250 Word Album Review: Justin Townes Earle – Nothing’s Gonna Change The Way You Feel About Me Now

Justin Townes Earle - Nothings Gonna Change The Way You Feel About Me Now

Justin Townes Earle - Nothings Gonna Change The Way You Feel About Me Now gets 3.5 Stars

Justin Townes Earle is a stylistic chameleon. Each of his four records has had a distinct sound all its own. This time around on Nothing’s Gonna Change The Way You Feel About Me Now Earle has added horns to the mix and came up with a R&B and jazzy feel.

His overall sound is still very similar, it is still obvious that it is a Justin Townes Earle record. The collective group of backing musician is a revolving door however. This gives him the ability to jump genres and make very unique records that are distinguishable from one another. The actual songs here are a little weaker than his last offering, Harlem River Blues, but are still a strong group of songs that hold together well. Many slower songs make the cut this time around with a couple exceptions, the main culprit being “Baby’s Got A Bad Idea” where Earle lets loose more than on any other song.

The end of the album seems to be a strength of it, “Memphis In The Rain” may be as close as Earle gets to the Harlem River Blues sound on this album and it is a highlight. After slowing things back down with “Unfortunately, Anna” the record ends with its strongest song “Movin’ On” On that final track, the upright bass keeps a nice bounce to the track while Earle rolls through what seems to be very autobiographical lyrics.

This won’t stand up as one of Earle’s best albums for me but since he jumps stylistically so much from record to record that could be more due to what kind of music it is rather than the quality of it.

Key Tracks: “Movin’ On” “Memphis In The Rain” “Down on the Lower East Side”

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Concert Review: Will Johnson Living Room Show, Kansas City, KS 5-19-12

Will Johnson has a voice and music set perfectly for the most intimate of shows. There is no environment more intimate than being in your own living room. Johnson has decided to tour and forgo public venues and go straight to the source, his fans. He trekked a 10 stop tour across the Midwest stopping only in living rooms to play a show each night.

The idea of a living room tour on the surface may seem like a misstep for an artist but when you look at it closely it may be a smarter route than a normal tour. The artists have no band in tow, very little equipment (just and acoustic guitar for Johnson) and a low overhead cost. Staying at the houses they play in on some nights even keeps hotel costs down, the only really consistent expense would be gas. With the price of tickets, say $20 each and 25-35 people on average plus merchandise sales; the stops could average a nice cash-in each night.

Music is also a very personal thing for most artists and they often seek out intimacy to perform their songs. They obviously would like larger crowds because it means more money but it is often a struggle for to keep the environment under control when the audience grows.

So Will Johnson came through Kansas City almost a year to the day after his last living room show in the town. (at the same house I might add) All the attendees are fans at these shows usually so there is an incredible amount of respect for the artist. This means very little to no chit-chat or talking, cell phones are put away and people are careful to shuffle in-between songs. The audience members were each armed with a couple bottles or cans of alcohol in a seat only a couple feet away Johnson.

Will Johnson 2012 Living Room Tour poster

The kitchen counter was covered with a small selection of Will Johnson’s many cds and a large selection of small prints each numbered to 100 of Will Johnson’s baseball series of paintings and a great tour poster unique to this 10 stop run. The baseball prints were available at the last show as well but only a couple of them. They were much larger prints as too. Roberto Clemente was the only really well known player available last year but this year was much different as the prints graced the likenesses of Babe Ruth, Jackie Robinson, Hank Aaron, Ted Williams and Pete Rose among others.

The show would begin a little after 8:00 and finish up about 9:15. It would include about 15 acoustic Will Johnson songs that would have no other instrumentation other than the occasional tapping of Johnson’s foot on the hard wood floor. Johnson’s voice is almost absurd how much it fills a room, his voice is best described as simply “big”. He has a very good singing voice and uses more as an instrument in itself than any other artist I have ever seen.

His setlist seemed to be totally improvised and was based mainly on his solo work. He did do two of his better known songs from his band Centro-matic; “Flashes & Cables” and “Iso-Residue.” After hearing Johnson perform “Iso-Residue” with a full band last fall live it was a stark difference to see it translated to a solo acoustic arrangement. Also “Flashes & Cables” was interesting to hear without the big punch of instrumentation that comes in with the lyric “Nobody told us that the bastards were here…”

He would do three songs off his solo album Vultures Await with the excellent closing song “Nothing But Godzilla” the sing-along portion of the show “Closing Down My House” and possibly the best song Johnson has ever written in “Just To Know What You’ve Been Dreaming.” These songs would ultimately serve as the highlights of the show.

The Little Raider EP would get the title track played from it as well as “To Coupland Lines” off the short 5 song EP. Last year Johnson would play “Devil On The Interstate Line” from the same EP. Will Johnson’s collaboration with Jason Molina would also get some attention with “Twenty Cycles to the Ground.” Another “one-off” project would get a song played from it with the Woody Guthrie penned “V.D. City” from the New Multitudes album working its way into the setlist as well.

With how prolific Will Johnson is it came as no surprise that some new songs were performed. He played two songs he had pegged for the new Centro-matic record that Johnson estimated for a release late next year. He also once again played “The Scorpion” from his yet to be released next solo album that should be out this year, although he performed it last year and mentioned the record had been done for a while at that time.

The intimacy of the living room show was just phenomenal experience. It is a performance unlike any other I have ever encountered. The songs come across so much more sincere and personal, they are almost like a conversation between the listener and the artist. I would highly recommend going to a living room show if you ever get lucky enough to have the opportunity.

Here is an estimated setlist that isn’t 100% correct but should be very close:

Will Johnson Living Room Show, Kansas City, KS on May 19,2012

  • Almost Let You In
  • To Coupland Lines
  • Atlanta
  • Flashes & Cables
  • V.D. City
  • Iso-Residue
  • new Centro-matic song 1
  • new Centro-matic song 2
  • Just To Know What You’ve Been Dreaming
  • Little Raider
  • 20 Cycles to the Ground
  • The Scorpion
  • Closing Down My House
  • Nothing But Godzilla

Go to the Undertow Records store and buy some of Will Johnson’s stuff.

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Signed! – Cracker Greenland cd

Cracker autographed Greenland cd

Cracker autographed Greenland cd

Cracker’s Greenland cd autographed by Johnny Hickman on the left and David Lowery on the right.

 

 

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250 Word Album Review: Ashley Raines & The New West Revue – One Trick Mule

Ashley Raines - One Trick Mule

Ashley Raines - One Trick Mule gets 4 Stars

Ashley Raines is a bluesy, deep-voiced americana singer from Colorado. He isn’t well know and he isn’t new to the music scene. He has released several albums, somewhere around 8, and regularly tours playing small bars and venues.

His latest album One Trick Mule is a very solid piece of work that never strays from his bluesy, bass heavy sound. This makes the album hold together very well. It is also consistently dark  themed, with songs like ” I Blow My Brains Out Every Night” “All Hell Lets Loose” “Dead Horse” and “Crops Don’t Rise” it is hard to imagine this is an uplifting album, and it isn’t

It is a slower paced album that is credited to he and his backing band The New West Revue. With a few string arrangements and a lot of upright up bass the album’s sound is a hazy window to the downtrodden. Tracks like “The Decency To Die” and “I Blow My Brains Out Every Night” are very strong and stand out but the true highlights on the record are “It Is What It Is” and “Love Me Like You’re Told.”

“It Is What It Is” works as a microcosm of the entire record, a slow brooding track with touches of strings and guitar but kept together by a strong bass line. “Love Me Like You’re Told” has a very strong Warren Zevon sound to it while sounding demented and demanding all at the same time. One Trick Mule is a great glimpse into the underbelly of the americana scene.

Key Tracks: “It Is What It Is” “Love Me Like You’re Told” “I Blow My Brains Out Every Night”

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Signed! – Elvis Perkins In Dearland cd booklet

Signed! Elvis Perkins In Dearland cd booklet

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250 Word Album Review: Todd Snider – Time As We Know It

Todd Snider - Time As We Know It

Todd Snider - Time As We Know It gets 2.5 Stars

Todd Snider has never hid his influences. He has never been so obvious on his latest record too. He recorded an entire record of Jerry Jeff Walker covers. He has always made no secret of his affinity for Jimmy Buffet, Billy Joe Shaver and of course Walker. This is his first record of entire covers.

The record sadly sounds a little flat and lifeless. Snider just released Agnostic Hymns & Stoner Fables a few months before Time As We Know It: The Songs Of Jerry Jeff Walker and the records couldn’t be more different. Fables was a pessimistic and dark record, it almost seems that Snider recorded Time As We Know It as a light hearted response to the first album. The Jerry Jeff Walker songs are playful and loose but Snider’s heart doesn’t sound into the songs.

The best song on the album is a sad song in “Little Bird” it just seems to fit Snider’s current mood better. Other songs like “Pissin’ In The Wind” and “Sangria Wine” just sound a little forced. There are a couple songs where Snider does get in vein of the songs an let loose a bit, mainly in “Takin’ It As It Comes” and the more downbeat “Hill County Rain.”

A new Todd Snider record is always a welcome addition to a record collection but unfortunately Time As We Know It seems to be just for hardcore Snider fans or curious Jerry Jeff Walker fans. Do yourself a favor and pick up Todd Snider’s Agnostic Hymns & Stoner Fables instead.

Key Tracks: “Little Bird” “Hill County Rain”

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250 Word Album Review: Brendan Benson – What Kind Of World

Brendan Benson - What Kind Of World

Brendan Benson - What Kind Of World gets 3.5 Stars

Brendan Benson is in the Raconteurs with Jack White. Why is this relevant? Because of their similarities as solo artists. It is only appropriate that Benson’s latest album’s release would coincide with Jack White’s very first solo album release. They compliment each other well and you can even detect the similarities on their other work away from one another.

On Brendan Benson’s What Kind of World this is more apparent than ever. Benson tends to lean toward the pop side of things while Jack White relies a little more on heavy guitar licks to power his music. Benson is actually a stronger songwriter in many ways despite being much less known. On songs like “Keep Me” you will be convinced he has perfected catchy guitar pop-rock.

Most of Benson’s themes revolve around relationships, naturally, and his songs tend to be stronger when he keeps the pace faster. He releases his share of slower songs but his strength is in songs where he lets a simple, clean guitar riff keep the songs together like in “Light The Way.” “Bad For Me” is a good example of a slower songs that tends to drag a bit in comparison to the rockers that are more standard on What Kind of World.

The album is very much in line with his other four albums as very solid from start to finish. He has yet to record a masterpiece album but solid records like this one are hard to come by, especially with the consistency in which Benson releases them.

Key Tracks:  “Light Of Day” “Keep Me” “On The Fence”

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Concert Review: Ashley Raines at the Cafe Acoustic St. Joseph, MO 5/3/12

Out of towners come through every now and then and it tends to be a breathe of fresh air. A new talent with new ideas, new songs and a totally different sound. Ashley Raines rolled through St. Joe carrying only one backing member for a band, his teenage son, and a sound all his own.

The bluesy americana artist is touring small Midwest clubs selling his independent record label cds and seeming completely content to do so. Raines would play on and off for 2 1/2 hours at the Cafe Acoustic and sample songs from other artists along with songs from his own 9 records. Raines’ guitar playing has a strong blues sound to it and is accompanied by his honest, personal lyrics. He played as one listener drew a pencil drawing of the performer that Raines would later haggle with and buy the art.

Ashley Raines Drawing

Ashley Raines drawing done during the 5/3/12 show.

The set would start solo, then his son on standup bass would join him for a few songs before another short solo set and ending with another set of songs by the duo. The song selection would primarily be from Raines’ latest album One Trick Mule under the band name Ashley Raines & The New West Revue. The strongest of which appeared to be “It Is What It Is” and “The Decency To Die.”

While the set was primarily originals there was an excellent cover of Warren Zevon’s “My Shit’s Fucked Up” mixed in. The small crowd of about a dozen people were attentive to the show and gave strong ovations after each song. Raines didn’t seem at all disappointed with the crowd as he joked with them while playing his acoustic guitar and stomping on the stage, at one point even remarking “I don’t think I can’t not stomp.”

Ashley Raines performing live at the Cafe Acoustic in St. Joseph, MO on 5/3/12.

Ashley Raines performing live at the Cafe Acoustic in St. Joseph, MO on 5/3/12.

Performers of this nature enjoy the smaller venues like the Cafe Acoustic. Their music is best heard in this kind of intimate environment. They are grateful for what they get; Raines even remarked as he left the stage at one point “thanks for the ears…” The most interesting thing he said all night was “It’s a very selfish thing to write songs and expect people to give you money for them.”

As the performance drew to a close Raines pulled out the seemingly autobiographical “I Blow My Brains Out Every Night” another strong song from One Trick Mule that gave the album its name. He closed with “All Hell Let Loose” before packing his things to enjoy his next performance at the next small venue. I would put a show like this above any “arena” show I have ever seen.

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250 Word Album Review: Heartless Bastards – Arrow

Heartless Bastards - Arrow

Heartless Bastards - Arrow get 5 stars

The core of the Heartless Bastards has always been Erika Wennerstrom. She is the not only the powerful voice that gives the Bastards their distinct sound but is the only member to appear on all four of the band’s albums. Their fourth album Arrow is a centerpiece to their catalog and feels like the record that Wennerstrom has been working to make since the formation of the band.

The music behind Wennerstrom’s voice has been evolving throughout the group’s catalog and this seems to be the strongest lineup and group of songs yet. From the slow building sound of the opening track “Marathon” on, Arrow just has a different feel to it. After increasing the tempo for “Parted Ways” the band tears into what is likely their best recorded song to date; “Got To Have Rock and Roll.” The song’s great driving stomp by new rhythm section. Jesse Ebaugh on bass and Dave Colvin on drums, powers the early-70’s Rolling Stones sounding song that demands to be listened to loud. Ebaugh’s bass is consistently stands out all through the album.

Erika Wennerstrom puts the focus back on herself for the next song, a slower song where she really lets her voice take center stage in “Only For You.” Arrow continues to balance solid rockers with slower songs through the records lengthy 10 tracks. The late album highlight is another slower song with another great vocal performance from the band’s lead singer in “Low Low Low.” In the end it is simply the Heartless Bastards best record and undoubtedly one the best albums on 2012.

Buy it.

Key Tracks: “Parted Ways” “Got To Have Rock and Roll” “Only For You” “Low Low Low”

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Signed! – Vic Chesnutt and the Amorphous Strums (Elf Power)

Vic Chesnutt and the Amorphous Strums autographed bookletThis is an interesting one. It is the legendary Vic Chesnutt on his album “Dark Developments” with his backing band being Elf Power posing as the Amorphous Strums. This robot picture is the fold-out poster from the cd booklet. The cover of the album is the picture with the red curtains. I got this personally signed at a show in Lawrence, KS.

 

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