Concert Review: Gastown Lamps/Factory Workers at Cafe Acoustic 8/18/12

Factory Workers / Gastown Lamps Poster for 8/18/12

Factory Workers / Gastown Lamps Poster for 8/18/12

The Gastown Lamps and Factory Workers musically pair up great for a show, If you like one you should like the other. It was no surprise they teamed up for a third time in the last 10 months to the Cafe Acoustic in St. Joseph. For background information you might head to the below links…

The first two concert reviews are located here:

Was this show terribly different than the two above shows? No. Many of the same things can be said but each concert experience is of its own. The crowd was very good for this show, I think the best crowd yet for these two bands getting together.

Consistent with the first two shows, the Gastown Lamps would play first they would also play to the bigger audience on this night. At the end of the evening they would put on the better set as well. The straight forward three piece St. Joseph band would practice pairing its crunchy guitar with a solid rhythm section to pound out bluesy/funk numbers. A band that plays this type of music is actually a little bit better when they aren’t 100% tight. Five or six songs into their set they seemed to loosen up a bit and become a little more jammy.

The start and stop tendencies of the band show how carefully the landscape of the songs are laid out. The hardest thing for many bands is letting the music the breathe. Some bands fill any time during a song where they aren’t making noise is bad. This simply isn’t true. Certain bands can let the music have it’s space and some can’t. The Gastown Lamps do this right. Before I wander off talking about generalities of music, I’ll get back to the show…

The GasTown Lamps at the Cafe Acoustic on 8/18/12

The Gastown Lamps at the Cafe Acoustic on 8/18/12.

The band is still very young in their career playing together so each show displays how they are evolving. They shamelessly trotted out several new songs and it was evident that the new stuff is a little different than the original batch of songs. The addition of a bass player may have opened a few opportunities for the band that they never had before. The band has a ZZ Top-esque knack for starting songs which is very cool. If you listen to a ZZ Top record just listen to the first 10 seconds of each song and you’ll hear what I mean. The beginnings each have unique guitar licks that set the tone for the song.

The band hit it’s stride during the song “Out Of Your Soul” where they really looked comfortable on stage which stood as the highlight of the night. Other very good parts of their set were the always great “If We’re Here” and some new songs like “Land Mines” and “The One To Bet On.”

See end of article for The Gastown Lamps setlist.

The Factory Workers would setup their stage show next to deliver much of the same style of music. Between sets from the two bands seemed unusually long  and I’m not sure why, there didn’t appear to be any issues with  soundcheck or the sound in general (which is status quo for the Cafe Acoustic.) This allowed the audience time to consider leaving and many of them did instead of waiting around.

The Factory Workers at the Cafe Acoustic on 8/18/12

The Factory Workers at the Cafe Acoustic on 8/18/12.

The Factory Workers turned up the volume for their set. Many people who liked the band and wanted to hear them were driven from the room by the ear-bleeding wall of sound. Several people were transplanted either to alley out back or the front room, not necessarily because they didn’t like the music, it was simply too loud. By the stride of their set they were playing to a third of the audience that The Gastown Lamps had played to earlier in the evening.

The Kansas City two man band would have no problem making more noise than the three piece band that preceded them. The drumming is loud and will make your head rattle and the guitar is cranked enough where it buries the vocals to the bottom of the mix. If you aren’t familiar with the songs it is easy to get lost in the wall of sound. They still have the solid grooves and strong songs to keep an audience paying attention though. Their sound hasn’t been refined much since the first time I heart them 10 months ago. They have stayed with the same brutal attack of raw guitar and piercing drums that makes them who they are.

Gastown Lamps setlist:

  • Free To Run
  • If We’re Here
  • Hard Times
  • Cross The Line
  • The One To Bet On
  • No Friend Of Mine
  • The Breaks
  • Call My Name
  • Out of Your Soul
  • When The Night Comes Through
  • Land Mines
  • Hands In The Air
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250 Word Album Review: Toadies – Play.Rock.Music

Toadies - Play.Rock.Music.

Toadies - Play.Rock.Music. gets 4 stars

The Toadies have never been critic’s darlings but maintain a strong fan base and make some of the most interesting hard rock you will find. The hard rock genre is boring and filled with bands that are still copying Nirvana 20 years later. It is one of the blandest genres of music there is.

The Toadies step out of this group to actually make interesting music. They manage to play loud without falling into the same boring patterns as many of the popular bands that are lumped in the same category. For their fifth album Play.Rock.Music they strip away the desire to write “Possum Kingdom” again and put together another solid album.

The lead single “Summer of the Strange” is a strong representation of the album. It is straight forward guitar heavy rock song topped with Vaden Todd Lewis’ snarly vocals. While the band does add a couple slower songs in “Magic Bullet” and “The Appeal” the album is still the riff heavy 40 minutes fans would expect. The album’s highlights are the very typical sounding Toadies songs like “Rattler’s Revival” and “Animals.” The most interesting songs however are a little different for the band’s sound. On “Laments of a Good Man” the band pairs a death metal/punk sound with a slow chorus that gives the song a tension that makes it a track you’ll keep coming back to. They also summon their Texas roots on “We Burned The City Down” making it one of the catchiest songs on the record.

Key Tracks: “Laments of a Good Man” “We Burned The City Down” “Summer of the Strange”

 

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Concert Review: Bob Walkenhorst & Jeff Porter in Maryville, MO 8/16/12

Bob Walkenhorst doesn’t draw the fans he used to. This applies to both quantity and exuberance. His crowd is much older now and his audience reflects that. The decent sized crowd in Maryville, MO on 8/16/12 to see Walkenhorst and Jeff Porter were mostly older and many had their children with them. I’m sure many trying to convince their kids how “cool” Walkenhorst was in his 80s/90s band The Rainmakers. He used to jump around a lot and were all colors of the rainbow even donning a top hat before Slash made it cool. Now Walkenhorst took the stage in grey slacks and a white button up shirt. The most colorful part of his wardrobe these days is his grey hair.

His writing/performing partner Jeff Porter is much the same. Porter now lets his hair grow long and lets the silver lochs shine in the sun as well. Their hair that showed their age so well was highlighted by the fact that the outdoor show had a stiff breeze to keep the hair moving.

The show shut down the main street of Maryville and was right in front of the courthouse. It made for a very cool backdrop for a show but still seemed unnecessary for the size of the show. Maryville is notorious for being a little too willing to shut down the streets of the square so it came as no surprise.

Bob Walkenhorst and Jeff Porter perform live in the street of Maryville, MO in front of the courthouse on 8/16/12.

Bob Walkenhorst and Jeff Porter perform live in the street of Maryville, MO in front of the courthouse on 8/16/12.

Walkenhorst and Porter took the small stage setup right in middle of the street in front of many old friends and fans and delivered a slightly surprising set. The hour and 45 minute set included song from The Rainmakers catalog, both singers solo albums and the one album they recorded together. The surprising part was the lack of Rainmakers songs that usually fill the duos songlist. Surprisingly absent from the setlist were songs like “Let My People Go-Go” “Hoo Dee Hoo” and “Information.”

The 25 songs delivered on the night by the two would fit the family environment very well. It would be a mix of a couple covers and several slower songs and it would never get too rowdy. Possibly the Rainmakers most known song “Downstream” was performed right away but it would be one of only a few well known songs originally by the band. Porter, who is now a member of The Rainmakers, would help Walkenhorst bust out 6 songs from the band’s latest album 25 On. It was nice to see songs like “Half A Horse A Peice” “Kansas City Times” and “Go Down Swingin” get performed off of that album.

Porter really compliments Walkenhorst well. While Walkenhorst excells at hitting the upbeat rockers, like the classic “Downstream”, Porter seems to hit the soft notes better. Porter’s songs “She Still Waits” and “Savannah” off of his solo album 15 Miles hit a heart string that Walkenhorst can’t seem to get to as well. Porter’s “Little Bit Of White Trash” got one of the best responses of the night as it profiles people that everyone seems to have in their life.

Walkenhorst always carries the load for the duo as far a singing goes. His extensive catalog of songs makes it appropriate for him to do so. One of the highlights of the night was the seldom performed non-album track “The Almanac Lied.” Also very good were hearing the inside jokes in “Jan Vermeer” and Bob’s ode to country music in “Broken Radio.”

Really the show was stolen by Porter however, singing only about 6 of the 25 songs he enduced great responses from the crowd and ultimately showed his songwriting is on par with Walkenhorst.

Bob Walkenhorst & Jeff Porter in Maryville, MO 8/16/12 setilst:

showtime: 6:30 – 8:15

  • View From The Tower
  • Downstream
  • 15 Miles
  • Dry Dry Land
  • I Don’t Wear Hats
  • Lakeview Man
  • Still She Waits
  • Like Dogs
  • Jan Vermeer
  • Broken Radio
  • I Gotta Know (Elvis Presley cover)
  • The Sinking Hour
  • Savannah
  • Turpentine
  • Shiny Shiny
  • Baby Grand
  • Little Bit Of White Trash
  • Half A Horse A Piece
  • Hey Bird
  • The Almanac Lied
  • Ring Of Fire (Johnny Cash cover)
  • The One That Got Away
  • The Day We Hung Up The Flag
  • Kansas City Times
  • Go Down Swinging
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Introducing: Country Bingo! (Phil Vandel Bingo)

It’s no secret that country music songs overlap in themes often. You often hear about girls, trucks, women, dogs, beer etc. So while watching the greatly entertaining local musician Phil Vandel perform his mix of original songs, country covers and rock covers I decided playing a game of country bingo would be fun.

The concept is simple; a bingo board with common country phrases instead of numbers. This first card has some of the most common subject matters. It would be a great drinking game while watching his show. You could also sit in the back of your pickup truck on a dirt road and listen to counry radio and play. Phil Vandel is playing the Tap Room in St. Joseph this Wednesday so if you want to come out and play a game of bingo you can just see Phil’s fiance, manager and boss Kim for a bingo card.

If you would like a selection of the 6 Country Bingo cards let me know and I can send jpgs or pdfs of them to you by email.

Here is an example of a card:

Phil Vandel Country Bingo card

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Signed! – Dawes autographed Nothing Is Wrong cd booklet

Dawes signed Nothing Is Wrong cd booklet

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Career In Album Artwork: Will Johnson

Career In Album Artwork Will Johnson

I’ve spoke before about how busy of a guy Will Johnson is… Centro-matic, South San Gabriel, New Multitudes, Monsters of Folk, etc. You’ll find none of that here. This graphic focuses on his solo work’s album covers.

It all started with the announcing of his new solo record The Scorpion due out September 11th. You can download for free a brand new song called “You Will Be Here, Mine” here. I thought, this is a really cool album cover so I decided to rank his solo career’s artwork.

Also look here to see if you are lucky enough to have Will Johnson and Anders Parker play a show near you. I see a couple open dates after the St. Louis show, I’m really hoping for a Kansas City/Lawrence/Omaha gig to be added, it may be the only way I’ll ever get to see Anders Parker.

So The Scorpion is the coolest… Molina & Johnson has always been pretty eye-catching to me and The Little Raider EP is a little eerie in a very cool way. I like Murder of Tides as well so he has strong album artwork. That is of course with the exception of Survey/Voyage which is terrible. Vultures Await may be under-ranked here, it is ambiguous and very intriguing but I definitely wouldn’t put it past The Scorpion, it is easily the best. Lets hope the album is as strong as his other solo work.

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Career In Album Artwork: Heartless Bastards

Career In Album Artwork Heartless Bastards

I haven’t done a “Career In Album Artwork…” in a while so I thought I’d put one up. I randomly chose the Heartless Bastards. First of all some bands’ artwork really goes together well, The Heartless Bastards are NOT one of those bands. I imagine there would be ton of differing opinions on this order because of this.

One thing I knew going in was I did not like the collage artwork of The Mountain, so it is planted firmly at the bottom. I really like the simplicity of the buffalo on Arrow (plus it is a kick ass album) so it was at the top. I like the painted look of the debut album, it matches the music on the album as it is unclean and a little bit sloppy (both in a good way.) I have always been indifferent to the cover art of All This Time, it pretty much landed where it did by default.

 

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250 Word Album Review: Johnny Hickman – Tilting

Johnny Hickman - Tilting

Johnny Hickman - Tilting gets 3.5 stars

Cracker guitarist Johnny Hickman’s second solo record Tilting was a long time coming. The fiercely loyal fans of Hickman’s and Cracker’s have waited on it for years. It has been a long 7 years since his excellent first record Palmhenge was released. Unfortunately Tilting will go unnoticed by everyone else.

Hickman breaks out his 70’s style rock influence for much of the record, he is at his best when he writes simple guitar driven songs like “Another Road” or the Lebowski-referencing “Sick Cynthia Thing.” While the album does have many guitar tracks Hickman put a couple slower songs on the record to balance it out. The slower ballad-type songs drag the album down and sound pretty generic. “Dream Along With Me” and “Drunkard’s Epiphany” are the suspects here. The songs are surprisingly bland for such a good guitar player and writer. The exceptions are “Destiny Misspent” and “Whittled Down” as they are break in tempo for the album but still has a fresh sound.

The album does have its high points though that balance it out nicely. The cover of “Resurrection Train” originally by Death Of Me (Hickman’s writing partner Chris LeRoy’s band) is a perfect song for Hickman. Death of Me’s version has a little more punch but the song couldn’t fit better for the Cracker guitarist. Another classic Johnny Hickman moment comes with “Papa Johnny’s Arms.” The stripped down song has a strong acoustic sound throughout and is one of the songs that makes this album worth hearing.

While Tilting falls short of Palmhenge‘s greatness, it is still a solid record and is well worth a listen.

Key Tracks: “Resurrection Train” “Papa Johnny’s Arms” “Another Road”

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Signed! – David Lowery autographed cd booklet

David Lowery autographed "The Palace Guards" booklet

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Concert Review: KC/DC at Zona Rosa Town Square, Kansas City, MO 7/14/12

Cover bands are conflicting. They are often made up of incredibly talented musicians and can put on a great show. They also are borrowing somebody else’s music, personas and stage act. KC/DC fit the bill here, they play no original music but are very popular and put on a great show.

The fact of the matter is that aging rockers AC/DC don’t tour much anymore and if they do come around you are looking at likely $100 or more to fetch a ticket where you will spend more time staring at a video board than the actual performers. A cover band like KC/DC is a nice alternative option to this. They know the songs and are a lot less of a hassle to see.

The Zona Rosa Town Square is a small block of grass surrounded by the many, many retail shops in the area. It has a stage and seating around the edges. It is also equipped with a fountain right in middle for kids to play in on a hot day and a restaurant in back with the balcony facing the stage of the park. It makes for an interesting place to see a show. KC/DC played a free admission show here on a hot Saturday night on July 14th.

KC/DC performing live at the Zona Rosa Town Square on 7/14/12.

KC/DC performing live at the Zona Rosa Town Square on 7/14/12.

The band would have two different singers represent the two singers of the actual band they were portraying. They would dress the part with the signature Angus Young school boy uniform, the Bon Scott shirtless singing and the hat over the eyes singing of Brian Johnson. The approximate 2 1/2 hours of music would be split into two separate split sets by the band. Each half would have both a Bon Scott era set and a Brian Johnson era set.

The show would roughly run 6:00 – 9:00 and start very hot before fading into a very nice July evening. The crowd that would be early enough to see the start of the show would be greeted by not getting to hear any of the major AC/DC hits. The band would tear through songs like “If You Want Blood, You’ve Got It” “Live Wire” “Have A Drink On Me” and “Big Gun” early without hitting any of the major radio hits. While it was nice to hear these songs that are all very good, it was frustrating not to hear “Dirty Deeds Done Dirt Cheap” or “Back In Black” thrown in until the show was going on 2 hours after the start.

The Bon Scott doppelganger would do justice to Scott’s drunken snarl on the early AC/DC tracks while the Brian Johnson doppelganger would do competently fill the vocal requirements for second era of the band’s tracks. The band behind them would remain for all songs and do a very good job with the music. The soaring solos and strong rhythm beat were all delivered to satisfaction. The Angus Young stage antics were severely lacking but would be hard to pull off for a couple reasons; It was really, really hot and it would be hard to play competently while spinning around while laying on the stage so it was an understandable absence. The backing vocals by the band would be weak and stick out as sub-par but could also have been hurt by the lack of crowd participation. Sing-along parts simply didn’t work in the outdoor venue. There was no alcohol served as it was a very family friendly environment so the audience seemed hesitant to jump in and sing along. In a smaller bar with a tightly packed drunken crowd the audience would likely howl back at the band at a deafening tone.

KC/DC performing live at the Zona Rosa Town Square on 7/14/12.

KC/DC performing live at the Zona Rosa Town Square on 7/14/12.

KC/DC’s audience would grow to a large number for the second set and end up easily doubling the amount there at about 6:30. The band’s hits would then be trotted out for display as “Whole Lotta Rosie” “TNT” and “Hells Bells” would all get played along with the other big hits. Most songs were delivered very well with the exception of “Highway To Hell” where the singer and backing vocals were out of sync and distract from the song. “Big Balls” was performed by the Brain Johnson era singer instead of the Bon Scott doppelganger for some reason. The song lacked the alcoholic growl of the AC/DC version that was originally sang by Scott because of this, it was a curious choice to have the other singer do it.

The show was littered with a couple of pre-recorded intros, like a train coming before “Rock and Roll Train” and a newscast of Bon Scott’s death before “Hell’s Bells” that would sound distorted and not fit well with the set. These small blemishes were overshadowed by the anthems the band would play however. The highlights of the show were songs like “Problem Child” “Rock and Roll Ain’t Noise Pollution” “TNT” and “Back In Black” The band would more than fill the quota on these songs as they would prove to the crowd that a cover band is well worth seeing.

KC/DC performing live at the Zona Rosa Town Square on 7/14/12.

KC/DC performing live at the Zona Rosa Town Square on 7/14/12.

 

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