250 Word Album Reveiw: Barry – Yawnin’ In The Dawnin’

Barry - Yawnin' In The Dawnin'

Barry's Yawnin' In The Dawnin' gets 3 Stars

Barry is a band of three brothers. They crank up a smooth acoustic sound on their debut 7-song EP Yawnin’ In The Dawnin’. The band is a labor of love for the Barrys, even overcoming an age difference of about 16 years between two of the brothers to form the band. The songs don’t stray far from home for them as the songs read as personal as any band you will hear.

Yawnin’ In The Dawnin’ is acoustic-folk that dials up some rock and has its country-flavored moments that mean it will be lumped in with the ambiguous genre known as americana. The album’s songs paint a picture of the band in a chatty pub leading an intoxicated sing-along all covered in a sepia tone.

The album’s strongest track is “Carnival(e)” It starts with a rustic romp reminiscent of a Tom Waits song. It then builds into a big chorus and bounces back to the original rustic sound. The songs chorus explodes over the music with a melody that will stick in your head long after the track is over.

“Drink One More” is as autobiographical as a song can get as each of the three brothers take their turn at the mic telling a bit of their respective story. All egos are set aside for the song as the band raises their glasses an invites the telling of their stories.

If Mumford & Sons can achieve success in this genre, there is no reason Barry can’t. Barry’s songs are actually better because they feel authentic and much more personal-able.

Key Tracks: “Carnival(e)” “Drink One More”

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2011 Farm Aid 26 in Kansas City, KS setlists

Willie Nelson(with a lot of help) setlist:

  • Whiskey River
  • Still Is Still Moving
  • Texas Flood(Lukas)
  • Fathers and Mothers(Lukas)
  • Kansas City
  • Good Hearted Woman
  • Mama Don’t Let Your Babies Grow Up To Be Cowboys
  • Write Your Own Songs
  • Will the Circle Be Unbroken/I’ll Fly Away/I Saw the Light
  • Roll Me Up

Neil Young setlist:

  • Comes A Time
  • Sugar Mountain
  • Long May You Run
  • Peaceful Valley Boulevard
  • Love and War
  • Heart Of Gold

John Mellencamp setlist:

  • The Authority Song
  • Death Letter Blues
  • Walk Tall
  • Check It Out
  • Jackie Brown
  • Small Town
  • Rain on the Scarecrow
  • If I Die Sudden
  • Pink Houses.

Dave Matthews and Tim Reynolds setlist:

  • Where Are You Going
  • Save Me
  • Funny The Way It Is
  • Crush
  • Tim Reynolds instrumental
  • Oh
  • You and Me
  • Dancing Nancies

Jakob Dylan setlist:

  • 6th Avenue Heartache
  • Sleepwalker
  • Nothin’ But The Whole Wide World
  • God Don’t Make Lonely Girls
  • One Headlight
  • What’s So Funny About (Peace, Love and Understanding) (Elvis Costello cover)

Your can read my full review of Farm Aid 26 here.

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Concert Review: Farm Aid 26 at Livestrong Sporting Park in Kansas City, KS on 8/13/11

Concert Review: Farm Aid 26 / Livestrong Sporting Park / Kansas City, KS / 8/13/11

So the Farm Aid lineup for the Kansas City show was good. A lot of big names that demand high ticket prices all lumped together for a good cause. This was a good way for me to see several of these bands I haven’t seen and likely will never see again.

The concert was in the mostly very new Legends complex in Kansas City, Kansas. It is right around Kansas Speedway, The Great Wolf Lodge, Cabellas and the T-Bones baseball stadium. One of the new additions to the area is Livestrong Sporting Park where the concert was held. It is normally the home of the mens soccer team Sporting Kansas City.

Starting at the end; the headliner was Willie Nelson followed by Niel Young, John Mellencamp, Dave Matthews, Jason Mraz, Jamey Johnson, Jakob Dylan, Lucas Nelson, Billy Joe Shaver and a few others.

Robert Francis was the first act of the day I got to see. He was a standard solo acoustic performer for the day and threw in a cover of Springsteen’s “I’m On Fire.” Billy Joe Shaver followed bringing some surprising stomp with his set. It was still very old style country but had a full backing band to give his set a lot of punch. He started with the delightful “Wacko From Waco” which proved to be the highlight of his set.

Will Daily & The Rivals would follow with a largely forgettable set. Lucas Nelson & Promise of the Real would follow with an entire set of music similar to Lucas’ father, Willie Nelson. Lucas is a great guitar player and would popup throughout the evening with various artists.

Former Wallflowers lead singer and writer Jakob Dylan followed. He surprisingly his the Wallflowers songs heavy as opposed to selections from his two solo discs. He started with “6th Avenue Heartache” from the Wallflowers debut album. He would select 4 of his 6 songs in his set from Wallflowers records. The only solo song performed was the excellent “Nothing But The Whole Wide World.” The Wallflowers piano player Rami Jaffee joined Dylan for the short set and Dylan gave the indication it was the first time they had played the sets highlight “One Headlight” in quite some time. This made me think it was the closest thing there has been to a Wallflowers show in years. “One Headlight” is driven by a strong baseline so it was interesting to hear the song with no bass at all. Dylan and Jaffee pulled it off quite well. Dylan closed with a nice cover of Elvis Costello’s (What’s So Funny Bout) Peace, Love and Understanding.

The very talented Jamey Johnson took the stage next and started strong with “High Cost of Living” but proceeded to lose momentum in his set after that. He worked in a cover of Leadbelly’s “In The Pines” and George Strait’s “Give It Away”(a song Johnson actually wrote.) The set suffered from a lack of uptempo numbers and seemed to fail to translate well to the big venue.

Jason Mraz did some smooth, non-offensive acoustic rock after that that I’m sure his fans enjoyed but I found to be quite bland. He sang the Mr. Rodgers theme song if that gives you an indication of his set. Dave Matthews and Tim Reynolds followed for the first of the big four acts. Matthews is a very good musician and at least kept the crowd interested and moving after the two snoozer sets that preceded him. Tim Reynolds seemed to steal the show from Matthews with his great guitar playing. The two worked very well together and got a great response from the crowd.

Here is a picture of Farm Aid 26 from the back of the soccer stadium where it was held.

Here is a picture of Farm Aid 26 from the back of the soccer stadium where it was held.

John Mellencamp took the stage with a full band afterward. He ripped into “The Authority Song” right away to start his up and down set. A long violin solo would be part of the set and not quite fitting right. The violin player was featured very prominently in Mellencamp’s music. The highlights from Mellencamp’s selections were the acoustic “Jackie Brown” and the full stomp of “Rain on the Scarecrow.” He would end his time on stage with a predicable great response to the sing-along favorite “Pink Houses.”

Neil Young would come out solo acoustic to the stage next. He would only perform six songs but would clearly steal the show in that time. “Comes A Time” started his set as he would move into the delightful “Sugar Mountain” and “Long May You Run.” A couple songs from his latest release Le Noise would follow in “Peaceful Valley Boulevard” and “Love and War,” The latter of the two probably being the most impressive song of his impressive set. He would close with the crowd favorite “Heart of Gold” but not before ranting a bit about the cause of Farm Aid. He was really to only performer to address this in any depth and explain how to help or why it is a good cause. He clearly was the shining star of the night.

Willie Nelson would start an erratic group of songs to close the evening. It almost seemed as if he didn’t want to perform many tracks as he had his son Lucas do a couple songs during his set along with one rasta-style song by someone from the crowd for all I know. He would also invite a musician from another band to perform a song during his set. He sang to gospel-tinged songs that I believe were both covers along with the four! songs he let other performers do during his time. His last three songs were even a big sing-along with several members of the other bands and even an indian in a full head-dress for some reason. Overall Nelson really only performed maybe 3-4 songs himself of his own material which was a bit disappointing.

The evening was a very intriguing show that was clearly owned by Neil Young and to a much lesser extent Jakob Dylan. For me traveling an hour to get the show was well worth it but if I would have came from another state or several hours away as many did I couldn’t have helped but be a little disappointed. Lucas Nelson and Jason Mraz could have lost some time from their sets to give other performers more time. The other performer I am speaking of is of course Neil Young who’s set was all too brief but still a sight to behold.

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Jakob Dylan 2011 Farm Aid setlist

  • 6th Avenue Heartache
  • Sleepwalker
  • Nothin’ But The Whole Wide World
  • God Don’t Make Lonely Girls
  • One Headlight
  • What’s So Funny About (Peace, Love and Understanding) (Elvis Costello cover)

All songs were acoustic with Rami Jaffee on Keyboards. Read the review here.

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Neil Young Farm Aid 2011 setlist

  • Comes A Time
  • Sugar Mountain
  • Long May You Run
  • Peaceful Valley Boulevard
  • Love and War
  • Heart Of Gold

Neil Young performed the show solo acoustic. Read the review here.

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250 Word Album Review: The Melismatics – The Acid Test

Melismatics Acid Test

The Melismatics The Acid Test gets 3.5 Stars

The Melismatics are a punk/power-pop band from Minnesota. They are a high energy group that is still very young and wear their influences on their sleeves. Being from the Midwest doesn’t stop them from having an attitude of a band from the coast.

The Acid Test features 10 shots at power pop stardom. The band has the ability to produce polished songs worthy of mainstream airplay if they could get the right support. “Digging Deep” is the most obvious example of this. It is a clean pop song that shows that the band could gain mass popularity with huge audience.

The album starts with “Industry of Cool” and “The Stranger” a back-to-shot of adrenaline displaying the bands clean sound with big catchy hooks. They also dabble in the less straight forward pop styles. On “Soul Sucker” they conjure up images of The Faint and Franz Ferdinand with their retro sound and tempo changes.

The band may fall into Green Day and All-American Rejects territory if you wish to classify them. They don’t really tread on any fresh ground with The Acid Test but what they decide to do, they do extremely well. I would rather hear a band stick to what they do well than try to change the world any day. It is easy to go too far trying to change the world like Green Day did on 21st Century Breakdown or push the musical envelope too far like Radiohead’s King of Limbs. The Melismatics just put together well-crafted, fun songs that are full of energy.

Key Tracks: “The Stanger” “Industry of Cool” Digging Deep”

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250 Word Album Review: The Old 97’s – The Grand Theatre Volume 2

Old 97's Grand Theatre Volume 2

Old 97's Grant Theatre Volume 2 gets 3.5 Stars

This is an interesting album by the Old 97’s. It is the second installment from the Grand Theatre volumes they released and it plays like it. It seems almost as if it is an extension of the slightly better Volume 1.

The Grand Theatre could have been a nice sprawling double album by the band but they chose to release it in two pieces about a year apart. I don’t think this is bad, it allows more time to savor the flavor of the works separately rather than in one large portion.

The songs are good, as good as any of their other work really, the only thing is that it plays like it is really nothing that new. It is simply another solid album. It has the songs of single quality (“I’m A Trainwreck” “Manhattan (I’m Done)”) and the solid songs fans will be requesting for years (“The Actor” “Visiting Hours”) It has another two solid Murry Hammond songs as well(“White Port” “How Lovely It All Was”) It is an Old 97’s record.

The highlight of the album may well be the latter half. A great string of songs are hidden in the high numbers of the track-listing: (“Bright Spark” “Visiting Hours” “How Lovely It All Was”) “I’m A Trainwreck” looks to be the lasting impression from the disc. It is easy to envision the song being in the live set nightly to much acclaim from fans.

Ultimately The Grand Theatre Volume 2 won’t win awards or become the band’s masterpiece. It is simply another solid album to add the bands already impressively stellar catalog.

Key Tracks: “I’m A Trainwreck” “No Simple Machine” “How Lovely It All Was”

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Lyric of the Day: Old 97’s – Lonely Holiday

“I’ve thought so much about suicide, parts of me have already died.”

From “Lonely Holiday” by the Old 97’s, from the 1999 album Fight Songs; written by Rhett Miller

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250 Word Album Review: Queens of the Stone Age – self titled

Queens of the Stone Age self-titled remastered album

Queens of the Stone Age's self-titled remastered cd gets 4 stars

So Queens of the Stone Age’s self-titled first album from 1998 has been out of print for almost as long as it has been out. The record was long considered to be a extremely solid album but remained unavailable because of the small label that initially put it out. Since that time Queens has achieved a great level of success so the demand for the record increased.

Josh Homme and company would see the record re-surface in 2011 with 3 bonus tracks. Interestingly enough the 3 bonus tracks are interwoven in the record instead of being stuck at the end. The record stands as a stoner-rock masterpiece. It is a transitional record between the ending of Homme-era Kyuss and the beginning of Queens of the Stone Age.

The album has a more groove oriented feel than other Queens albums making the sound different entirely. The album plays best as a complete piece but it is not without its highlights. The hard and heavy “Avon” and “If Only” set the tone for the album right away. The highlight of the album comes later with “You Would Know” It’s dark and brooding sound paint imagery that would fit in with Fear and Loathing in Las Veges.

The added new tracks’ shining track is “The Bronze.” The other two tracks seem to contribute to a looser sound toward the end of the album, the songs get more rough, more feedback and don’t follow the grooves like the first part of the record does. This is intentional to create a complete experience for the whole set.

Key Tracks: “If Only” “Avon” “You Would Know”

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250 Word Album Review: David Lowery – The Palace Guards

David Lowery The Palace Guards

David Lowery The Palace Guards gets 3.5 Stars

David Lowery has made music for over 25 years before releasing his first solo album in February of 2011. His main bands, Cracker and Camper Van Beethoven have amassed massive amounts of songs before Lowery decided to attach these 9 tracks directly to his own name.

The songs are no more personal than other songs he has penned in the past.The album reads like a collection of orphans that fell between Lowery’s two bands. That is not to say the songs are bad, because they most certainly aren’t. A couple songs, “Raise ‘Em Up On Honey” “Big Life”, are actually Cracker outtakes from the records Greenland and Forever. Two more tracks appeared as web videos under Lowery’s name a long time before this record ever surfaced(“Deep Oblivion” and “Baby, All Those Girls Meant Nothing To Me”)

Those two tracks that first appeared as web videos are two of the album’s highlights. “Deep Oblivion” takes a slow subtle approach to making its point while “All Those Girls” is a surprising rocker that changes the tempo of the whole record.

“The Palace Guards” is the other clear highlight on the album. As Lowery put it, it is about superheros that need restraining orders. It is a catchy, light-hearted song that is intoxicating with its acoustic guitar strums. The record has the bounciness of a Camper record in spots and the straight forward rock of Cracker in other spots. It may not win over any new fans for Lowery but it should satisfy everyone who is already a fan.

Key Tracks: “The Palace Guards” “Baby All Those Girls Meant Nothing To Me”

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