The Best of… The Black Keys artwork

This is the first time I have done this but it is something I have wanted to do for a while now. I have put together a few “best of” or “greatest hits” lists for bands and until now they have only been lists. I have been making artwork for my own compilations for years now and I think it is something that really fits for this project. So here is some artwork for The Best of… The Black Keys compilation I posted yesterday. The artwork should fit in a standard jewel case so if a person wishes they could make the compilation on a cdr and print out the artwork and have the complete package.

Best Of... The Black Keys front insert

The Best Of... The Black Keys front insert

The Best Of... The Black Keys back insert

The Best Of... The Black Keys back insert

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The Best of… The Black Keys … a greatest hits-type compilation

This is a compilation of what I feel is the very best Black Keys songs. It spans all of their albums and is not weighted evenly. I chose what I felt were the best about 20 songs. It turned out to be 23 songs that will fit on a standard 80 minute cd-r. The most songs came from Rubber Factory and the least amount came from the debut The Big Come Up with just one song. I also threw in their Grammy nominated cover of Buddy Holly’s “Dearest.” I chose to do chronological order for this because I think the album would play well this way.

Here is the list:

  1. I’ll Be Your Man
  2. Set You Free
  3. Thickfreakness
  4. Have Love Will Travel
  5. When The Lights Go Out
  6. 10 AM Automatic
  7. Girl Is On My Mind
  8. Stack Shot Billy
  9. Till I Get My Way
  10. Your Touch
  11. Modern Times
  12. Elevator
  13. I Got Mine
  14. Strange Times
  15. Oceans & Streams
  16. Everlasting Light
  17. Next Girl
  18. Tighten Up
  19. Howlin’ For You
  20. Dearest
  21. Lonely Boy
  22. Gold On The Ceiling
  23. Little Black Submarines
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Classic Concert Review: Black Keys at the Crossroads in Kansas City, MO

That Black Keys had just released Brothers and were in the process of blowing up. They were getting more popular daily it seemed. I had been into the band for a couple years and it was great to see such a talented band get the fanbase they deserved. They would sell out the outdoor venue which is a nice accomplishment. It seemed their crowd had sold out the venue in about the same time Wilco did.

The Crossroads is an abandoned parking lot covered with wood chips and surrounded by about a 10 foot high wooden fence. It actually makes for a cool venue I feel even though the place had a ton of people that despise it for various reasons.The Black Keys rolled through on June 4th, 2010 to enlighten the Kansas City audience to their sound.

Brian Olive was the opening act on that night and really failed to impress. Sound issues were present which likely didn’t help. This set a rough tone for the show but it really didn’t take the Black Keys long to jar the crowd out of that lull.

Here is the Black Keys Kansas City poster I missed out on...very cool, with I could find one now.

Here is the Black Keys Kansas City poster I missed out on…very cool, wish I could find one now.

They blasted out of the gate with just Dan and Patrick hitting their older albums. Songs like “Set You Free” and “The Breaks” seemed to have and extra blast of power live. Dan Auerbach really impressed me with his vocals on this night too. I knew he could absolutely shred on the guitar but I didn’t know how his vocals would be over a wall of guitar and drums in the open, outside venue. They remained strong throughout the show and really shone on new songs like “Everlasting Light” during the encore.

After about 10 songs the band would expand to four members to play exclusively new material which they would play a block of 6 tracks from Brothers in succession. This block was highlighted by their current single at the time “Howlin’ For You.” They would shift back to the bare bones 2 peice band for some of the best moments of the night with “Your Touch” and “I Got Mine.”

They would close with an encore of “Everlasting Light” and the brilliant closer “Till I Get My Way.” The band would retire from the stage proving that they were worth every bit of the hype. They are truly a great band to see live.

setlist:

Thickfreakness
Girl Is on My Mind
10 A.M. Automatic
Set You Free
The Breaks
Stack Shot Billy
Busted
Everywhere I Go
Strange Times
Same Old Thing
Tighten Up
Howlin’ for You
Too Afraid to Love You
Next Girl
She’s Long Gone
Ten Cent Pistol
Your Touch
I’ll Be Your Man
No Trust
I Got Mine

Everlasting Light
Till I Get My Way

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250 Word Classic Album Review: The Black Keys – Brothers

The Black Keys Brothers

The Black Keys Brothers gets 4.5 Stars

 

Some records dominate their time and genre. The great albums in history do, they work as a microcosm of what was working at that time. This is a good way to look at The Black Keys album Brothers.

From the first line of “Everlasting Light” you can tell the album sticks out from any other album by the band. Dan Auerbach improves his singing for the record and definitely stretches what he can do with his own voice right away on the opening track. The band is in more familiar territory with their biggest hit from the record “Tighten Up”

“Tighten Up” is a great example of what the Black Keys do well. It has great guitar licks and is a catchy song without having a big sing-along part as the band usually doesn’t have. A good music video helped them into heavy rotation with the song and it is now going to be a staple of their shows for years to come. The best song on the record is the very bluesy “Howlin’ For You.” To this point in their careers it was probably the best song the band have ever written.

All these songs are aided more by bass and keyboards than ever before too. This gave the band the flexibility to add more a punch to their music and they really knew how to take advantage of it. The album has great tracks hidden deep in the album as well like “Sinister Kid” and the Grammy nominated instrumental “Black Mud.” The album runs long but never stops giving the whole way through.

Key Tracks: “Tighten Up” “Howlin’ For You” “Sinister Kid” “Next Girl”

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Career In Album Artwork: The Black Keys

Career In Album Artwork The Black Keys

The Black Keys don’t have brilliant album artwork, but they don’t have bad album artwork either. Magic Potion is cool along with their debut The Big Come Up. Brothers had a nice theme but as an album cover alone it is way too boring.

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Listen to… The Black Keys / It’s Black Keys week!

The Black Keys released their 7th studio album today, El Camino. This has set me into a recent listening frenzy of their previous material, I’m sure others are doing the same. I have decided to officially declare it Black Keys week here at Vocals On Top.

Black Keys week is my plan to post a different Black Keys related article every day for 7 days leading up a 250 Word review of their new album El Camino next Monday. I have a rough draft of a list of articles to write but have yet to write any of them. I will be doing many of my typical features for the site like my album reviews related to the band to fill this week.

So to start the week I will just encourage my audience to listen to the band. They are legitimately good. They have a fresh original sound that has started to create some copycat bands but they are the pioneers of their particular sound. They achieved stardom last year with their album Brothers, winning a Grammy for Best Alternative Album and achieving gold status in sales.

As they continue to grow in popularity hopefully their records will retain that same grungy blues sound that made them the band they are. The core of the band is just two members Dan Auerbach and Patrick Carney. For much of their career these two made records without much help, they now enlist a bassist and keyboardist to fill the sound. This struck some of their fan base as bad move but they have used the new players effectively and have catapulted themselves to a much bigger audience.

Now… Let Black Keys week begin!

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Concert Review: The Melismatics at the Rendezvous in St. Joseph, MO 12/4/11

The Melismatics have a soft spot in their hearts for St. Joseph, MO. Being from Minnesota it isn’t exactly a short trip down to Missouri but the band still makes a few appearances a year at the Rendezvous. It is a great treat that the energetic band comes around so often.

The band is getting ready to release their long-awaited second full length album, Mania! on January 10th, 2012. The show contained a mixture of upcoming material from the record as well as a heavy dose of their other album The Acid Test along with other originals and some covers. The Acid Test is a shining example of punk-pop and Mania! looks to be no different.

The show began a few minutes before 11:00 but the late start time wouldn’t lead to a shortened set as the Melismatics tore through their catalog of songs without a break until 12:40 for one of the longest small bar shows I have ever seen.

Melismatics In St. Joseph, MO on 12/4/11

Melismatics In St. Joseph, MO on 12/4/11

Their songs are made better live than on record. Their energy on stage adds so much to the songs that is almost impossible to capture in the studio. Songs like “Industry of Cool” “Modern Machine” and the sing-along favorite “The Stranger” really come to life on stage.

Being from Minneapolis it was only natural that the band would pay homage to The Replacements, luckily this would happen twice in the set with “Bastards of the Young” and a striking version achingly beautiful “Unsatisfied.” They would also get the crowd jumping with such other covers as “What I Like About You” and The Darkness’ best known song “I Believe In A Thing Called Love.”

It’s always great to have such a talented band wanting to come to as small of market as St. Joseph. Hopefully Melismatics will return in January to let the locals pick up a copy of Mania! in person.

Visit The Melismatics website

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250 Word Album Review: Brother Howe – Heaven Is My Retirement Plan

Brother Howe - Heaven Is My Retirement Plan

Brother Howe - Heaven Is My Retirement Plan gets 3 Stars

The music industry is now powered by independent music. It is easier than ever to promote your own band with the internet and it is changing the music industry for the better. A person can promote their own art and reach a national audience without spending tons of time or money. This creates many good and bad sides of independent music that I won’t get into here.

This kind of promotion led me to find a little country band named Brother Howe. The little-known band from Michigan plays a rowdy country songs that could be called country-punk. After releasing one album they put out a brief 4-track sampler named Heaven Is My Retirement Plan. The album is lead by the swinging title track that is a classic take on the hard luck story of the economy.

The band also tackles Weezer’s “Undone (The Sweater Song)” and breathes a little new life into the song as it is reborn as a punkish-country number. The band of course tips its cap to outlaw country legends such as Johnny Cash frequently on the EP. They also work in more modern country styles like at times sounding like a slower version of Reverend Horton Heat.

Heaven Is My Retirement Plan works as a nice introduction to a band tackling its music with a fresh perspective. The title track may be the only must hear of the four songs but you’ll definitely hear enough to be intrigued to listen to more from Brother Howe.

Key Tracks: “Heaven Is My Retirement Plan” “Undone(The Sweater Song)”

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Concert Review: Gas Pump Talent / Marcus Words at the Cafe Acoustic 11/26/11 in St. Joseph, MO

You are killing local music. When there fails to be an audience for musicians they will stop making their music. It’s not your fault alone, it is all of us. A whole music scene can become watered down, it can basically kill creativity across the board. The watering down can be because of a few reasons; it could be that the bands aren’t really that good, it could be that audiences are unwilling to spend the money to see bands or it could even be that the audiences have no interest in creativity. They last option has a funny side effect; cover bands. If audiences start to follow cover bands instead groups that play original music, it will kill a music scene. Some people would rather hear what they know than anything new. I fear this is what is happening in St. Joseph, Missouri right now.

When a very good band from out of town and can’t even draw enough of a crowd to make them want to play it is a sad thing. It’s a real gamble for an unknown band to travel out of town, they never know what the result is going to be. It is part of the business though, some crowds are going to suck.

When Gas Pump Talent showed up at the Cafe Acoustic on November 26th I’m sure they had reservations about what kind of audience they would have. With no cover charge to get in to see the band there was little reason not to go but still the room was pretty much empty. It was a holiday weekend I’m not really sure what other events were going on in town but the band deserved a better crowd than they got either way.

Marcus Words was set to open the show and delivered his blend of upbeat original songs and covers with enthusiasm which would be tough to do to a crowd of five people (2 from another band on the bill and 1 sound guy included.) Words slipped off his shoes and showed off his skills on the acoustic guitar with a few well selected covers beside his original solo material.

Marcus Words at the Cafe Acoustic in St. Joseph, MO on 11/26/11

Words most impressive asset is his very good voice. His choice of covers highlighted this like Collective Soul’s “The World I Know” delivered with just enough of a new perspective to both honor the original but still make it interesting. His version of Garth Brooks’ “Callin’ Baton Rouge” showed that the song was a quality track that was well written, something you don’t hear in the “country machine” version on Garth Brooks records. Words would even deliver a small second set of songs just as the headlining act would later.

The raw power-acoustic duo Gas Pump Talent would play next and get a crowd that on occasion would threaten double digits. The band was un-phased by this and still delivered a two sets of their brooding raw songs. The instrumentation was simply one member with an acoustic guitar and the other playing acoustic guitar with a drum and breaking out a harmonica at times. Both would sing, both with very raspy vocals and they would harmonize to create their very unique sound. The vocals were so raspy and rough that they would rival Tom Waits or William Elliott Whitmore.

Gas Pump Talent at the Cafe Acoustic in St. Joseph, MO on 11/26/11

They would sing mostly original compositions during their time on stage but would mix in a few covers as well from the likes of Social Distortion, Lucero, Mearle Haggard and even Shel Silverstein. Each cover would be delivered in their own flavor, never sounding too much like the original. Some songs didn’t seem like they would fit with the band’s sound at first but after they ran through the song it would make perfect sense why it ended up in their setlist. The prime example of this was “A Boy Named Sue” the song didn’t feel like it fit at first, it is a story song while Gas Pump Talent tended to lean more toward repetition and driving instrumentation to get through their songs. Every word of the hard luck story of the boy named Sue sounded like it rang true as the band delivered it though.

The strength of the band was clearly their original songs. The sound they have created really only would work the way they deliver it, with a raw sound and very good songwriting to back it up. The best of their originals performed had to be “No Place In History” the song really epitomizes what the band is and what their strengths are.If given the opportunity to see them I would recommend it; their sound will catch you off-guard and they will be unlike any other act you will see for quite a while.

Gas Pump Talent website

Marcus Words website

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250 Word Album Review: Foster The People – Torches

Foster The People - Torches

Foster The People - Torches gets 1.5 Stars

Every once in a while an impostor band like this pops up. A band that comes up with a great song or maybe just a hook that is incredibly intoxicating. Its like the beautiful girl at the bar; it actually is nowhere near as good as it looks. But you can’t resist; you have to know.

“Pumped Up Kicks” is the intoxicating number by Foster The People. I’m sure you’ve heard it over the last few months as it has continued to gain momentum on radio. I knew I wouldn’t like this album. I simply couldn’t hold off. I picked it up off a “discover price” type of rack at a store and headed home feeling guilty and ashamed.

A couple similar bands have turned out to be pretty good additions to my record collection; Phoenix and MGMT. Phoenix has Wolfgang Amadeus Phoenix and MGMT has Oracular Spectacular as records in my collection that are electronic like this but still very good. The bad news; Phoenix has a record called Alphabetical and MGMT has a record called Congratulations that both suck. Foster The People’s Torches falls in the latter category, don’t bother with it.

Torches is so poppy it will make your teeth hurt. It would fit in better at a college rave than anyone’s record collection. This is basically commercial jingles stretched to 3 minute songs and put on a record. Foster The People has an audience that probably loves them dearly. I am not willing to be in that crowd.

Key Tracks: “Pumped Up Kicks”

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