Concert Review: Jason Isbell & The 400 Unit at The Zoo Bar in Lincoln, NE 7/8/12

The Zoo Bar is a small venue in downtown Lincoln, NE that has a fairly legendary reputation as a great blues club. There are several bars that cling to this distinction but The Zoo Bar really plays it up with the word “Blues” in their bar logo actually bigger than the bar name. They also have tons of old black and white blues posters for shows at the venue on the walls as wallpaper on one side of the room. The upper area of the wall is filled with framed and matted black and white pictures of blues icons. These things give the bar a very vintage feel and succeeded in making you feel the history by being in the place.

The Zoo Bar in Lincoln, NE logo

The layout of the bar is pretty standard, a long skinny room with a bar in front on one side leading to a stage in the back portion of the place. I’m not sure how irregular the Jason Isbell show was for this venue but the place was setup all wrong for a rock show. One side was filled with round tables right up to the stage and the other had small tables and bar stools along the wall with one walkway between then and the round tables.

The venue’s seating was full 2 1/2 hours before Isbell took to the stage; meaning that any additional patrons would be forced to stay in front by the bar (where there was very little room to stand) or get up front and literally stand in front of somebody sitting at a table; of course blocking the person sitting’s view. This almost led to a fight at one point which wasn’t very surprising.

The opening act was Drunken Prayer, a folksey two piece band containing just a singer/ guitarist and a bass player. They would do an admirable job for an opening band and were good to listen to in this environment. They did a few traditional songs like “Ain’t No Grave” and gave their music almost a gospel feel. They would mix in catchy originals like the lovelorn “Brazil” and “Maryjane” as well as the entertaining story song “What Made Me Kill.”

The lead singer could have been a Brian Henneman of the Bottle Rockets vocal clone. At times it was easy to imagine this could have been a solo side project if Drunken Prayer’s singer looked anything like Henneman. Their set was entertaining for about a half hour before the act grew thin. A 40 minute set for the opening act would have been a nice exposure to them. Little did the anxious Sunday crowd know, at 40 minutes the band was only half way through their set. An 80 minute set by an opening band is simply too much. The band’s reception would have been much better if they wouldn’t have overstayed their welcome on stage.

Jason Isbell and his band, The 400 Unit would make a true rock star entrance well before 9:00. They would come straight out of the alley behind the venue to grab their respective instruments and tear into “Go It Alone.” Isbell was unhappy with the sound which could have been amplified by the fact that he and his band are preparing to record a live album soon.

Jason Isbell & The 400 Unit at The Zoo Bar in Lincoln, NE 7/9/12

Jason Isbell & The 400 Unit at The Zoo Bar in Lincoln, NE 7/9/12

With guitarist Browan Lollar no longer with the band the only founding member behind Isbell is bass player Jimbo Hart who seems to be the backbone of the band. Keyboardist Derry Deborja got a more prominent role in the band’s sound with the absence of Lollar as well. The Unit is rounded out by Chad Gamble on drums who would get a chance to sing lead vocals on a cover of The Meters with “Hey Pocky A-Way.”

Isbell and company would work their way through both their catalog and Isbell’s songs with the Drive-By Truckers to end up with a 19 song, 115 minute set. The songs from his time with the 3 guitar band, the Drive-By Truckers would be the loudest and most rocking of the evening. However, Isbell strength seems to be in slower songs “The Magician” and “In A Razor Town.”

The best song of the evening would prove to be the finest song Isbell has written in “Alabama Pines.” The setlist was largely predictable for any fan of the band. The only surprise would come in the two song encore when they pulled out Tom Petty and the Heartbreaker’s “American Girl” to cover.

Jason Isbell and the 400 Unit are always worth going to see. They put on a great show. The most frustrating thing about them is the lack of merchandise they bring with them. They had each of their 3 cds but no vinyl and always seem to be carrying just one or two small shirts, I can think of about 3 Isbell shows where I wanted to buy a shirt and they had no large or extra large sizes.

 

Jason Isbell & The 400 Unit at The Zoo Bar in Lincoln, NE 7/9/12 setlist:

  • Go It Alone
  • Tour Of Duty
  • Decoration Day
  • Heart On A String
  • Goddamn Lonely Love
  • Hey Pocky A-Way (The Meters cover)
  • The Magician
  • In A Razor Town
  • Alabama Pines
  • Streetlights
  • Try
  • Outfit
  • Dress Blues
  • Grown
  • Cigarettes and Wine
  • Codeine
  • Never Gonna Change
  • encore break
  • Danko/Manuel
  • American Girl (Tom Petty and the Heartbreakers cover)
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Signed! – Bottle Rockets – Live in Heilbronn, Germany cd booklet

Bottle Rockets Live signed cd booklet

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250 Word Album Review: An Horse – Walls

An Horse - Walls

An Horse - Walls gets 3.5 Stars

An Horse is a two piece band that is bare bones guitar, drums and vocals. Ironically enough, like many two piece bands (see Local H, White Stripes, etc.) they make a lot of noise.

With a female vocalist in Kate Cooper they have a distinct sound. The heavy-handed drumming of Damon Cox and the loud-quiet-loud guitar of Cooper keep the songs pace changing quickly much like The Pixies and Foo Fighters did long before them.

Walls is the band’s second record and is a respectable follow-up to 2009’s Rearrange Beds but ultimately falls a little short of the stellar first album. With catchy choruses of “Oh my God, I tick-tock for you” in “Trains and Tracks” and “Just sit tight it’ll be alright” in “Walls” the songs are very memorable and go down smoothly throughout the album.

The highlights on the album are “Dressed Sharply” and “Airport Death.” Both tracks feature good guitar licks and aggressive drum beats that are common to An Horse songs. The album has a couple slower moments as well like hearing Cooper’s fingers slide on the guitar strings on the gentle “Windows In The City.”

The vocals of Kate Cooper can be a little difficult to understand at times but are well worth deciphering. Some very cool stand-along lyrics are on the album like “Oh my God, I tick-tock for you” and “I’ll navigate the best I can, use this desk light as my friend.”

Key Tracks: “Dressed Sharply” “Airport Death” “Walls”

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250 Word Album Review: Garbage – Not Your Kind of People

Garbage - Not Your Kind Of People

Garbage - Not Your Kind Of People gets 1.5 Stars

Garbage has taken 17 years to release 5 albums and Not Your Kind of People is the first in 7 years; the result is not good. The once very solid band has morphed into something that is far from where they started. With this record it seems that each record released has not been as good as the one that preceded it.

The heavy-hitting lineup that includes the legendary Butch Vig and instant star Shirley Manson has fallen away from what made them great. They have always pushed for a new sound and they have it; unfortunately it’s not that great.

It is never good when the listener can’t tell if their cd is skipping or if it is the song like in “Control.” Many songs sound like they were plucked from a mixtape at a gay disco. Songs like “I Hate Love” and “Battle In Me” are synth-heavy tracks that are boring and monotonous.

Not Your Kind of People is a very frustrating album because you can hear traces of the old Garbage that was so great in the late 1990’s. Any cool part of a song will be trounced by a change in direction soon after. They band’s music actually sounds less mature now than they did in first couple records.

There are a few redeeming moments but they don’t add up to much. “Not Your Kind of People” is a slow burning songs that Garbage have always excelled at and “Blood For Poppies” has some funk that made the album Beautiful Garbage on alright listen. Overall, just pick up the greatest hits album and appreciate what the band once was.

Key Tracks: “Not Your Kind of People” “Blood For Poppies”

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Concert Review: Ashley Raines at Cafe Acoustic in St. Joseph, MO 6/21/12 and The Dawg House in Forest City, MO 6/23/12

Ashley Raines played two shows in the area so this is a combination review of a couple really different environments. Separated by only about 30 miles, the two cities would possess very different atmospheres for the performer out of Colorado. Raines would come armed with only a lap steel and acoustic guitar as well as a cello player in tow.

Last time through Raines brought an upright bass player so having the cello player immediately meant the show would have an entirely different sound. The company Raines kept for the tour would also effect the setlist as would bring out several tunes from his 2003 album, The Halcyon Birds, that the cello player, Lisa Show, originally played on.

The Cafe Acoustic show was first and once again on a Thursday but a respectable crowd would still gather and listen. The show was slightly more mellow than the last show at the Cafe Acoustic for Raines. He had his acoustic guitar instead of an electric guitar this time around and a cello player in place of an upright bass determining the mood of the night.

Raines’ booming voice would fill the half full room easily, at one point he would even back away from the mic and sing when it became unplugged, it wouldn’t make much difference in the sound. Cello player Lisa Show would play her instrument with a bow on many songs but would also often pluck the strings as if it were an upright bass when appropriate.

The setlist once again would be centered around Raines’ most recent (and excellent) album One Trick Mule and an EP he was selling, Begin. He would feature several tracks from The Halcyon Birds as well and he would later describe the album as a point when his sound changed into what it is now.

Ashley Raines performing at the Cafe Acoustic in St. Joseph, MO.

Ashley Raines performing at the Cafe Acoustic in St. Joseph, MO.

The Forest City show would be a little different animal than the Cafe show. For lack of a better term, The Dawg House is a “redneck bar.” Raines music is versatile enough to fit right in at a venue like this as well. The crowd was small and would carry on very loud conversations throughout the show but would give the performer a nice reception as well. The stage at The Dawg House is stuck up against the window and was a couple feet high but was so small the mic stands were setup on the floor in front of the stage.

Raines would play two sets and repeat a few songs as requests for fans who missed the early set. He would even reluctantly play “My Shit’s Fucked Up” for a third time to close out the night because the song was performed in the first set, requested in the second and requested again after it went unheard by the fan asking for it. The Warren Zevon song wouldn’t be the only cover performed as the traditional blues song “Cocaine” and a Chris Whitley song would also be done.

Enjoy a video of “It Is What It Is” from Ashley Raines via TuningFork.tv.

Ashley Raines performing at The Dawg House in Forrest City, MO.

Ashley Raines performing at The Dawg House in Forest City, MO.

The highlights of the shows were a couple songs from The Halcyon Birds album that I don’t think were performed last time. “Pray For Your Son” is a cello-heavy song that features some of Raines’ best guitar picking and “Couldn’t Quit You” is an excellent fast paced song with very appropriate backing vocals from Raines’ female stage-mate. Also from the same album, he introduced “Big Lovin’ Woman” as “a song for the fellas who like to buy in bulk” and the slow paced “Dirge” would be used to close the first night’s set.

One Trick Mule, Begin and Ashley Raines were the three records being sold and all would be well represented. “Hank Williams Saved My Life” from Ashley Raines was a particularly good reading on the second show in Forest City as it was slowed down outfitted with a completely different sound thanks to the cello and “Never Any Good at Goodbye” may feature Raines’ best vocal work and sounds great live. The bass heavy One Trick Mule had a fresh take with the cello being great on songs like ” Man’s Gotta Do” and “The Decency To Die” but not quite filling out the sound of the rich bass groove of “All Hell Lets Loose” and “It Is What It Is.”

Ashley Raines makes for a good show and is always entertaining. The songs are well done and he really gives a full effort whether the bar is packed or empty. He isn’t a good act to see while you are screaming and yelling with your friends (that’s what crappy cover bands are for) but is excellent for a laid-back relaxing show for anybody who enjoys music. The songs are best enjoyed if you pay attention to the lyrics and with a minimal amount of drunken chatter. His records sound very clean and a lot like the live shows and not near enough people have bought them at the shows I’ve attended.

Enjoy the “Back For More” video by Ashley Raines via TuningFork.tv

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The Best of… Sparklehorse – Sad and Beautiful World… a greatest hits type compilation

Best Of Sparklehorse Sad and Beautiful World Front

Best Of Sparklehorse Sad and Beautiful World Back

Sparklehorse is essentially frontman Mark Linkous. He operated under the band name Sparklehorse from his debut album in 1995 until his self-inflicted death in 2010. The cover of this compilation has his face faded into it along with some murky faded trees that reminded me of Sparklehorse’s music.

It is important to say the first track “Happy Man” is not the version on the album Good Morning Spider, it is front he Distorted Ghost EP because that version has less fading in and out and in my opinion is better. Only one track is featured from Dark Night Of The Soul because it is all guest vocalists but this song seemed a fitting way to end the compilation. Other than that the album splits Sparklehorse’s catalog fairly evenly. Maybe a little heavy on Good Morning Spider but it is my favorite album by the band.

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250 Word Album Review: Scott Lucas & the Married Men – Blood Half Moon

Scott Lucas & the Married Men - Blood Half Moon

Scott Lucas & the Married Men - Blood Half Moon gets 3.5 Stars

Scott Lucas & the Married Men’s second full length album is not too similar to either Lucas’ other band Local H or the Married Men’s first album. Blood Half Moon is a whole new animal that is somewhere in the middle but stands alone musically.

The wall of sound is less than that of Local H but the aggressiveness is undoubtedly turned up from the Married Men’s first record George Lassos the Moon. Scott Lucas has found a way to make the Married Men’s same driven focused songs contain more guitar fuzz and a harder sound this time around. The record seems slightly more loose than the band’s debut but the songs are still very strong.

The sounds on this album are just bigger. At no point on the first record does the band get as loose and Rolling Stonesy as they do on songs like “Steady Gaze.” There are songs that fit well with the tracks on the last record like “Out of the Boat” and the infectious “Blood Half Moons.”

The standouts on the record is the gentle touch of “Blood Half Moons” and the band’s take on the traditional tune “There Ain’t No Grave” featuring a build up of momentum and screeching violin. In many ways the whole album leads up to “There Ain’t No Grave” as it is the album’s eight minute closing track. It is refreshing to see an artist like Lucas take a “side project” in a whole different direction like this. The band already has a track record of quality songs completely all their own.

Key Tracks: “There Ain’t No Grave” “Blood Half Moons” “Steady Gaze”

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A word about Tuning Fork TV…

This music blog has been active for a little over a year now and I have done a few different things with it that people have liked but there are some things I would like to add that I simply can’t. The fellow St. Joseph, Missouri website Tuning Fork TV has picked up the slack on this.

Tuning Fork TV is much more of a visual website with a ton of great videos of local bands both live and in the studio. These are the kinds of things I wish I could do with Vocals On Top but there is simply no need to with Tuning Fork around. The videos are fantastic quality and the sound on them is superb as well. The guys putting together the content at Tuning Fork are doing a great job.

Many of the live videos are shows that I review on my site and they make great companion pieces to my articles. I recently linked to videos by Scruffy & The Janitors and Missouri Homegrown from their website. When they are available I will be sure to post more links to these videos on my website. I am officially endorsing Tuning Fork TV as a must check out website. Look for many links from my website to theirs in the future.

Tuning Fork TV

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Signed! Heartless Bastards Arrow cd booklet

Heartless Bastards signed cd booklet

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Concert Review: Missouri Homegrown / Scruffy & The Janitors at the Cafe Acoustic on 6/1/12

The Cafe Acoustic has the best sound in St. Joseph for seeing a show. Because of this, the bands in town are often judged by their shows at the Cafe. Two of St. Joe’s hotter new bands ended up on the same bill on 6/1/12 at the Cafe so it was a good opportunity to see them sounding their best. It was the extremely young Scruffy & the Janitors and a new band of experienced musicians, Missouri Homegrown.

Scruffy & the Janitors are all three on the young side of 20 years old and have a solid start to their musical careers. The band has been getting buzz around town and drawing people out to shows at bars they normally would be too young to even get into. They would have the task of opening the show with about an hour set to prep the crowd for the rowdy Missouri Homegrown.

Some bands have a very original sound and it is very refreshing, other bands sound like several other bands that everyone knows. Scruffy & the Janitors definitely fall in the latter category of wearing their influences on their sleeves with each song. They do what they do extremely well however, so by no means are they a boring band.

They don’t hide their influences in their setlist either, they tip their cap to the old blues that influences them as well as newer music like The White Stripes, Black Keys and Cage The Elephant. They have a solid base of original songs that make up most of each night’s song selection. Of the original songs performed the standout seemed to be the (not surprisingly) guitar heavy “I’ll Pick You Up.” The most obvious influence for the band is the White Stripes; the guitar riff heavy music from Scruffy closely resembles what Jack White did with his band. Scruffy even plays a combination “Fell In Love With A Girl” and “Little Room” cover to pay tribute to them. They also covered the Black Keys song “These Days.”

Their tributes to the old blues standards were particularly good. They did a crunchy guitar riff laden version of “House of the Rising Sun” and wrote their own lyrics with old blues music for an excellent song called “Poor Boy, A Long Way From Home.”

Scruffy & the Janitors play at the Cafe Acoustic on 6/1/12.

Scruffy & the Janitors play at the Cafe Acoustic on 6/1/12.

Watch Scruffy & The Janitors play “Know It All” from this show on tuningfork.tv here.

Missouri Homegrown packs a little more punch than Scruffy & the Janitors as their stage setup includes five band members as opposed to Scruffy’s bare bones noisy trio. Missouri Homegrown has lead, rhythm and an acoustic guitar in their setup on top of the drummer and bass player. They band takes a no nonsense approach their songs with very little commentary between songs before blasting into their next number. They are also a very guitar heavy band but with much more flashy guitar playing as opposed to riffs. They may be the ultimate bar band with songs about alcohol, drugs and the resulting situations, songs like these always go over good with the bar crowd. This was particularly noticeable with the repeated chorus of “High in Missouri tonight.”

They also pay homage to those who have played before them though it isn’t as obvious as the band that opened for them on this night. You can hear traces of old classic and outlaw country and blues all over their sets of original songs. The band builds a nice momentum with their show mixing in some slower songs but doing a good job of building  to the songs later in their set. The highlight of each show for Missouri Homegrown is the song “Blame It” as it starts slow and drives a chorus of “Blame it on the whiskey, blame it on the god damn cocaine.” The band would close their set with particularly rowdy version of “Bad Boy Blues.”

Missouri Homegrown play at the Cafe Acoustic on 6/1/12.

Missouri Homegrown play at the Cafe Acoustic on 6/1/12.

Watch Missouri Homegrown play “Please Don’t Take Me Jesus” from this show on tuningfork.tv here.

The two bands are definitely among the better acts in St. Joseph right now and like with all good bands that are just starting out the next step is hopefully some recorded songs to sell at shows. Both Scruffy & the Janitors and Missouri Homegrown are rumored to have recorded music coming out soon so hopefully they will be available at a show soon.

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