250 word album review: Monks of Doom – The Bronte Pin

Monks of Doom - The Bronte Pin

Stars4

Monks of Doom basks in the weird. The largely Camper Van Beethoven side project sounds like exactly that. “The Bronte Pin” is their first proper album since 1993 and you would never know it by listening to it. It is filled with interesting textures and a variety of different styles.

On “Up From The Cane” you’ll hear them at their most ferocious. It’s aggressive art rock that really shows its teeth. The vocals growl here making it stand out among its peers on the album. Don’t think that this is a theme on “The Bronte Pin” though because immediately preceding it on the record is a combustible instrumental track named “Duat! Duat!” that is almost 6 minutes of meandering ambient rock. It sound like about 4 different styles of music all trapped in a trash bag and they are all trying to pull their own directions. Those two songs are anything but relaxed and that theme IS echoed throughout the album. Each track seems to build its own tension here. On “The Bastards Never Show Themselves” you’ll get a Pink Floyd feel with the vocals lurking below the surface of the music that eerily follows its own path. Some straight up raunchy guitar rock can be found on another instrumental, “23rd Centruy Hard Bop” where the Monks once again are dicing genres and constantly shifting the tempo of the song. This song is groove oriented but the whole song finds the band intentionally trying to push it as far as they can without breaking it.

Musically this is an extremely interesting album, it’s aloof, loose and style shifting but still holds as an interesting listen.

Key Tracks: “Duat! Duat!” “Up From The Cane” “23rd Century Hard Bop”

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Album at a glance: John Mackey – Chasin’ Dreams

John Mackey - Chasin' Dreams

One of the best things about country music is its bluntness. It never gets too cute or loses its listeners in a web of analogies and illusions. John Mackey’s latest album “Chasin’ Dreams” abides by this, it’s just straight forward storytelling in its truest form.

You’ll hear Mackey strumming away creating a bed for his tales to lie in here. It’s a comfort thing, like your favorite recliner. There’s no hotshot guitarist stealing the show, just the mortar connecting the brick of the tales. Sometimes it is the life lessons handed down generations like on “Footsteps” and sometimes it is the retelling of a love story like on “Fish Fry.” Not all stories here are so conventional though, on “New Year’s Eve” Mackey throws a bit of a curveball with an awkward chance meeting between ex-lovers. Some gentle spaghetti western guitar plucking can be found on “The Stranger” while Mackey narrates like Johnny Cash. The song stands out as a little different from the group here making for an interesting ending to the record full of stories.

Key Track: “New Year’s Eve”

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250 word album review: The Matchsellers – Bluegrastronauts

The Matchsellers - Bluegrastronauts

Stars4.5

Bluegrass can be boring. This isn’t across the board but the skeletal structure of the music causes this. The Matchsellers found a way to make what can be a mundane, unflavored genre extremely intriguing. How? Send bluegrass legends into space of course.

The concept behind the album “Bluegrastronauts” is roughly that the world ends and bluegrass legends (and those who don’t die) get shot into space. On paper the idea is so-so at best but when it rattles out of your speakers it all somehow clicks. The key to the album is the great humor. On one line songs such as “Shannon Lives in Arkansas” and “Dammit Brad Don’t Pee On My Bag” the album remains relevant and entertaining. The hilariously true “Pigeon and Dove”(the real song title is 40 words) has more layers than you think and is a killer earworm at the same time. On more delicate songs like “Off To The Moon” and especially “Dancing In The Kitchen” the sweetness and sincerity of the album shines through making for great changes of pace. The appropriate closer “One of These Days” has our storytellers detailing their inevitable mortality repeatedly, after you’ve endured this journey with the band it’s hard to imagine “Bluegrastronauts” ending any other way.

This album is a loose concept record where you have to connect some dots and it draws you to humorous conclusions. The music is quite good as well, lots of traditional bluegrass banjo, dobro and fiddle. As far as bluegrass goes this is one of the freshest records you will hear all year. It’s an intergalactic hoedown you won’t regret listening to.

Key Tracks: “Bluegrastronauts” “Dancing In The Kitchen” “Pigeon and Dove” “One of These Days”

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Coming Soon: The Yawpers / Witch Jail / Deco Auto at The Record Bar in Kansas City, MO 3/15/18

WHO’S PLAYING?  The Yawpers (Denver, CO) Deco Auto (Kansas City) and Witch Jail (Kansas City)

YawpersTourPoster

WHAT TO EXPECT? One of the weirdest 3 band bills you’ll see all year at one of Kansas City’s absolute best live venues.

Denver, Colorado’s The Yawpers are one of the more interesting bands touring right now. Their image and live performances may be erratic and eccentric but the band is made up of very refined musicians. Their latest record “Boy In A Well” was released about 6 months ago and cracked some top albums of 2017 lists. The album represents an artistic growth for them, it was produced by Tommy Stinson of The Replacements and you can hear that looseness and live studio feel on the record. Some is off the wall and loud but there are some very strong pop songs on the album as well. This show in Kansas City will be their last before heading home to Colorado so expect them to empty the tank for this one.

The Yawpers sounds like: Howlin’ Wolf, The Beatles and realizing it’s the last day of school.

When it comes to Witch Jail the easiest way to describe them is as unique. It’s definitely not out of bounds to slap them with the punk label but it’s in the same way The Cramps were punk. Their distinct brand of goul rock has been winning over the area for a while now, they are well known for their live shows. Their influences seem stretch from The Stooges to The Stray Cats and a lot of other directions in between. Witch Jail’s latest record is due to be released about a month after the show so see them debut some new songs and be the first on your block to hear them.

Witch Jail sounds like: The Cramps, Stray Cats and driving too fast on gravel roads.

“Too pop for punk, too punk for pop.” It grew from a description to almost a mission statement for Kansas City’s Deco Auto. The group relies heavily on melody and guitar riffs to propel their songs. The power pop trio has a specialty of hooks and lots of them. Their debut full-length album “The Curse of Deco Auto” is a couple years old now as they come out of the woodwork to hone

Deco Auto sounds like: The Replacements, Nada Surf and skater shoes with no laces


WHERE IS IT?  The Record Bar (1520 Grand Blvd, Kansas City, MO)

WHEN IS IT?  Thursday, March 15th, 2018 7:00 PM, $20, 18+

The Yawpers

The Yawpers

7pm doors
8pm Deco Auto
9pm Witch Jail
10pm The Yawpers

Here is a link to buy your tickets right NOW.

WHY SHOULD I GO?

  • Tickets are $12… yeah, just $12
  • The three bands on the bill are all good, one nationally touring band and two solid local openers
  • It’s Thursday, right before that dreaded Irish holiday, make a long weekend of it
  • Deco Auto is one of the more diverse opening bands in the area, netting opening slots for several different genres
  • Witch Jail is weird, they would really like some peeps to come be weird with them
  • The Yawpers are heading home after this show, so expect them to leave it all on the stage on this night
  • The most sinister of minds love rock shows, so do the least sinister… so what’s your excuse

You should RSVP on facebook to the event so you don’t forget, here is the link: FACEBOOK EVENT PAGE

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250 word album review: Barely Civil – We Can Live Here Forever

Barely Civil - We Can Live Here Forever

Stars3.5

Barely Civil puts together a solid group of power-pop songs for their album “We Can Live Here Forever.” Like most pop-punk or power-pop there isn’t a whole lot that will blow you away but it is also a great listen.

On the chanting of the opening track “I’ve Been Getting Headaches Lately” you can feel the clean production and mood of the album. Songs like “RE: Your Lungs” are the best here, the cigarette story is narrated by a crunchy guitar lick collection and the rhythm section that dominates most of this record. On the exotically and cleverly titled “Eau Claire? Oh, Claire.” the smooth vocal stylings of Connor Erickson float like they do on the throughout all the songs. At times he sounds like Matthew Caws in early Nada Surf like on “You With A Cape, Me With A Baseball Bat” and other times he can ratchet it up to a emphatic shout like Tim Kasher of Cursive like on “RE: Your Lungs.”

This is a good collection of songs, it never wears thin. The textures are interesting and the lyrics are emotional and effective. The rhythm section of the band along with the driving guitar riffs ultimately drive it. It’s tight in all the right places and loose in all the right places, a truly solid debut by a band that would have fit right in in the music scene of the early 2000s.

Key Tracks: “RE: Your Lungs” “You With A Cape, Me With A Baseball Bat”

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Concert Review: Scruffy & The Janitors and The GasTown Lamps at Cafe Acoustic in St. Joseph, MO 3/2/18

Concert poster for the Modeling Is Hard cd release show by Scruffy & The Janitors with special guests The GasTown Lamps on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri.This show was a big one. The small town midwest band has really spent 7 years building to this show. Through their releases of the lo-fi debut album “Pino” and the glossy noisemaker “Anglo EP” that came out nearly 3 years ago they still seem to have always had their sights set on this record and more specifically this show.

It’s easy to see how this show is the end of 3 long years of writing, recording and album preparation but for vocalist Steven Foster and the two brothers Newton it simply can’t be the case; this is the beginning of something. Now that they have this well recorded and strong album with their best songs to date to promote the band that was filling much of their sets with Flaming Lips and Cage The Elephant covers so many years ago can really drive to increase their popularity from this concert on. That is why this show was so important and the band did it right, guest musicians, a big display to sell the album and one of their longtime partner bands to open the show, The GasTown Lamps.

The GasTown Lamps play live, breaking a long hiatus on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri. (Left to right) Todd Ward on guitar, Jason Baines on drums, Kyla Ward on vocals and Stephen Williamson on bass.

The GasTown Lamps play live, breaking a long hiatus on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri. (Left to right) Todd Ward on guitar, Jason Baines on drums, Kyla Ward on vocals and Stephen Williamson on bass.

The GasTown Lamps never broke up but it has been quiet at GTL camp for quite some time. Their public hiatus was over a year and probably closer to two years for live shows. When the “sons of St. Joseph” Scruffy & The Janitors asked them to play their release show, GTL knew the magnitude of the night and were happy to step to the plate. The group has come a long, long way from the rough, Black Keys sounding blues riffs that fueled the band that originally started as a two-piece. They are now a refined band with slower burning, more complex songs that are closer to soul.

The group, now with Kyla Ward on vocals for the past couple years (she joined the band about halfway through their lifespan so far) concentrate more on adding guitar textures to songs as opposed to driving the numbers with riffs. They would take on a couple older songs with reworked versions of “When The Night Comes Through” and one of their most powerful numbers, “Landmines.” They would also please the Cafe Acoustic crowd with some new songs like “You’ve Got To Sin To Be Saved” and the burning closing number “Trapped Inside A Burning House.”

The GasTown Lamps received the attention of the room and their set was enjoyed but it was obvious when the young headlining band hit the stage that the night belonged to Scruffy & The Janitors. The room filled up with an eager crowd that seemed to appear out of cracks in the walls. The first song ushered in a crowd that seemed to double the existing attendance just minutes earlier. The band said their hellos and blasted into “Eraser” the opening track from their album “Modeling Is Hard.” In addition to the core band of Steven Foster on vocals and bass, Teriq Newton on guitar and brother Trevin Newton on drums, the group would be joined for the entire set by guitarist Tommy Marshall. Half way through the blasting opening number it left you to wonder why their group doesn’t have a fourth member at all times.

Scruffy & The Janitors ferociously attack their new record "Modeling Is Hard" at their cd release party on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri. (Left to right) Tommy Marshall on guitar, Steven Foster on vocals and bass, Trevin Newton on drums (obscured in picture) and Teriq Newton on guitar.

Scruffy & The Janitors ferociously attack their new record “Modeling Is Hard” at their cd release party on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri. (Left to right) Tommy Marshall on guitar, Steven Foster on vocals and bass, Trevin Newton on drums (obscured in picture) and Teriq Newton on guitar.

The more full guitar sound looks well on the band, as does the duel backing vocals by Teriq Newton and Marshall. They would play the entire record in order for their main set and luckily it has some burners hitting high in the order. “You Got Hit” is angsty and aggressive and “The Spins” is the crunchy guitar soundtrack to most people the age of the band who enjoy some wild weekend nights. Some songs had been in the band’s cannon for so long it was like seeing them graduate on stage for this record release, “My Faith” and especially “Hermit” had this feel as the band has been live testing those songs for several years.

The group was focused in a way they haven’t been in a long time. The large crowd at St. Joseph’s best sounding venue (which sounded especially great on this night) just propelled the band. The crowd joined in the big sing-along quality of “Jonestown” and even followed the band into setlist changeups like the burning “Flesh & Bone” and “Carry Me Home.” The latter finding lead singer Steven Foster gently plucking at his bass to drive the song and showing off his vocal prowess in a nearly a cappella performance. On the even more delicate “Welcome Touch” Foster yielded an acoustic guitar while Teriq Newton jumped over to the keys to adorn the slowest and softest song of the night. After ratcheting the crowd back up with a rousing version of “Elephant” the band had completed the record and their main set was done. They would barely get off stage before electing to appease the crowd with an encore.

Scruffy & The Janitors switch things up during their set at their cd release party on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri. (Left to right) Teriq Newton on keys, Tommy Marshall on guitar, Steven Foster on vocals and acoustic guitar.

Scruffy & The Janitors switch things up during their set at their cd release party on 3/2/18 at Cafe Acoustic in St. Joseph, Missouri. (Left to right) Teriq Newton on keys, Tommy Marshall on guitar, Steven Foster on vocals and acoustic guitar.

The encore was predictably their biggest hit “Dirtleg” that got some significant radio play in Kansas City a few years ago. The crowd soaked in the rigid rocker then the band did something a lot less predictable. They launched into a firey cover of Creedence Clearwater Revival’s “Fortunate Son.” The political song is more relevant now than ever and with the band shouting it’s lyrics to its fellow twenty somethings in the crowd you could tell they felt it too. It was a spontaneous way to wrap up a great show by a band that had played this town dozens upon dozens of times before but at the end of the night it honestly felt like this was the best they had ever been.

Scruffy & The Janitors setlist from Cafe Acoustic in St. Joseph, MO 3/2/18:

  • Eraser
  • You Got Hit
  • The Spins
  • Hermit
  • My Faith
  • Modeling Is Hard
  • Eat It Up
  • Flesh & Bone
  • Jonestown
  • Carry Me Home
  • Stay The Night
  • Welcome Touch
  • Feeling
  • Elephant
  • encore break
  • Dirtleg
  • Fortunate Son (Creedence Clearwater Revival cover)

 

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Album at a glance: Hurt Russell – Down // Cruisin’ For A Bruisin’

Hurt Russell - Down // Cruisin' For A Bruisin'

Hurt Russell’s first real coming out party is this two song digital EP. It’s about 7 minutes of sludge-phyche that really defines a band that is in actuallity pretty hard to define with words.

“Down” is a slow burning song with sandpaper vocal scratches laid across it. It’s not long before the fuzz guitars kick in and make those vocals a murky afterthought. Lead singer Trevor Rowe howls through the chorus while the aggressive backbeat and squealing guitars gel. The more thrashey “Cruisin’ For A Bruisin'” shows the band no less loose but more uptempo. It’s like punk rock for the kids who drink craft beer. Vaulted comparisons would do them no justice, the band has a unique sound making them one of the more interesting bands in the area.

Key Track: “Down”

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250 word album review: Nathan Kalish – I Want To Believe

Nathan Kalish - I Want To Believe

Stars3.5

Nathan Kalish has no problem embracing his country soul. The twangy guitars and vocals simply don’t lie. Kalish pops out a new record every now and then in between touring to check in with the non bar-goers and his latest is a polished collection he’ll be glad to sell while closing down bars across the country.

This is a group of americana tunes that are to-the-bone driving songs. They are probably best heard at about 2 a.m. on a road where you can’t tell how many miles the next house light is away. On “My Best”  Kalish sounds worn down as he whimsically howls “She asked if I was clean, I said, well that’s a good question.” The lead guitar meddles its way through the song, as it does the record. On “Bar Fight” he slowly burns a story of late nights and bloodshot eyes and on “Frail Shadow” he loads heartbreak by the wheelbarrow full. Most of the album is slow and patient and largely serious. In true Nathan Kalish fashion he kills the heavyness of songs like “Frail Shadow” with an alien encounter that ends with an intergalactic jam session called “Roswell.” It’s a jangly rocker with a driving bass line that guides the tripping song down the road.

Kalish has a veil of seriousness through most of the album though, his wit shines through at times, after all, check out that awesome album cover. It is a record of songs collected from different states of mind and different states in the country. It has highs and lows but when put together is yet another solid listen that flies by all too quickly.

Key Tracks: “My Best” “Roswell” “Frail Shadow”

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250 word album review: Scruffy & The Janitors – Modeling Is Hard

Scruffy & The Janitors - Modeling is Hard

Stars4

Scruffy & The Janitors wanted this one to be a gut punch; they succeeded. Clocking in at 14 songs and over 45 minutes they wanted to make sure no one got left asking “is this it?” The important thing is that there isn’t much fat to be trimmed here, the St. Joseph, Missouri trio spent about 3 years writing and crafting this record and you won’t hear anything that should’ve been left on the cutting floor.

The hard edge of these songs hits quick with the huge hook of “You Got Hit” with plenty dynamics to crank up the intensity. It’s easy to hear that their sound is highly evolved from their self-released garage rock debut album “Pino” several years ago. The sound is clean and they let the fuzz guitars blast throughout right to the closer “Elephant.” On “Hermit” guitarist Teriq Newton pushes a Strokes-style guitar run and on “Jonestown” a more purposely lackadaisical riffage takes place. It’s not all crunchy rock though, singer Steven Foster slows things down and shows off his vocal skills on “Carry Me Home” and later on “Welcome Touch.” The band uses all their white blood cells to keep this long album from getting monotonous and the slower songs play in sequence just when they are needed to break things up.

They are best when the pedal is to the metal though, they get down right veni vidi viscous on rockers like the hook heavy “My Faith” and the power riffs of “The Spins” that create the moments you’ll remember most from “Modeling Is Hard.”

Key Tracks: “You Got Hit” “Hermit” “My Faith”

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Concert Review: Pedro The Lion and Marie/Lepanto at The Record Bar in Kansas City, MO 2/9/18

Pedro The Lion means business. The David Bazan led project was brought out of hiatus unsurprisingly but the outlook of the band is not so much as expected. The band has a whole new ambition it seems. The power trio is just starting their first of three major tour legs in 2018 and at just their second show of the tour lead singer/brainchild David Bazan told a packed Kansas City crowd that his future music will come under the Pedro The Lion moniker for the foreseeable future.

The start of the tour is a fresh start for the band who has released an album since 2004’s “Achillis’ Heel” and also a fresh start for a couple old friends in the opening band, Marie/Lepanto. The geographically named Marie/Lepanto (after a couple towns in Arkansas) is spearheaded by veteran singer/songwriters Justin Peter Kinkel-Schuster and Will Johnson. Johnson has been a part of a long list of bands including but not limited to Centro matic, Overseas, Monsters of Folk and South San Gabriel in addition to a successful solo career and Schuster has solo material as well as recordings with his band Water Liars. Friday, February 9th at The Record Bar would be just the second ever Marie/Lepanto show.

Marie/Lepanto (Justin Peter Kinkel-Schuster [left] and Will Johnson) play their lead single from their new album "Tenkiller" with Pedro The Lion's David Bazan on drums live at The Record Bar in Kansas City, Missouri on February 9th, 2018.

Marie/Lepanto (Justin Peter Kinkel-Schuster [left] and Will Johnson) play their lead single from their new album “Tenkiller” with Pedro The Lion’s David Bazan on drums live at The Record Bar in Kansas City, Missouri on February 9th, 2018.

Their great debut album, “Tenkiller” is a largely quiet, acoustic affair; this show was not. The duo chose to each forgo the acoustic element and each play electric guitars and make some noise. The dynamic payed off as the soft singing by the two who would split the 8 songs on this night was only intensified by being amped up.

Even Johnson’s largely quiet “Patient, Patient Man” would have some hairy guitar feedback as would his dark family tale “Famished Raven.” Schuster would show off his vocal prowess on the catchy “Simple Scenes” and the show closer “Tenkiller” while Johnson provided backing vocals. Even Mr. Pedro The Lion, David Bazan, would join in on drums for a couple songs. The drums adorned the most rocking song by the band, “Inverness” which was ironically slowed a bit from the studio version live. The bar would already be filling up fast during their early set and they proved to be a great opening act for the returning headliner.

Marie/Lepanto setlist from The Record Bar in Kansas City, MO on 2/9/18:

  • Patient, Patient Man
  • Clean Gift
  • Features/Fights
  • Simple Scenes
  • Famished Raven
  • Inverness (with David Bazan on drums)
  • High Desert (with David Bazan on drums)
  • Tenkiller

Pedro The Lion came out with a vendetta it seemed, rocking harder than ever. A solid lighting setup for such a small venue adorned the power 90 minute set. The opening song “Slow and Steady Winds The Race” was an ironic start with the ferocity in which Pedro would attack the stage. Between most songs the band wouldn’t even come to a halt before blasting into their next song, in all covering 20 songs from the Pedro and Bazan catalog. The group was in top form with Bazan handling lead vocals and playing bass flanked by Sean Lane on drums and Erik Walters on guitar.

Pedro The Lion performs live to a packed crowd at The Record Bar in Kansas City, Missouri on February 9th, 2018.

Pedro The Lion performs live to a packed crowd at The Record Bar in Kansas City, Missouri on February 9th, 2018.

The show was surprisingly well balanced from the group’s catalog instead of hitting “Control” extremely heavy as Bazan has done solo in the past. Some of the band’s strongest material is undoubtedly from that record though. The band pounded through “Magazine” “Options” and “Second Best” (among others) from that record providing many of the highlights of the set. Other highlights were a rousing take on “Keep Swinging” and a few unexpected songs like “Nothing” from 1997s “Whole EP.” Again the band just punished through the setlist, rarely slowing to a jog. A couple short intros would be present and as Bazan is customary to doing he hosted a small Q&A from stage at one point.

A couple solo Bazan songs snuck onto the setlist as well. The loyal followers of Pedro still knew every word and crowded to the front to try to get a consistent visual on the band. “Kept Secrets” was great to hear by a rock band instead of the electronic approach that plagued the studio version and “How I Remember” had as much crunch as any song of the night. The encore included the quirky “Big Trucks” and a good closer choice of “Bands With Managers” which Bazan said he has officially renamed “Be Careful.” It was truly a ferocious set by a driven and focused band.

Pedro The Lion setlist from The Record Bar in Kansas City, MO on 2/9/18:

  • Slow and Steady Wins the Race
  • Indian Summer
  • When They Really Get to Know You They Will Run
  • Nothing
  • Keep Swinging
  • Foregone Conclusions
  • How I Remember (David Bazan song)
  • Criticism as Inspiration
  • Options
  • I Do
  • Penetration
  • Kept Secrets (David Bazan song)
  • Magazine
  • Second Best
  • A Mind of Her Own
  • Priests and Paramedics
  • Trouble With Boys (David Bazan song)
  • encore break
  • Of Up and Coming Monarchs
  • Big Trucks
  • Bands With Managers

 

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