Concert Review: Old 97’s in Lawrence, KS at the Bottleneck 2/1/12

One of the most steady moving trains in the music business rolled through Lawrence, Kansas again on February 1st. The Old 97’s came to support their latest album The Grand Theater Volume 2. The album has been out for some time now but the band had played Kansas City last summer and was now hitting The Bottleneck in Lawrence as they did when touring to support Volume 1 at this time in 2011.

The 3 band bill started with the folk duo The O’s. The band was solid but it was hard not to think of all of the bastard children the popularity of Mumford & Sons and The Avett Brothers has spawned. With an acoustic guitar and banjo with kick drum mostly the band created quite a loud sound for just two members. Their set came to an end with their instantly catchy and addictive song “Everything’s Alright.” The most notable thing about the band however may be the fact that they had a giant lighted “O” as their backdrop. With a name that hard to remember it is good to have a visual aid.

Caitlin Rose would storm the stage next with her four backing band members for a set that she admitted wouldn’t be as loud as the O’s set even though their were more members now on stage. Her set was filled with the sweet sound of Nashville steel guitar and heartfelt songs about everything from rabbits to sleeping around. Rose’s voice really fits the mold for a female led country band, it was exactly what you would expect.

Caitlin Rose at the Bottleneck in Lawrence, KS on 2/1/12

Caitlin Rose at the Bottleneck in Lawrence, KS on 2/1/12, wearing the jean jacket that wouldn't come off because the two guys right in front of her knew her songs a little too well.

The set was highlighted by “Shanghai Cigarette’s” and the pure country gold of “Own Side.” The song “Own Side” brought a couple fans to the front to sing along that Rose would try hard not to look at throughout the set. Her eyes were glued to the ceiling in the opposite direction of what appeared to be two biggest fans.

The Old 97’s then blasted out with a standard high-energy and highly entertaining set. The set would clock in at 90 minutes and 23 songs. It was actually a pretty standard Old 97’s set. All The regulars were played… “Murder” “West Tx. Teardrops” “Question” etc. A couple surprise songs were thrown in in “504” and “House That Used To Be” but it was a pretty standard setlist for the band.

They still put all their energy into the show and a “standard” Old 97’s show is still very impressive to see. Lawrence really represented well too I thought. Ryan Adams was in Kansas City and the Jayhawks were playing at home and it was the middle of the week. Despite all of this the Bottleneck was mostly full of an enthusiastic crowd.

The Old 97's knock out another great show at the Bottleneck in Lawrence, KS on 2/1/12

The Old 97's knock out another great show at the Bottleneck in Lawrence, KS on 2/1/12

I’m continually amazed that the band ignores some of their strongest material however. They only played three songs off of the amazing albums Satellite Rides, Fight Songs and Blame It On Gravity, with the last one being tottally ignored by the band. I would love to see the band break out some of the gems from Satellite Rides the next time I see them.

It is interesting to see some of the Old 97’s songs develop into concert classics. Everybody who has seen their show knows how good of live songs “Barrier Reef” and “Four Leaf Clover” are but their are a few newer songs that have a similar effect. “Every Night Is Friday Night (Without You)” and “Won’t Be Home” have become stone cold classics to see live by the band. These songs are almost always the highlight of the show, Wednesday night in Lawrence was no exception.

Old 97’s setlist from Lawrence, KS at the Bottleneck on 2/1/12

  • 504
  • Brown Haired Daughter
  • Every Night Is Friday Night
  • Niteclub
  • West Tx. Teardrops
  • Indefinitely
  • Simple Machine
  • Murder (or a Heart Attack)
  • White Port
  • Please Hold On While The Train Is Moving
  • Question
  • House That Used To Be
  • Champagne, Ill
  • Perfume
  • Smokers
  • Barrier Reef
  • Won’t Be Home
  • Four Leaf Clover
  • encore
  • Question (reprise)
  • Mama Tried
  • Big Brown Eyes
  • Victoria
  • Timebomb
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250 Word Album Review: Eels – Tomorrow Morning

Eels - Tomorrow Morning

Eels - Tomorrow Morning gets 4.5 Stars

The Eels followed Hombre Lobo and End Times with a third album to complete a really striking trio of albums that are great companion peices for each other with Tomorrow Morning. Hombre Lobo was drenched in desire, End Times was loaded with depression and now Tomorrow Morning is packed with optimism.

The lead track on Tomorrow Morning is “In Gratitude for this Magnificent Day” summing up what is about to come on the following 13 tracks. The first three tracks are a slow warm up but the album gets really good at that point. “Baby Loves Me” follows the warm up and it is followed by “Spectacular Girl” two very upbeat and fun tracks.

“This Is Where It Gets Good” is a lengthy six and a half minute opus stuck in middle of the album and very much serves as a centerpiece to the record. It is filled with a hypnotic drum beat that continues throughout the song. The fun of Tomorrow Morning doesn’t stop there as the very upbeat and fun ” The Man” and “Looking Up” are still to follow.

The record closes out with a few slower more serious songs with the great trio of “That’s Not Her Way” ” I Like The Way This Is Going” and “Mystery of Life.” The best song on the second half of the album is “I Like The Way This Is Going” which serves as sort of a closer to the three album trilogy. It is a long, brilliant journey through these three records but they tell such a great story and compliment each other so well that they are easily worth the time to put into them.

Key Tracks: “Baby Loves Me” “I Like The Way This Is Going” “The Man””This Is Where It Gets Good”

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250 Word Album Review: Eels – End Times

Eels - End Times

Eels - End Times gets 3.5 Stars

So just a few short months after the release of the brilliant Hombre Lobo, the Eels came right back and released End Times. Usually when two albums are released so close to eachother they have a very similar sound. This couldn’t be further from the truth in the case of the Eels Hombre Lobo and End Times.

While Hombre Lobo was filled with passion and desire, End Times is filled with heartbreak and depression. It is essentially a break-up album. It is pretty much just Eels kingpin Mark Oliver Everett (“E”) with little help throughout the disc. This doesn’t make it a bad album by any means, just a whole lot different.

Slow depressing albums have their place, look at Beck’s Sea Change, it is a brilliant album, likely the best Beck has ever released and it is very out of character for him. This album isn’t out of character for the Eels but you really need a certain mindset to listen to it.

The shining star of the album is the song “Paradise Blues,” one of the few rocking numbers on the disc. Several of the slow, brooding songs are great too, “In My Younger Days” has the wisdom of a songwriter twice E’s age and “Little Bird” has the most telling lyric on the whole record: The music slows to a near stop and E moans “Goddamn, I miss that girl.”

The album is a solid listen, it just isn’t an easy, accessible listen. End Times is a mood all of it’s own.

Key Tracks: “Paradise Blues” “In My Younger Days” “Little Bird”

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250 Word Album Review: Eels – Hombre Lobo

Eels - Hombre Lobo

Eels Homebre Lobo gets 5 Stars

The Eels released Hombre Lobo back in 2009 to an overall mundane reception. I was a fan but didn’t pick it up at first because of this reception. I don’t know when I finally listened to Hombre Lobo but I can say it knocked me off my feet when I did.

The album’s full title is Hombre Lobo; 12 Songs of Desire and this describes the album perfectly. The album is enthusiastic and passionate all the way through even including the howl of el hombre lobo(the werewolf) during “Fresh Blood.”

The songs alternate from fast and furious to sweet little ballads throughout the record. The “desire” part of the album really shows through on the slower songs like on “The Longing” “In My Dreams” and “That Look You Gave That Guy.” The gems of the album are in the upbeat numbers however. Songs like “What’s A Fella Gotta Do” and “Tremendous Dynamite” have a subject matter and sound as primitive as you can get.

In many ways Hombre Lobo is a sad album because every song is so drenched with emotion but all of this leads to being one of the most cohesive albums in the last 10 years. It is so impressively focused that it never wavers off the point at hand; desire. It is truly one of the lost classic albums that unfortunately will likely never get appreciated for the masterpiece that it is.

Key Tracks: “Lilac Breeze” “Tremendous Dynamite” “What’s A Fella Gotta Do”

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250 Word Album Review: Girls – Father, Son, Holy Ghost

Girls - Father, Son, Holy Ghost

Girls - Father, Son, Holy Ghost gets 4 Stars

Girls is a hip indie band from California… one of thousands right? Girls is a very refined band however. Their second album Father, Son, Holy Ghost is good enough to separate them from the pack. They have put together a record that was on several top 10 lists for 2011 and is well deserving of that status.

Father, Son, Holy Ghost starts with the excellent “Honey Bunny” that pays a direct tip of the hat to Buddy Holly. It has some of the happiest pop notes you will hear on recent records. Just two songs later on “Die” the band burns into an all out jam that sounds like it is the result of an alcohol filled night of the band listening to the Stooges’ Fun House. Girls bounce right back with a sweet little love songs that could fit on the Beatles Please, Please Me.

The band’s versatility is very impressive throughout the record. They wear their influences on their sleeves and hide what they are trying to do because when you do it so well it doesn’t matter if it sounds like another band. On the tracks “Vomit” and “Forgiveness” the band shows that Dark Side of the Moon is in their record collection while bouncing right back with more perfect little pop ditties on “Just A Song” then find their soul side on “Love Like A River.” The strength of this record is in its versitility, the band is a scattershot of emotions and they blended it into one of the best records of 2011.

Key Tracks: “Die” “Just A Song” “Honey Bunny”

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Millions of Boys / Dsoedean @ Cafe Acoustic 1/13/12

St. Joe’s own Dsoedean has had several shows with Omaha’s Millions Of Boys, the pair made their second appearance at the Cafe Acoustic in St. Joseph, MO on January 13. The local band would go on first showcasing a mixture of their two eps and some new material.

Dsoedean’s new songs show a lot of growth for the short period of time the band has been together. Zale Bledsoe’s lyrics are as personal as ever and the addition of Colby Walter on keyboards has changed the band’s sound. Marcus Words on bass and Bobby Floyd on drums keep the songs fresh as well. Floyd easily contributes more to the band’s sound than most drummers would. This is apparent on the new tracks “Continue To Move” and especially “Honest Air.”

Millions Of Boys would take the stage next with a short aggressive set of songs. Lead singer Sara Bertuldo would spend the evening trying to be heard over the bands sonic wall of sound. The barrage of punk would hardly let up throughout the set. Their song “Dead Girls” would be the highlight of the set and get the biggest ovation from the bar crowd.

Millions Of Boys would also have some new merch to sale at the show. They were performing songs from their new 10 inch record competing for your Love featuring 10 songs.

20120114-190714.jpg

The show was a great showcase of the best band St. Joe and a great up and coming Omaha band. Hopefully the two bands will hook up again when Dsoedean’s new album is released.

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The Best of… Spoon, a greatest hits style compilation

The Best of... Spoon Front insert

The Best of... Spoon back insert

1 Don’t Make Me A Target
2 Got Nuffin’
3 Well Alright
4 The Underdog
5 Written In Reverse
6 Anything You Want
7 The Two Sides of Monsieur Valentine
8 I Turn My Camera On
9 Everything Hits At Once
10 All The Negatives Have Been Destroyed
11 You Got Yr. Cherry Bomb
12 Small Stakes
13 Rhythm & Soul
14 The Agony of Laffitte
15 The Way We Get By
16 Me And The Bean
17 Not Turning Off
18 Jonathon Fisk
19 The Beast and Dragon, Adored
20 Someone Something
21 Car Radio
22 Don’t You Evah
23 Sister Jack
24 Who Makes Your Money

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Vocals on Top’s Top 10 albums of 2011

Tom Waits Bad As Me

1. Tom Waits – Bad As Me

Tom Waits should be a national treasure. He creates some of the most unique and creative music I’ve ever heard. He does have legions of fans and it seems everybody loved Bad As Me as well they should have. Waits’ recent work has been so strong this album wasn’t much of a surprise. It has a nice balance of “boom-clang” songs and ballads; both of which Waits executes to perfection. It is hands down the most interesting album of the year.

Check out the song: “Hell Broke Luce”

Wilco The Whole Love

2. Wilco – The Whole Love

Wilco is America’s greatest living band. They make perfect little pop-rock songs all with interesting textures and Jeff Tweedy writes some of the best lyrics around. The Whole Love was released to much expectation and I feel this is why this record gets overlooked a bit; because everybody knew it would be great.

Check out the song: “Art of Almost”

Say Hi Um Uh Oh

3. Say Hi – Um Uh Oh

Say Hi is the first “shocker” of my list. I just discovered this band this year and they are fantastic. I would classify them as “nerd-rock” that is very easy on the ears. Say Hi’s songs flow smoothly as much as any band I know, each song is its own little piece of pop wonderfulness.

Check out the song: “Bruises To Prove It”

William Elliott Whitmore Field Songs

4. William Elliott Whitmore – Field Songs

William Elliott Whimore make the most “real” music I have ever heard. Everything in his songs is authentic. The subject matter is very personal to him and never strays far from home. A lot of banjo and acoustic guitar fill this album with 10 hymns fresh from the black Iowa dirt.

Check out the song: “Not Feeling Any Pain”

Centro-matic Candidate Waltz

5. Centro-matic – Candidate Waltz

Cento-matic is one of the most under-rated bands in America I think. Will Johnson is a great songwriter and the band’s music along with Johnson’s voice is the most unique listening experience on this side of Tom Waits. The album is loud and abrasive but when paired with Johnson’s smooth, echoey vocals it makes for one interesting listen. Not to mention they have the absolute best album cover of the year.

Check out the song: “Iso-Residue”

Jason Isbell Here We Rest

6. Jason Isbell & The 400 Unit – Here We Rest

Jason Isbell had possibly the two best songs of 2011 on his album Here We Rest. The pairing of the brilliantly county tinged “Codeine” and the flat out great “Alabama Pines” make this album a must. “Tour of Duty” also ranks with Isbell best-penned songs as well. The album is less cohesive than his last record but the high points are much, much higher.

Check out the song: “Alabama Pines”

Those Darlins Screws Get Loose

7. Those Darlins – Screws Get Loose

Those Darlins are a grungy group of 3 ladies and a guy drummer. They are rough and raw and Screw Get Loose is all the better for it. It is a garage-rock masterpiece. The band opened for the Old 97’s and Drive-By Truckers this year and supported a better album than each of those bands put out in 2011.

Check out the song: “Waste Away”

Iron And Wine Kiss Eachother Clean

8. Iron & Wine – Kiss Each Other Clean

I was not an Iron and Wine fan before this album. I thought Sam Beam’s record under the name Iron & Wine were flat out boring. I listened to this album and it is amazingly energetic when compared to the band’s other records. Each song has something really interesting about it, this is a true album that plays all the way through smoothly. I viewed this album as a bit of a re-invention for Iron & Wine.

Check out the song: “Monkeys Uptown”

Black Keys El Camino

9. The Black Keys – El Camino

The Black Keys throw out another bluesy gem with El Camino. The record is no big improvement over the rest of the band’s catalog but it is still a solid album. It is still ringing fresh in my ears so it is hard to tell how the record will age right now. I do have a feeling it isn’t a record I will go back to listen to much. It is still better than most music released in 2011.

Check out the song: “Little Black Submarines”

Awolnation Megalithic Symphony

10. Awolnation – Megalithic Symphony

Awolnation is the only band to make the top 10 with their debut album. They are a fresh sound and the music gushes with energy. Megalithic Symphony has way more keyboards than I am normally comfortable with on an album but the band uses them to their advantage in keeping the song amped up. This may be the only album I ever like from this band but it struck me and I feel it is a solid record.

Check out the song: “Jump On My Shoulders”

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The Best of… William Elliott Whitmore / A greatest hits style compilation

Best Of William Elliott Whitmore Front insert

Best Of William Elliott Whitmore Front insert

Best Of William Elliott Whitmore back insert

Best Of William Elliott Whitmore back insert

So after making my Best of… The Black Keys insert a few days ago I really wanted to do another one. This is an artist that I have been listening to a ton lately, William Elliott Whitmore. A musician like Whitmore doesn’t really have “hits” so I go by what songs I think are the best and his concert setlists. Whitmore has five proper records out now including a nice amount of supplemental stuff that is available, the most noteworthy being the album Magical Mind by his band Hallways of Always. Hallways places 2 songs on this 19 song compilation.

Animals In The Dark and Hymns for the Hopeless each have 4 songs while Whitmore’s latest album Field Songs has 3 including what may be his best song of his career; “Not Feeling Any Pain.” I took a couple songs form Whitmore’s excellent daytrotter sessions that can be had for a small fee on daytrotter.com.

Here is the list in a little easier to read form:

  1. Cold and Dead
  2. South Lee County Brew
  3. Black Iowa Dirt
  4. Old Devils
  5. Sometimes Our Dreams Float Like Anchors
  6. When Push Comes To Love
  7. Don’t Need It
  8. Dry
  9. Lee County Flood
  10. Lift My Jug (Song For Hub Cale)
  11. Johnny Law
  12. Not Feeling Any Pain
  13. You’ve Already Gone
  14. Bury Your Burdens In The Ground
  15. Hell or High Water
  16. That Train That Carried Away My Girl
  17. Pine Box
  18. Hard Times
  19. Our Paths Will Cross Again
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250 Word Album Review: The Black Keys – El Camino

The Black Keys El Camino

The Black Keys El Camino gets 4 Stars

 

The Black Keys just make good records at this point. They are consistent the listener knows what to expect from them. El Camino fits this mold perfectly, what you think the record will be; it probably is. They are expanding their sound a bit with bass and keyboards like on Brothers but El Camino is still simply vintage The Black Keys.

The albums lead single “Lonely Boy” is easily the closest thing to a “radio” song the band has ever written. It has a big sing-along chorus that is sure to sell many records and it still fits the Black Keys song mold as well. This song could propel the band into a whole new bracket of stardom. It is faster and more up-beat that most of Brothers was and this theme is continued throughout the record.

The album does shine of ’70s glam rock. This isn’t something The Black Keys have really made me think in the past but El Camino has soaring guitar solos and when paired with the Black Keys throwback sound, make the album scream ’70s FM radio.

“Little Black Submarines” is like Dan Auerbach’s take on “Stairway To Heaven.” The first half of the song is a somber acoustic affair but kicks in with an electric burst halfway through. The burst of electric guitars is eerily similar to Led Zeppelin’s masterpiece. Like all Black Keys records there are stellar tracks tucked away at the end as well, namely the back to back combination of “Stop Stop” and “Nova Baby.”

Key Tracks: “Lonely Boy” “Gold On The Ceiling” “Little Black Submarines”

 

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