to fill venues like this by themselves. This show was the ultimate promotion for the record release party that will take place in two weeks on November 30th at The First Ward House. The band would immediately proclaim that they would be playing their record Pino and tore into the first song from it “Post Meridian.”

They would follow suit for the first six songs of the evening before replacing the song “Rosie” with a jam-heavy tune they announced as what sounded like “Dirty Hand.” Other than the one substitution the first ten songs of the set would be entire album Pino sequenced as it will be on the album. Obviously this part of the show possessed many of the group’s best songs like the speedy-blues numbers “Know It All” and “There’s A Ghost.” The group’s best song to date is likely “I Will Pick You Up” as the song has evolved in the last few months as a great sampling of how good of songs this band can write and how good this band is going to be.

Scruffy & The Janitors jamming live at The Cafe Acoustic on November 17th, 2012. Lead singer/bassist Steven Foster on the left, drummer Trevin Newton in the middle and guitarist Teriq Newton on the right.

Scruffy & The Janitors jamming live at The Cafe Acoustic on November 17th, 2012. Lead singer/bassist Steven Foster on the left, drummer Trevin Newton in the middle and guitarist Teriq Newton on the right.

After playing Pino the band would stretch into a group of songs to finish their night that were newer or covers. The covers really let Scruffy & The Janitors wear their influences on their sleeves. After taking on the Flaming Lips’ “She Don’t Use Jelly” they would bust into a cover by their biggest influence The White Stripes. “Fell In Love With A Girl” is a guitar heavy, short little song that let Teriq indulge in his best Jack White impersonation. They would even insert a second White Stripes cover in the middle of the punky Stripes song with “Little Room” letting drummer Trevin do some cymbol crashing. They would then take on the traditional tune “House of the Rising Sun” that shows the band honors classic blues songs as well. Scruffy’s version of “House of the Rising Sun” is always a set highlight as they have a fresh, guitar-heavy take on it.

In the end the band put together a great, entertaining group of songs. The always superior sound at The Cafe Acoustic only complimented the band and made them sound better. The show was a huge advertisement to go see them at The First Ward House on November 30th where you can pick up a copy of their first ever recording Pino. I’ll be there, you probably should be too.

Scruffy & The Janitors setlist from The Cafe Acoustic 11/17/12:

  • Post Meridian
  • Know It All
  • There’s A Ghost
  • Stick Around
  • Plain Jane
  • Use Me Up
  • Dirty Hand
  • Poor Boy, Long Way From Home
  • I Will Pick You Up
  • Dupe
  • She Don’t Use Jelly (Flaming Lips cover)
  • Fell In Love With A Girl (White Stripes cover)
  • Little Room (White Stripes cover) > Fell In Love With A Girl
  • I’m So Dumb
  • The House of the Rising Sun (Traditional)
  • Harry Truman
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Concert Review: Eyelit at the Cafe Acoustic in St. Joseph, MO 11/15/12

When you hear the name Cafe Acoustic, Eyelit is the band you picture in your head. The Cafe Acoustic in St. Joseph, Missouri by no means exclusive to this type of band however. The Cafe regularly gets hard rock and metal bands to play so it is far from acoustic. They reserve Thursday nights as “Acoustic Night” and this is when bands like St. Joseph’s own Eyelit get a chance to shine.

Eyelit is composed of Austin and Dansare Marks, a mellow husband and wife duo. They have a simple and stripped down group of acoustic songs in their catalog. They have a smooth sound with a ton of concentration on the lyrics reminiscent of Iron & Wine and since they are a guy/girl duo; of course could also be compared to The Swell Season. Many of the night’s songs would be from their recently released full length album The Woe Dies. The instrumentation is stripped down with each song being composed by just an acoustic guitar or ukulele along with their blend of gentle vocals.

Eyelit performing at the Cafe Acoustic in St. Joseph, MO on 11/15/12.

Eyelit performing at the Cafe Acoustic in St. Joseph, MO on 11/15/12.

The two would take the stage to a very respectful and attentive crowd of about 15-20 people who would listen for the duration of their hour long set. The vast majority of their songs would be Eyelit originals as well as a couple well chosen covers that fit the band very well. The first of which being an interesting take on Chris Isaak’s “Wicked Game.” The majority of the songs would be sang by Austin, who would also play all acoustic guitar and ukulele on the songs. Dansare would take lead vocals on a few songs like a cover of “Sea of Love” and “High” from The Woe Dies. She would also provide an essential piece to all Eyelit songs with her subtle background vocals.

They were selling their album The Woe Dies for the slim price of a $5 donation to the tip bucket. The CD is in a digipak case and is very well done. It not only looks professional but contains a booklet with full lyrics. It contains many of the best songs from their setlist as well like “She Holds His Hand Tight” and the slow, brooding “I Wish You The Best.” They would announce their final songs as a new one before receiving a good enough ovation from the crowd for a genuinely deserved encore for which they would perform another song from the record “Rolling Road.”

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250 Word Album Review: Aaron Blumer – Aaron Blumer

Aaron Blumer Self-Titled album gets 3 stars

Aaron Blumer Self-Titled album gets 3 stars

 

Aaron Blumer embraced the country lifestyle. On his self-titled debut album his song “Livin’ Like A Country Song” pretty much explains it all. The themes heard on the album released in April of this year are nothing out of the ordinary  All the usual suspects are here; girls, dirt roads, beer, getting fired and lost loves. Don’t worry though, Blumer keeps from delving into douchbaggery of Toby Keith and artist like him who shamelessly pander to their crowd.

The songs sound personal enough that they are believable unlike many current country artists you’ll hear on the radio. The songs on Aaron Blumer are very much pop country. The line between pop and country has been becoming really blurry in recent years, to the point where the line really doesn’t exist. The songs are all sing-along worthy and could really be called pop songs. Tracks like “She Never Hit The Ground” will have you singing them in your head hours after you listen. The songs have a clean, well recorded sound and sound every bit as good as modern country radio favorites. The heartfelt lyrics are accompanied not only by a full band but nice clean electric guitar leads. Blumer’s songs occasionally even venture in raunchy guitar territory as well on songs like “Moonlight” and “See Here Coming.”

The highlights on the record could easily fit in with any modern country playlist with the catchiness of songs like “Hard To Hold Onto” and “Pried It Out.” The album is a smooth listen all the way through and has the heart and honesty that a good country record should.

Key Tracks: “She Never Hit The Ground” “Pried It Out” “Hard To Hold Onto”

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250 Word Album Review: Ryan Bingham – Tomorrowland

Ryan Bingham - Tomorrowland

Ryan Bingham - Tomorrowland gets 3.5 Stars

Ryan Bingham’s fourth album Tomorrowland is a bit of a return the grungy country music that made him a household name in the Americana community. The new records finds him being a little more hard-edged and breaking of the small rut he had fell into with Roadhouse Sun and Junky Star.

The album starts with a bang with “Beg For Broken Legs” which bursts into a hard rocker in the style of “Bread and Water” from his first album. The dark tone of the album is carried out later with “Guess Who’s Knockin'” breaking into a chorus of “Guess who is knockin’ on the door, Its me mother fucker, I’m knockin’ on the door” The song is delivered as one of Bingham’s harder edged songs of his career. It transitions perfectly into the album’s single “Heart of Rhythm” that is likely far better than any songs you will hear on a typical country station.

The album does drag at points like his last two releases suffered from. The song “Rising of the Ghetto” isn’t bad but it kills the momentum in middle of the album being over 8 minutes long. The album is capped off well with the dirt road bar rocker “Never Ending Show” that displays the rowdy rocking songs that Bingham does best. While Tomorrowland isn’t a great record it is more balanced than his recent work and reminds you why he is one of the most interesting faces in Americana music. This record isn’t a classic but it shows the promise that someday Bingham will deliver one.

Key Tracks: “Beg For Broken Legs” “Guess Who’s Knockin'” “Heart Of Rhythm”

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Concert Review: David Bazan / Stagnant Pools at the Record Bar in Kansas City, MO 11/5/12

There were a lot of beards at the Record Bar. For an artist like David Bazan this isn’t uncommon. He is one of the most important voices of his generation and has a very relatable message for the twenty-something crowd. The thick-framed glasses, full beards and skinny jeans weren’t exclusive at the Kansas City David Bazan show but it was pretty close.

The “hipster” crowd would show up in droves to pay tribute to David Bazan. It is easy to see why. Bazan has a knack for catchy guitar licks and writing good hooks. He also is nearly unparalleled in his lyrical style. Being devout for much of his musical career he turned his back on the religion he had led his life by and has delivered haunting scriptures in song form about his transformation. The serious tone of his songs fits the hipster crowd though many of them are younger than Bazan himself.

The Record Bar may not have sold out but it had to be painfully close. The sweat dripping down my back and the disturbing feeling of each breath from the guy behind me were evidence of this. It was hot and uncomfortable, there was no place to hide as you could go all the way to the bar in the venue and not escape the tight quarters. This is what a show is supposed to be like right? A group of individuals packed in a small place all singing the same words and erupting in applause in unison is the pinnacle of a good concert sometimes. Still the Record Bar for the November 5th, 2012 show was uncomfortable.

The Stagnant Pools performing at The Record Bar in Kansas City, MO on 11/5/12.

The Stagnant Pools performing at The Record Bar in Kansas City, MO on 11/5/12.

Before David Bazan would power through yet another great performance the Indianapolis band Stagnant Pools took to the stage. The packed in crowd would be respectful to the band but not embrace them. The band’s music was brooding and docile and their low amount of enthusiasm matched. The best way to describe the Stagnant Pools is to compare them to Joy Division. The hugely popular cult band from the 1980’s were obvious heroes of the Indiana duo.

The band would be made of just a drummer and a guitarist/lead singer. The drummer impressed throughout the night. He gave the songs the only variance they would have. The drumming would be steady and loud throughout the set and sadly was easily the most entertaining part of the set. The singer kept the same monotone vocal styling not only throughout a whole song but would keep it consistent throughout the whole 40 minute group of songs. The guitar was noisy and distorted. The distortion would also be put on a loop so more droning guitar could be piled on top of it. Each song would end with the guitar and loop both ending giving you the relief you feel at that moment you pull earplugs out of your ears after running a chainsaw for about a half hour. The songs sounded very good at the core but any lyrics or interesting guitar licks were hidden by layers of distortion and loops.

David Bazan would waste no time to get on stage and start the task at hand. Bazan was playing the entire record from his former band Pedro The Lion Control. The record is now 10 years old and has become an important album of very good songs. The Control tour coincided with the release of all Pedro The Lion’s records being available on vinyl. Bazan would fitting split the Control record’s performance into two parts; side A and side B.

David Bazan performing at The Record Bar in Kansas City, MO on 11/5/12.

David Bazan performing at The Record Bar in Kansas City, MO on 11/5/12.

Side A would get hammered through highlighted by the dark divorce song “Options” followed by two of Bazan’s hardest rocking songs in “Rapture” and “Penetration.” After side A had been played the band of three fell into eight other songs before finishing the show with side B. The other songs with start with a song from Bazan’s other, other project Headphones in “Gas and Matches.” The three solo releases by Bazan would account for only four of the night’s 18 songs.

The always great “How I Remember” would be sandwiched by two songs from the newest release Strange Negotiations in “People” and the guitar heavy “Eating Paper.” David Bazan always inquires the crowd to ask him questions and they seemed uncharacteristically dull on this night. He would talk about recording Control and do some brief electioneering as the impending election was only a day away but the questions were bland on this night. Control would steal the focus of the show with huge crowd favorites like “Magazine” and “Second Best” both being toward the end of the show on side B. The night would end with David Bazan simply proclaiming “We don’t really believe in encores so… don’t sweat it.” He then played the finally from the record that was the focal point of the night “Rejoice” and would call it a night.

David Bazan setlist from the Record Bar in Kansas City, MO 11/5/12

  • Options
  • Rapture
  • Penetration
  • Indian Summer
  • Progress
  • Gas and Matches
  • The Fleecing
  • Transcontinental
  • Bless This Mess
  • People
  • How I Remember
  • Eating Paper
  • When They Really Get To Know You They Will Run
  • Magazine
  • Rehearsal
  • Second Best
  • Priests and Paramedics
  • Rejoice

 

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250 Word Album Review: Knot Afrayed – [WfnD]

Knot Afrayed - [WfnD]

Knot Afrayed - [WfnD] gets 3.5 Stars

Knot Afrayed is a St. Joseph, Missouri based metal band with a habit for flooding the local scene with hardcore live shows. The band’s first album [WfnD] has made its way around Kansas City and Omaha from their regular shows in the area.

The first thing to strike you about the album is the vocal range displayed throughout. The style of singing by Beau Martin is easily tacked to its influence but commonly switches within each song. The singing can range from real singing all the way to low growls. You could draw a line from Chris Cornell of Soundgarden to the singing in the middle of “[WfnD]” just seconds after a raspy growl reminiscent of Corey Taylor of Slipknot to begin the song.

The heavy handed drumming of Brian Kline and driving bass by Brice Hollandsworth give the songs their structure while the guitar and vocals provide the flash. The intricate guitar playing of Mike Carlson adds texture to the songs and keeps them from getting too muddy as many metal songs do. In other words; It’s not all power chords. While many songs here will remind of songs you already know from the radio, the frequent changes of pace keep them from getting too mundane.

The clear standout tracks are on the front side of the album. “Still Bleeding” and “Step Inside Yourself” are both high class rockers early in the CD sequence and sandwich the albums best track “The Other Side.” The chorus of “Take my hand, I’ll take you to the other side” is among the most memorable moments on [WfnD].

Key Tracks: “Still Bleeding” “The Other Side” “Step Inside Yourself”

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Concert Review: First Saturday at The Lucky Tiger

Lucky Tiger First Saturdays 1/11/12, Zale Bledsoe, The GasTown Lamps, Wade Williamson and Andy Grooms.

In-store record performances are über cool. Browsing through vintage vinyl records while listening to a performer on acoustic guitar is a great way to spend an afternoon. The Lucky Tiger in downtown St. Joseph, Missouri has now had several of these in-store performances that bring a steady flow of people into the store. They hosted their first, First Saturday on November 3rd.

The Lucky Tiger has made downtown cool again. Their loyal patrons not only show for these events but it brings in whole new people. While performers softly played in the background customers browsed not only the records but all the vintage clothing throughout the day. Zale Bledsoe would lead off an afternoon filled by local acts such as Wade Williamson, The Early Brothers, The GasTown Lamps and Andy Grooms. The store full of vintage memorabilia opened up their back room for art displays, food and drinks as well.

Lets hope the First Saturdays continue at The Lucky Tiger, they are great fun and a fantastic way to gear up for a big Saturday night. It’s all part of not only making downtown St. Joseph a desirable place to go again but also give a shot in the arm to the local music scene.

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Concert Review: Eric Sommer / For The Sound at Cafe Acoustic 11/1/12

Sometimes the visuals at a concert can be more entertaining than what you hear. With Eric Sommer this is defiantly the case. Not that the music was bad at the Cafe Acoustic for the Eric Sommer and For The Sound show on 11/1/12 but watching Sommer play his music is truly a treat.

For The Sound would take the stage before Sommer on the night. For The Sound is a solo venture by Zale Bledsoe of Dsoedean. For The Sound actually pre-dates Bledsoe’s band Dsoedean with Bobby Floyd, Colby Walter and Marcus Words.

Bledsoe would brave the stage despite having a recently broken leg and deliver a fittingly somber set of solo acoustic songs that ranged from Dsoedean tunes to songs too stripped down for the full band. He would start with the anticipated title track from the upcoming Dsoedean full length album, “Continue To Move”. Bledsoe would also move through possibly Dsoedean’s best song “Undertoe” and also hit For The Sound live staples “Brother Bear” and “The Sidecar, The Lighthouse, The Good Dream.” The latter song being a clear standout of the evening’s set.

For The Sound performing live at the Cafe Acoustic on 11/1/12.

Zale Bledsoe, a.k.a. For The Sound, performing live at the Cafe Acoustic on 11/1/12.

Eric Sommer would ease onto stage and start a slow, building song that would erupt into a speed picker’s delight and get him warmed up for an exuberant set. The song would go on for what seemed to be around 10 minutes, going several minutes before ever having lyrics added to it.

Sommer’s stage setup was quite spectacular in itself, he would sit in front of seven guitars, all but one being acoustic. He would also play nearly all of them more than once while switching his weapons frequently.

Eric Sommer’s guitar playing is unlike any I’ve ever seen. His picking style blues is both fast and raw as well as escaping any way to accurately describe it. He plays creatively which gives him a unique sound that really would best be captured live. His playing involves many finger picks and slides and rapidly moving from fret to fret along the neck of his guitar and occasionally beyond the frets.

Eric Sommer playing 6 of the 7 guitars he played at the Cafe Acousic in St. Joseph, MO on 11/1/12.

Eric Sommer playing 6 of the 7 guitars he played at the Cafe Acousic in St. Joseph, MO on 11/1/12.

He would be supporting his new CD billed as Eric Sommer + Solar Flares called Rainy Day Karma. He would go through selections off the album like “I Caught A Cab” and “Cover My Soul” making a strong case for how good the album was. He would do a quirky song off the record named “Harmony of the Meek” toward the end of the night about selling automatic weapons in sunny Afghanistan that would be both catchy and amusing because of the subject matter and the very different music he attached to the words. He would also close out the night with a track from the album in “Thunderstick” that he simply described as loud and fast.

The crowd was small on this Thursday night but it didn’t deter Sommer and he summed it up with the great outlook of “Don’t get attached to the outcome” that proved to be a positive and fitting point of view for the night. He would be selling a small plethora of merchandise that is always refreshing to see. He was selling cool little poetry books dubbed “notes from the vanishing open road” named Black Pancake and Red Chairs. He also handed out free domino pins like he wore on his hat and a great marketing tool of clothespins with his website stamped on them. He of course also had the album Rainy Day Karma for sell packaged in a paper sleeve for the lean price of $5, always a great souvenir for such an interesting show.

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250 Word Album Review: Jason Collett – Reckon

Jason Collett - Reckon

Jason Collett - Reckon gets 4 Stars

Jason Collett is flat out one of the most underrated songwriters around. On his fifth album Reckon he focuses on songwriting by turning down the volume and displaying his music at its most vulnerable. Fittingly the album has themes of broken dreams, loss and desperation.

The gentle plucking of acoustic guitar strings work at a catalyst for Collett throughout the record, showing he needs nothing more to tell his stories. The slow acoustic numbers make the few faster more rocking numbers stand out even more. “I Wanna Rob A Bank” is the highlight of the album, even though it isn’t a fast song it sticks out among the landscape of subtle songs surrounding it. The song still retains the album’s dark theme with the reasoning of “I wanna rob a bank… I just fill my tank…”

The record is likely best summed up by the down and out feeling portrayed by the song “Where Things Go Wrong” with the message “You belong where things go wrong.” The end of the record is stronger than side A; with songs like “Black Diamond Girl” and the reflective “My Daddy Was A RockNRoller” side B contols the highlights of the record. Before ending on a somber note Collett provides a brief attempt at a positive outlook with “Don’t Let The Truth Get To You.” Ultimately Reckon is a relaxing group of songs best fit for a rainy day and a glass of wine, what better way to shake the blues is there?

Key Tracks: “I Wanna Rob A Bank” “Where Things Go Wrong” “Black Diamond Girl”

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