Matthew Coman’s Top 10 albums of 2013

Matthew Coman is a St. Joseph, Missouri singer/songwriter that, despite being very young, has already compiled 3 albums and 3 EPs for his discography that can be found at http://matthewcoman.bandcamp.com/. He is an avid music nerd, loves vinyl records and is a huge supporter of Vocals On Top. We are privileged to have his list here.

Matthew Coman’s Top Ten Albums of 2013
(Not necessarily released in 2013)

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1. Queens of the Stone Age- … Like Clockwork

Queens of the Stone Age - ...Like Clockwork
Keys Tracks: All of them

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2. Jason Isbell- Southeastern

Jason Isbell - Southeastern
Key Tracks: “Stockholm” “Traveling Alone” “Elephant” “Live Oak” “New South Wales” “Super 8”

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3. Puscifer- Conditions Of My Parole

Key Tracks: “The Green Valley” “Monsoons” “Horizons”
“Man Overboard” “The Rapture” “Conditions Of My Parole” “Oceans”

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4. Kings of Leon- Mechanical Bull

Key Tracks: “Beautiful War” “Temple” “Family Tree” “On the Chin”

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5. Nine Inch Nails- Hesitation Marks

Key Tracks: “Find My Way” “All Time Low” “Copy Of A”
“Came Back Haunted” “Satellite” “Various Methods Of Escape”
“I Would For You”

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6. Pearl Jam- Lightning Bolt

Pearl Jam - Lightning Bolt

Key Tracks: “Getaway” “My Father’s Son” “Sirens” “Lightning Bolt”
“Infallible” “Swallowed Whole” “Let The Records Play”
“Future Days”

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7. Andy Grooms- Grateful To Burn

Key Tracks: “Decadent Eyes” “I’m Not So Sad”
“Grateful to Burn” “Boy in the Bubble” “Nobody Knows”
“Itch To Scratch” “Master Of the Late Night”

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8. Missouri Homegrown- You Asked For It

Key Tracks: “Bright Lights” “Bad Boy Blues” “Jesus”
“Wagon Wheel Motel” “High in Missouri” “2AM”

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9. Gregory Alan Isakov- The Empty Northern Hemisphere

Gregory Alan Isakov- The Empty Northern Hemisphere

Key Tracks: “Light Year” “That Moon Song” “Evelyn”
“Big Black Car” “Idaho” “If I Go, I’m Goin”

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10. Sound City- Real to Reel

Key Tracks: “Heaven And All” “You Can’t Fix This”
“Your Wife Is Calling” “Centipede” “Cut Me Some Slack”
“If I Were Me” “Mantra”

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 Best Music Documentaries of 2013

“What is… Puscifer”

What Is Puscifer

“Sound City: Real to Reel”

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“Best of 2013” by Danny R. Phillips

Danny R. Phillips is a professional music writer for many websites and publications including Blurt Magazine and we are proud to have him as an occasional contributor to Vocals On Top. His year end lists are always good ones to watch as he has been deeply involved in the music scene for several years now. He is not only a valued contributor here but is also a valued opinion and friend. Go give his “Don’t Have A Clue podcast a like on facebook here: https://www.facebook.com/pages/Dont-Have-a-Clue-Podcast/142802442561329?fref=ts Here is his best of 2013 list:

“Best of 2013” by Danny R. Phillips

First, I would like to thank my good friend Clint Wiederholt, head music snob at Vocals on Top, for inviting me to write this list and for making me feel like my opinions on music and music related things matter, at least for as long as it takes me to compile said list.  Well, enough of all the happy horseshit.  Here it is.

Favorite album of the Year:

“True North”- Bad Religion

Bad Religion - True North

 

Other noteworthy inclusions:

“Get on With It”- Black on Black

“Rat Farm”- Meat Puppets

“The Consequence of Trying”- Many Moods of Dad

“…Like Clockwork”- Queens of the Stone Age

“Silence Yourself”- Savages

“The Argument”- Grant Hart

“No Other Animal”- Matthew Coman

“Lonerism”- Tame Impala

“In Utero 20th Anniversary Super Deluxe Edition”- Nirvana

“…You Asked for It”- Missouri Homegrown

“My Shame is True”- Alkaline Trio

“IV”- The Bronx

“Modern Vampires of The City”- Vampire Weekend

“Psychic Surgery”- Bloodbirds

“Vanishing Point”- Mudhoney

Grooviest Tune of the Year:

“Smooth Sailing”- Queens of the Stone Age

Best Album of 2013, not recorded in 2013:

“In Utero 20th Anniversary Edition”- Nirvana and “Last Splash 20th Anniversary Box Set”- The Breeders

Best Reunion:

The Replacements

Most Disappointing reunion:

“Last Splash” era Breeders (only because they didn’t come within 200 miles of Kansas City), Black Flag (because the new song sucks)

Best Rock documentary:

“Nothing Can Hurt Me: The Story of Big Star”

Big Star - Nothing Can Hurt Me Now

Best Movie Soundtrack:

CBGB- The Original Movie Soundtrack”

Best concerts of the Year:

 Bob Mould (The Bottleneck- Lawrence, KS), Bad Religion (The Granada Theater Lawrence, KS), Jon Spencer Blues Explosion (The Recordbar- Kansas City, MO), Going to Hell in a Leather Jacket and Many Moods of Dad (Lawrence Field Day Fest at The Bottleneck- Lawrence, KS)

Strange yet awesome performances of the Year:

Kid Kongo and the Pink Monkeybirds (The Recordbar- Kansas City), Cupcake and Scruffy & the Janitors(First Ward House- St. Joseph, MO)

Coolest Things that have happened to Me this Year:

Getting the confirmation that my article on Grant Hart for BLURT Magazine will be included in a book, “Best Rock Writing of 2013”; running into and talking with Bob Mould in the lobby of the Lawrence Marriott.  A total surprise.

Worst Things that have happened to Me this Year:

Being sick for what seems like 9 out of 12 months, cancelling my trip to cover Riotfest in Chicago (no Replacements, no The Cure…), Lou Reed dying, The St. Louis Cardinals losing the World Series.

Kolten Wong of the Cardinals gets picked off first base to end game 4 of the 2013 World Series.

Kolten Wong of the Cardinals gets picked off first base to end game 4 of the 2013 World Series.

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Vocals On Top’s Top 10 albums of 2014

This is my super bowl. The top 10 albums of the year for me represent a seemingly endless amount of hours sitting and listening to vinyl, my phone at work, on the computer while writing and CDs in my car. This will be amazingly my 5th year doing my personal top 10 list and I hope I get to do one every year before my hearing gives out. Here are the lists from the last few years if you are interested in further reading:

My list from 2010, headed up by Jason Collett’s Rat-A-Tat-Tat

My list from 2011, headed up by Tom Waits’ Bad As Me

The 2012 list belonged to The Divine Fits – A Thing Called Divine Fits 

The 2013 the top of the mountain belonged to Queens of the Stone Age – …Like Clockwork

Let it be known that 2014 belonged to Lucinda Williams – Down Where The Spirit Meets The Bone

Read and enjoy my list. Also watch for my top 5 concerts of 2013 coming soon. Feel free to send me your top 10 albums list and I will post them for you. I’d love to see them. I should have lists up by professional music critic Danny R. Phillips, Todd Ward of The GasTown Lamps, Matthew Coman, Ryan Richardson and several others.

Thank you – Clint at VocalsOnTop (vocalsontop at gmail.com)

1. Lucinda Williams – Down Where The Spirit Meets The Bone

Lucinda Williams - Down Where The Spirit Meets The Bone

The queen of alt-country is just dead on with this double album. Usually this late in a career is no place for a landmark album but it just shows Williams is still hungry. The double album doesn’t seem long or unnecessary, it’s just the right mixture of country and rock. Slow and rowdy songs balance well and there is sentiment and attitude littered throughout. She always has great guitar licks on songs and her lyrics are up there with the best in the game.

Key Track: “It’s Gonna Rain'”

2. Spoon – They Want My Soul

Spoon - They Want My Soul

Spoon appears to have really honed in on what they are as a band. Britt Daniel is great at writing pop songs and each record he is involved with seems to be getting better. They Want My Soul is clean and interesting, the songs never veer too far toward electronic or dancy, which is important for them. Songs like “Knock, Knock, Knock” are classic spoon but when the tempo is amped up like on “The Rent I Pay” they really shine.

Key Track: “The Rent I Pay”

3. Black The Buffalo – Blood On The Plains

Black The Buffalo - Blood On The Plains

Black The Buffalo’s debut album is lyrically and musically interesting each time you listen. The album isn’t uplifting and the storyline won’t make you feel warm and fuzzy. It is a dark album lyrically but it’s an easy thing to forget if you get lost in the music. It is well put together and each songs holds it’s place. There is nothing else this year quite like it.

Key Track: “Blood on the Plains”

4. Cracker – Berkeley To Bakersfield

Cracker - Berkeley To Bakersfield

Cracker returns with a double album, one country disc and one rock disc. The rock disc (Berkeley) will remind you of commercial Cracker from the early 90s and the country disc (Bakersfield) represents more of what the band became later in their career. They are quite proficient on both sides and each is a solid album on its own.

Key Track: “Almond Grove”

5. Wilco – Alpha Mike Foxtrot box set

Wilco - Alpha Mike Foxtrot box set

This 4 CD box set is absolutely loaded down with great lost Wilco tracks. Many have been sought after for years like songs from bonus EPs and soundtracks. Live tracks are littered throughout and some are really good and other are simply passable. The rare studio songs are the clear jewels here. For any Wilco fan this is essential.

Key Track: “The Thanks I Get”

6. Beck – Morning Phase

Beck - Morning Phase

Morning Phase is basically a sequel to Sea Change and that’s not a bad thing. If any Beck album deserved a “part 2” it is definitely Sea Change. The melodies are good and the lyrics are great, it is clean and well produced, what isn’t to like?

Key Track: “Say Goodbye”

7. Sassparilla -Pasajero // Hullabaloo

Sassparilla - Pasajero // Hullabaloo

This album came out of nowhere to blow me away. The heavy Tom Waits inspiration helped I’m sure. The band’s range goes far beyond Waits-ish parodies though, they can be groovy and melodic instead of abstract and weird if they want. They can channel the Chili Peppers or INXS if inclined but on this double album the Waits songs is where you should look first.

Key Track: “What The Devil Don’t Know”

8. The Souveneers – Dance American

The Souveneers - Dance American

The Souveneers kick our country swing effortlessly on their first record and are damn good at it. “Holy Shit” is possibly the most commercial song with a curse word in the title you will ever hear and is a clear favorite here. “Country Music” grooves slow but hits right on the money and the album is short enough to leave you wanting more.

Key Track: “Holy Shit”

9. The Baseball Project – 3rd

Baseball Project - 3rd

All songs about baseball definitely gets this record bonus points. The first half is outstanding but falters a bit toward the end. Songs about Luis Tiant and Lenny Dykstra create immediate interest and when you hear “13,” as a scathing indictment of Alex Rodriguez you’ll be hooked.

Key Track: “Nails To Thumbtacks”

10. Blake Mills – Heigh Ho

Blake Mills - Heigh Ho

This album is different. It is all about space and textures. It is comparable to an M. Ward album in many ways. Mills manages to manipulate his guitar in so many ways it is hard not to be interested. The combination of the songs “Seven” and “Please Don’t Tell Your Friends About Me” is one of the best back to back song combinations you will hear this year.

Key Track: “Please Don’t Tell Your Friends About Me”

Every Year a few albums just barely miss the cut. This year those albums for Vocals On Top were Against Me – Transgender Dysmorphia Blues, Ryan Adams – Ryan Adams, The New Basement Tapes – Lost On The River and Centro-matic – Take Pride in Your Long Odds

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Album at a glance: Architects – Border Wars: Episode 1

Architects - Border Wars: Episode 1

The Architects are one of the most consistent bands in the Midwest putting out solid records for a decade now. Being bored with traditional releases they put out their new EP with an accompanying comic book. “Heartbreaker” is already in regular rotation on 96.5 The Buzz and its irresistible pop hook makes it easy to see why. The ringing guitar on “Peter Fonda” and cocky vocal strut on “We’re Goin’ Live” prove they haven’t lost their hard edge either though. This first of five concept EPs shows the direction the band is heading and it should be an exciting ride with plenty of followers.

Key Track: “Peter Fonda

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250 Word Album Review: Vampire Weekend – Modern Vampires of the City

Vampire Weekend - Modern Vampires of the City

Vampire Weekend - Modern Vampires of the City gets 3.5 stars

Vampire Weekend’s third record delivers no surprises. This is not to say it isn’t good, because it is. They are holding steady with what they have done in the past, they aren’t shaking foundations or moving in dangerous, uncharted directions. This is a catch-22 because they aren’t really getting any better but they aren’t alienating their fanbase either.

Their first record really made a lot of waves and gained them the same stardom they enjoy today. They chose to remain a solid band instead of getting overly ambitious and losing their current group of fans the way The Strokes did over the past decade. With songs like “Unbelievers” it is hard not to like what Vamprie Weekend is doing; it is fun and enjoyable. Modern Vampires of the City hits a peak with the cleaver wordplay of “Diane Young” that sees the band get wild and hit their maximum level of all out fun. Other songs like “Finger Back” are the same strange, intoxicating type songs that made everyone fall in love with this band in the first place. The song possesses a strange spoken word part that give the song just enough of a break to keep the tempo from growing old; showing this band really does know what they are doing.

The album suffers a couple lulls as did the group’s last record Contra but overall it holds strong enough not to make you lose interest. It is not a great album but it is worth listening to, it should put you in a good mood and remind you why you fell in love with this exuberant group in the first place.

Key Tracks: “Diane Young” “Unbelievers”

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250 Word Album Review: Queens of the Stone Age – … Like Clockwork

Queens of the Stone Age - ...Like Clockwork

Queens of the Stone Age - ...Like Clockwork gets 5 stars

I tried to resist the charm of ...Like Clockwork for months. From my first listen I knew it was good but I never could get a clear read on the record. At one time, this was a three and a half star album if I was to review it; but I waited… and waited… because my opinion of it kept changing.

…Like Clockwork has gotten better with each listen for me since I bought it on the day it came out all the way back in June and I give up, I’m now ready to give it the 5 stars it deserves and start preparing a spot for it atop my top 10 albums of 2013 list. The first half of this album is one of the strongest starts to a record I’ve heard in years; with ” I Sat By The Ocean” “If I Had A Tail” and “My God Is The Sun” it has all the rock and grooves that every Queens fan could want. It also has the slow burner “The Vampyre of Time and Memory” that is great but anytime Josh Homme isn’t holding a guitar it seems like a wasted opportunity. The second half is no slouch either; highlighted by the signature Homme licks in “Smooth Sailing” that proves that Queens of the Stone Age is simply the best hard rock band on the planet right now.

The record is dark and beautiful with fits of rage and moments of reflection. These 10 songs put quite bluntly won’t be forgotten for a very, very long time. Not only will …Like Clockwork reign as one of the best albums of the year and likely the decade; it will also go down in history as a masterpiece in its genre and everyone should own it.

Key Tracks: “I Sat By The Ocean” “If I Had A Tail” “Smooth Sailing” “My God Is The Sun”

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250 Word Album Review: Sans Abri – Shelter

Sans Abri - Shelter

Sans Abri - Shelter gets 3 stars

Sans Abri uses an arsenal of folk instrumentation to create a front porch stomping bluegrass sound for their debut EP Shelter. The accumulation of acoustic instruments build an overall fast paced group of songs with first class picking.

The album is a roller-coaster, having light-hearted moments of playfulness and also possessing dark self analyzation. The darkest of the songs is “Winds Me Up” that starts with the startling line “Doctor tried to crush me in the birth canal, he didn’t want to let me out, now sometimes I wonder if he knew something I don’t.” but the song isn’t near dark enough to make you finish tieing the noose. The gentle strums and vocal harmonies that pepper the record are still present on the track helping out as well. The duo lets their inner hippies out for “The Scientist” as they have some fun questioning creation and they let loose on the opening track of the 7 song EP with “Self Preservation” complete with its thunderous sing-along chorus.

The two members of the project keep up pace with one another making for the better parts of the songs when the two harmonize while holding on task with their aggressive strumming, making their music shine. These songs fall nicely right in-between folk and bluegrass but not quite fitting either genre. With the extremes of the slowed down “Winds Me Up” and the speedy delivery of “Every Turn” it is easy to see how this album doesn’t really lean too far either direction and that itself makes for an interesting listen.

Key Tracks: “Winds Me Up” “Every Turn”

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Concert Review: Jeff Tweedy at The Uptown Theater in Kansas City, MO 12/3/13

Jeff Tweedy Solo Trip 2013 poster

Jeff Tweedy Solo Trip 2013 poster

 

Jeff Tweedy starting his new solo tour in Kansas City was puzzling. It was essentially a west coast tour; he played Kansas City, Denver and then the rest was the on the coast. Kansas City didn’t sell out like many venues the size of the Uptown Theater would have so it was baffling; maybe Tweedy used it as a practice date. I don’t know but I saw it as an opportunity to see one of the most important musicians to me in my lifetime.

A comedian opened which is always weird for me. I don’t dislike stand-up comedy but I am a music person so I’d always rather see a really good musician I’ve never heard of than a comedian. That being said, the opening act was funny and entertaining; more than can be said about many opening bands that I have seen.

If you’ve never been to The Uptown Theater in Kansas City allow me to briefly explain the place. It is the theater of theaters. It is a model of extravagance with all the unnecessary bells and whistles that make venues look cool while serving no purpose. While the brightly painted indoor architecture was cool to look at, it is very much for show and none of it seems utilitarian. I’m not a big fan of theaters like this but it serves fine for a show this size. You couldn’t pack this crowd in a dive bar with band stickers all over the walls so this worked, even though walls covered in band stickers would likely have been just as beautiful and breathtaking as the expensive structures adorning the walls here to me.

Jeff Tweedy would take the stage at 9:00 because let’s face it; he is getting old like most of his crowd and being on your way home from the show on a weeknight gets us as excited as partying these days. Seeing the Wilco frontman performing solo in front of a theater full of people made me think that it was like seeing this generation’s Bob Dylan. I know that is cliche as hell but in all seriousness who fits the bill better? This perception would never be more clear than on “Sunken Treasure” when Tweedy would confidently strum his acoustic guitar and occasionally blow into the harmonica around his neck.

Much to my delight he would revisit the brilliant Yankee Hotel Foxtrot several times during his 22 song set starting with a starkly intimate version of “I Am Trying To Break Your Heart.” It is difficult to describe exactly what that album means to me and the feeling of joy when I would identify a song as one from that release. It is quite simply put the best album recorded in my lifetime I feel so I really have a kinship to it. This made hearing “Kamera” “Radio Cure” and the crowd favorite “Jesus Etc” all that much more thrilling. Other than that the setlist would be a fair smattering from his recorded career with songs you would expect and some that were shocking. He would even preface “Radio Cure” by admitting that some songs in this stripped down arrangement would sound like shit, he may have felt that way but the nearly sold out theater likely disagreed.

“Sunken Treasure” was perfect song for the evening and one of the deepest cuts was the Golden Smog’s “Long Time Ago” that Tweedy had penned as he did every song he would sing on this night. For a writer like Tweedy why would I want to see him sing something someone else wrote anyway? From the seemingly half written “Bob Dylan’s 49th Beard” to the meticulous, radio worthy “Shot In The Arm” he is flat out a fantastic songwriter. He is a great performer and amazingly captured as many laughs from the crowd as the opening comedian. He is also fragile and defensive as he looks out at the crowd of loyal followers almost seeming skeptical of them all. His performance on this night would be very good but not amazing; he wouldn’t blow anyone away but did all he could do as a solo acoustic act. He just came on stage to sing songs, no theatrics, no frills, tricks or distractions; just music.

Closing his regular set with “Not For The Season” complete with some botched lyrics completed a bit of an odd set that included two songs from the obscure side-project Loose Fur and a mix of songs ranging from funny, like “Passenger Side” to delicate, like “One True Vine.” The encore would be more predictable and crowd pleasing (although the crowd loved the first set as well.) He would hit his legendary former band Uncle Tupelo’s catalog up for a couple songs in “New Madrid” and “Acuff Rose” and also add his sing-along anthem “California Stars.” The obscure but still brilliant “The Thanks I Get” would be known by much of the crowd much to my surprise as Tweedy would have some fun with the call and response portion of the song. Some obnoxious off-beat clapping filled the balcony but it would fail to ruin the song. For the finally, Uncle Tupelo’s “Acuff Rose,” Tweedy would leave his acoustic guitar unplugged and walk to the front of the stage and comment about how Kanye may be a genius but if the power goes out his show is over and Tweedy’s would go on. He would loudly strum and sing the song free of electronic aid and the crowd, who was predominately quiet and patient the whole night, would once again allow him to be heard.

 

Jeff Tweedy setlist from the Uptown Theater in Kansas City, MO 12/3/13:

  • Solitaire
  • I Am Trying To Break Your Heart
  • Remember The Mountain Bed
  • Sunken Treasure
  • Long Time Ago (Golden Smog song)
  • Passenger Side
  • Dawned On Me
  • Radio Cure
  • Chinese Apple (Loose Fur song)
  • Kamera
  • One True Vine
  • Ruling Class (Loose Fur song)
  • You And I
  • Bob Dylan’s 49th Beard
  • Jesus Etc.
  • Born Alone
  • Not For The Season
  • New Madrid (Uncle Tupelo song)
  • California Stars
  • The Thanks I Get
  • Shot In The Arm
  • Acuff Rose (Uncle Tupelo song)
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Concert Review: Jeff Tweedy setlist from Kansas City, MO 12/3/13

Jeff Tweedy Solo Trip 2013 poster

Jeff Tweedy Solo Trip 2013 poster

Jeff Tweedy setlist from the Uptown Theater in Kansas City, MO 12/3/13:

  • Solitaire
  • I Am Trying To Break Your Heart
  • Remember The Mountain Bed
  • Sunken Treasure
  • Long Time Ago (Golden Smog song)
  • Passenger Side
  • Dawned On Me
  • Radio Cure
  • Chinese Apple (Loose Fur song)
  • Kamera
  • One True Vine
  • Ruling Class (Loose Fur song)
  • You And I
  • Bob Dylan’s 49th Beard
  • Jesus Etc.
  • Born Alone
  • Not For The Season
  • New Madrid (Uncle Tupelo song)
  • California Stars
  • The Thanks I Get
  • Shot In The Arm
  • Acuff Rose (Uncle Tupelo song)

full concert review to follow soon…

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250 Word Album Review: Kid Congo and the Pink Monkey Birds – Haunted Head

Kid Congo and the Pink Monkey Birds - Haunted Head

Kid Congo and the Pink Monkey Birds - Haunted Head gets 4 stars

Kid Congo Powers has the prestigious past of being a member of The Cramps, The Gun Club and Nick Cave & The Bad Seeds so Haunted Head being a solid listen isn’t all that surprising. The past bands influence Kid Congo’s sound but what the band created is really quite unique.

From the opening eeriness of “Lurch” right through the Halloween-worthy hidden track, the album is different enough to grab your attention and reveal new layers with each new listen. The smooth, boomy groove of “Su Su” serves a big role on the album as does the following track “Killer Diller.” The more aggressive “Killer Diller” has an upbeat jam driven by a clean, roaring guitar hook. The creepiness hits its peak with the title track, “Haunted Head” possessing the truly creepy chorus of “What’s inside your haunted head? Are you alive or are you dead?” The track proves to be the most provocative of all the 50s style, greaser, horror songs.

The album serves as an adult version of “Monster Mash” type music. Some songs sound like a prom theme from Frankenstein and others just flat out get weird. Either way The Pink Monkey Birds have brewed up a pretty timeless batch of songs that could have been recorded in 2013 or 50 years before that. It really doesn’t matter, it’s a fun record either way.

Key Tracks: “Su Su” Haunted Head” “Killer Diller”

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