250 Word Album Review: Jay Farrar, Will Johnson, Yim Yames, Anders Parker – New Multitudes

Jay Farrar, Will Johnson, Yim Yames, Anders Parker - New Multitudes

Jay Farrar, Will Johnson, Yim Yames, Anders Parker - New Multitudes gets 4 Stars

New Multitudes is Mermaid Avenue Volume 3, Woody Guthrie lyrics put to music by current artists. Instead of Wilco and Billy Bragg who did Volumes 1 and 2, this collection is put together by Jay Farrar (Uncle Tupelo, Son Volt) Will Johnson (Centro-matic, South San Gabriel) Yim Yames (My Morning Jacket, Monsters of Folk) and Anders Parker (Gob Iron.) The deluxe edition of New Multitudes features 11 extra tracks, all by Parker and Farrar. The standard disc has each singer taking on 3 songs for a total of 12 tracks.

Yim Yames is possibly the biggest name of the group but takes a backseat to the others on this album. Will Johnson contributes three very solid songs including the hardest rocking song “V.D. City” and the softest song in “Chorine My Sheba Queen.” Jay Farrar’s vocals are so much different than the other singers on New Multitudes that his tracks have a completely different sound, one of the highlights being “Hoping Machine.”

The only artist I wasn’t familiar with at first listen to this record was Anders Parker. Parker is undoubtely the star of New Multitudes. His track “Fly High” is the standout track of the collection. His songs on the deluxe edition’s second disc are near essential however as well. Among these are the brilliantly smooth “When I Get Home” and the bouncy swing of “Dopefiend Robber.” Also great tracks hidden on the second disc are “Whereabouts Can I Hide” and “I Was A Goner” also both Parker tunes.

If you pick up New Multitudes, seek out the deluxe edition so you can have access to Parker’s great contributions to it.

Key Tracks: “Hoping Machine”(Farrar) “Fly High”(Parker) “V.D. City”(Johnson) “When I Get Home”(Parker)

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250 Word Album Review: Todd Snider Agnostic Hymns & Stoner Fables

Todd Snider - Agnostic Hymns & Stoner Fables

Todd Snider - Agnostic Hymns & Stoner Fables gets 4 Stars

Todd Snider has always had a strange way of portraying optimism from bleak circumstances. He either forgot how or gave up on Agnostic Hymns & Stoner Fables. It is a flat out a dark, pessimistic record. One many people probably thought Snider would never make. It is a huge change in mood from any of his other work.

The album isn’t bad by any means, just cynical. It’s just one minute into the record before someone starts to conspiring to kill somebody else, a theme that pops up a few times throughout the record. The first track “In The Beginning” details how religion was invented to separate the rich from the poor. The second song builds to a chorus of “Good things happen to bad people…” repeated several times. You expect the record to lighten up at some point but it doesn’t. The closest it comes is the song “Brenda” about two lovers in “true love” but at best the song ends in indifference.

Snider has recently ended his albums with an upbeat song like “Happy New Year” and “Good Fortune.” Agnostic Hymns & Stoner Fables ending song is “Big Finish” which sounds promising but can be summed up by the line “if I could do all this over, I wouldn’t do nothin’ the same.”

The album is still very good. Amanda Shires provides a dowsing of violin and female back vocals throughout the record to make the sound different from other Snider records. The highlights are “In The Beginning” and “The Very Last Time” which are up to the high standards Todd Snider has set for himself.

Key Tracks: “In The Beginning” “The Very Last Time” “In Between Jobs”

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The Best of… The Decemberists

Best Of The Decemberists Front cover

Best Of The Decemberists back insert

I posted this article about a year ago on a Decemberists greatest hits album. If you have been paying attention here at Vocals On Top you’ll know that I am attempting to do artwork for these compilations I make now. This is the 4th installment of this. I have already had fun on these projects and plan to do more.

This one I did a while ago and wasn’t completely happy with it because it looked too much like a Christmas card.. Kind of cool in a corny way but not quite what I wanted. Still it is a nice design, I just think the red may have been a poor choice.

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Lyric of the day: Bob Dylan – Love Sick

“Sometimes the silence can be like the thunder, Sometimes I feel like I’m being plowed under”

Lyrics by Bob Dylan from his 1997 song “Love Sick” from the Time Out Of Mind

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250 Word Album Review: Craig Finn – Clear Heart, Full Eyes

Craig Finn - Clear Heart Full Eyes

Craig Finn - Clear Heart Full Eyes gets 4.5  Stars

 

Craig Finn steps out from the Hold Steady to deliver a well crafted solo album that is good with each repeated listen. The record has a bit of a country twang throughout. It is also distinguishes itself from Hold Steady records in several other ways.

Craig Finn has had his “stay positive” moniker for a while now. He maintains it still but you wouldn’t know it by listening to Clear Heart, Full Eyes. It is actually a very dark record. The songs don’t sound really dark but the subject matter is consistently coming from bad places. It makes for a very interesting contrast actually and the album is better for it.

From the opening guitar on “Apollo Bay” with the opening line “My head was really hurtin’, I had to take it to Apollo Bay” you know this is a different animal for Finn. Even on the upbeat jangly swing of “Best Friend Jesus”  you can feel the the darkness in Finn’s lyrics.

The album is really, really solid but highlights include the brilliant guitar on “Terrified Eyes” that will stick in your head long after the track is done. “Jackson” is an incredibly relateable tune that can be summarized by the lyric “Why you askin’ bout Jackson? It was a long time ago and nothing really happened.” “Rented Room” may be the darkest of the songs on Clear Heart, Full Eyes. It simply details the restraints of living in a rented room.

Finn has delivered possibly his best work of his career and it isn’t with the band that brought him his success.

Key Tracks: “Terrified Eyes” “Best Friend Jesus” “Jackson”

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250 Word Album Review: Millions Of Boys – Competing For Your Love

Millions Of Boys - Competing For Your Love

Millions Of Boys - Competing For Your Love gets 3.5 Stars

 

Millions Of Boys is a three piece power punk band from the Midwest with a very coastal sound. They sound as if they could be part of a thriving scene of California indie bands. Their coastal sound is brewed in Omaha, Nebraska actually and that may help set them apart.

The light-hearted side of music isn’t something that is terribly common in the Midwest right now from my experience. Millions Of Boys bring a fun attitude to their music and it reflects on their recordings. This attitude is even reflected by their promotion of only selling 10 inch vinyl and not a much cheaper to produce CD at shows. With a female lead singer in Sara Bertuldo it is difficult not to think of Kim Deal style songs from the Pixies when listening to Competing For Your Love.

Side A hits the ground running with the blast straight into their strongest track “Dead Girls.” The crunch-fuzz guitars along with its sing-along chorus makes it a clear album highlight. Side A also feature the ode to lost pet (“Sparky + Mittens) and probably the band’s second strongest track in “Dudcats.”

“Dudcats” features the same punch musically as “Dead Girls” and has the brilliant chorus of “That girl is the bomb / But that bomb was dud.” Side B of the record fails to deliver as Side A does. The songs are still good but fail to stick with you the way the songs on the flipside had.

Key Tracks: “Dead Girls” Dudcats”

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Concert Review: Craig Finn / Mount Mariah at the Record Bar, Kansas City, MO 2/11/12

The Record Bar is one of the chattiest venues in the Kansas City/Lawrence/Omaha/Lincoln area. It seems like the crowd at shows at The Record Bar are there to catch up rather than see a show. I don’t really understand this logic but it is a concert reality. The Craig Finn / Mount Moriah show at the Record Bar was likely the worst crowd as far as talking goes that I have ever witnessed.

Mount Moriah led off the show with a very good 40 minute set and would get the audiences best behavior of the night. The crowd was very attentive to the new band and listened to all of the songs they played without much interruption. Mount Moriah ranged from indie rock songs to country twang.

Mount Moriah performing live at the Record Bar in Kansas City, MO 2/11/12

Mount Moriah performing live at the Record Bar in Kansas City, MO 2/11/12

Mount Moriah is out with Craig Finn while he supports his first solo record Clear Heart, Full Eyes. They are an excellent fit for the sound of Finn’s solo album. It’s nice when tour mates music really compliments each other well. The smooth sound of Mount Moriah started the evening well with a sampling from their acclaimed self titled album and an EP The Letting Go.

The four piece band was led by lead singer Heather McEntire with a very straight forward approach to their songs. It is always nice to see a band that doesn’t try to blast their other bandmates out with their instruments. The mid-tempo set had a few rocking moments like on “Only Way Out.” Songs like “Lament” from their self-titled album sounded especially good live. The best from the band may be yet to come as one of the better songs from the evening was “The Letting Go” from their new EP.

Mount Moriah setlist from The Record Bar in Kansas City, MO 2/11/12

Mount Moriah setlist from The Record Bar in Kansas City, MO 2/11/12

Craig Finn would quickly take the stage after Mount Moriah departed. Fans of Craig Finn’s band The Hold Steady filled The Record Bar on this night. They would ultimately be disappointed if they came to hear their favorite Hold Steady song however as Finn would avoid the entire band’s discography.

Finn would play his entire brand new solo album Clear Heart, Full Eyes while mixing in several other new songs that aren’t available anywhere. He would come out with his backing band Some Guns, an accomplished Texas band that could match the steel guitar twang from Finn’s solo album.

As Finn promised a set of depressing songs he would start to play the opening song from both his album and the Saturday night show in Kansas City, “Apollo Bay.” He would slowly work his way through the 11 songs on the album while mixing in 6 other songs that I don’t believe are released anywhere.

After his comment of being in “another AL Central town” went over the crowd’s head, Finn would dip further into his solo album. The songs “Balcony” and “Jackson” sounded great live with Finn’s backing band and his rap-talk style of singing. After playing his band’s “theme song” “Some Guns” and the humorous “New Friend Jesus” he would take the stage all to himself as his supporting cast left the stage.

Craig Finn performing live at the Record Bar in Kansas City, MO 2/11/12

Craig Finn performing live at the Record Bar in Kansas City, MO 2/11/12

This is where the Record Bar’s horrible audience in attendance would become especially noticeable. Finn would perform four songs pretty much solo acoustic with many parts being stripped down to almost vocals only. The crowd would be horribly disrespectful to the guest of honor, Finn, by talking so much and so loudly that the soft acoustic songs could barely be heard. It was unclear whether these audience members wanted to hear Hold Steady songs or just didn’t give a shit about the show they paid to see. Either way the distraction had to effect Finn, bearing his soul on stage for the most intimate part of his set but he took it in stride and stuck to his motto “stay positive.”

Of the new, new songs the highlights were “Sara, I’m Surrounded” and “Dudes From St. Paul.” He would usually explain a little about most songs and even name the titles in most cases which really helps with these new unheard songs.

Some Guns returned to back up Finn again and they tore through many of the highlights from the solo album with “Honolulu Blues” “Rented Room” and “Terrified Eyes” before going off-stage after playing “Not Much Left of Us.”

The show would then appear to be set up for an encore from the band but there would be none. The stage lights when down with no house music for about 5 minutes while the very lackluster crowd gave a not very enthusiastic encore applause break. It was disappointing Finn didn’t return to the stage, even though he had already played an 80 minute set, but it was hard not to think of how disrespectful the crowd was during Finn’s solo set, making me wonder if that was the reason the set had wrapped up.

Craig Finn live at the Record Bar in Kansas City, MO 2/11/12 setlist:

  • Apollo Bay
  • Keep On Running
  • Balcony
  • Jackson
  • No Future
  • When No Ones Watching
  • Some Guns
  • Western Pier
  • New Friend Jesus
  • Sara, I’m Surrounded
  • Jeremiah’s Blues
  • Dudes From St. Paul
  • Going To A Show
  • Honolulu Blues
  • Rented Room
  • Terrified Eyes
  • Not Much Left Of Us
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Concert Review: William Elliott Whitmore @ The Granada Theater, Lawrence, KS 2/10/12

William Elliott Whitmore sings about what he knows. Armed with just his kick drum and either a banjo or acoustic guitar he retells his stories with not a hint of dishonesty. His songs and stories are as real and authentic as you will ever hear. This could explain why The Granada Theater in Lawrence, Kansas drew a surprisingly large crowd for his show on Friday, February 10th.
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The bill had four different artists so Whitmore would take the stage until moments before midnight for his impressive performance. The lead in bands were scattered and very different from one-another. First to perform was Me For Radness which was a one man band with a guitar and a lot of computer effects and samplings. The short set spent a lot of time setting up the few songs performed and much of it was getting rap samplings set up for a little guitar reverb and a few vocals.
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Horse Power took the stage next with a much different approach. The old friends of Whitmore had a very different approach on stage than the headliner. With two drummers and guitar and bass players the wall of sound rarely let up while they were on stage. When there were vocals they were buried under all the drums and distortion.
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Drakkar Sauna would take yet a different approach during their turn. The two man band where easily the best match for Whitmore’s music. They sing Grand Ole Opry style music that is drenched in its roots. Acoustic and very old-timey songs would fill their set. They were easily the most intriguing of the three opening bands. Their music sounded extremely dated but in a wonderful way. They received a great reaction from the Lawrence crowd and deserved every bit it.
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William Elliott Whitmore starts his set with his banjo in Lawrence, Kansas on February 10th..

William Elliott Whitmore starts his set with his banjo in Lawrence, Kansas on February 10th..

A couple minutes before Midnight William Elliott Whitmore would sit on his stool, wave to the crowd and tear into “Dry” armed with his banjo. He would switch back and forth between the banjo and acoustic guitar throughout the night depending on what the song called for. He would keep his banjo however for one of his most crowd-pleasing songs next with the ode to drinking “Lift My Jug (Song For Hub Cale).”
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Whitmore was supporting his fifth solo album Field Songs but he would spread out his set to feature his whole catalog. He would do four songs off each of his last three albums and five off his 2005 release Ashes To Dust. He would quickly give the crowd permission to come on stage with him in a surprising move. He said he didn’t care if security didn’t care, “Just don’t touch my shit.” he would add. The created a very cool “living room” type of environment for the rest of the show that fit Whitmore’s music perfectly.
William Elliott Whitmore performs in Lawrence, Kansas on February 10th with many audience members on stage with him.

William Elliott Whitmore performs in Lawrence, Kansas on February 10th with many audience members on stage with him.

Whitmore commented several times about how much he enjoyed playing in Lawrence and had several friends in attendance. He commented he must have played Lawrence a 100 times now since he started. The crowd gave him the “old friend” reception as well, singing along and being very into the show throughout the evening. Despite the late start time, Whitmore still logged a roughly 80 minute set featuring 19 songs including a good amount of requests.
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Some of the many highlights of the show were the banjo of “Lee County Flood” and the one of the slower moments of the night with “When Push Comes To Love.” “Johnny Law” naturally got a great reaction from the crowd as did the other Animals In The Dark track performed to close the initial set “Old Devils.”
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Whitmore showed how well his new material fit with his other releases by mixing in “Don’t Need It” and “Let’s Do Something Impossible” but neglected to perform what is possibly the best song on the record in “Not Feeling Any Pain.” With songs as strong as his, the setlist is always a winner though. What is in the setlist is always a bigger deal that what is left out.
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The biggest highlight of the evening may have been an inpulsive rendition the lead track from Animals In the Dark by request “Mutiny.” The a capella version of the song was performed with a series of hand claps and kick drum beats. The sing along parts where the crowd would respond to the song by yelling “When the hounds start howlin’!” really got the crowd stirring. Whitmore’s encore song “Our Paths Will Cross Again” performed the same way and was met with a similar response.
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  • Dry
  • Lift My Jug (Song For Hub Cale)
  • Diggin’ My Grave
  • Hell Or High Water
  • Midnight
  • Don’t Need It
  • Johnny Law
  • Everything Gets Gone
  • One Man’s Shame
  • Take It On The Chin
  • Ain’t No Sunshine (Bill Withers Cover)
  • Let’s Do Something Impossible
  • Lee County Flood
  • Gravel Road
  • When Push Comes To Love
  • Mutiny
  • Bury Your Burdens
  • Old Devils
  • Our Paths Will Cross Again
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Lyric of the Day: Spoon – “Everything Hits At Once”

“Don’t Say A Word, The Last One’s Still Stinging”

Lyrics by Britt Daniel. “Everything Hits At Once” By Spoon, from the 2001 album Girls Can Tell

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250 Word Album Review: Nada Surf: The Stars Are Indifferent To Astronomy

Nada Surf - The Stars Are Indifferent To Astronomy

Nada Surf - The Stars Are Indifferent To Astronomy gets 4 Stars

Some bands are forever saddled with the negative “one-hit wonder” label, in some cases it really isn’t fair to the band. Nada Surf is one of these bands. Most one-hit wonders have their sole hit as their best song; most Nada Surf fans will argue their breakthrough 90s hit “Popular” is nowhere near their best song. It doesn’t even sound like them really.

Nada Surf’s 7th album The Stars Are Indifferent To Astronomy shows that Matthew Caws and co. have refined guitar power pop into great songs. The opening track “Clear Eye Clouded Mind” sets a strong tone for the entire album. The following two songs create a great trio of songs that may match any three songs on any album in the band’s career. “Waiting For Something” is a great guitar driven sing along that echoes in your head long after it is over. “When I Was Young” is probably the softest sounding song on the record but it may also be the best.

The best tracks are unmistakably on the beginning of the album but the rest of the songs aren’t weak by any means. “Looking Through” and “Let The Fight Do The Fighting” are nice surprises at the end of the record along with the very strong closer “The Future”

Overall, Nada Surf just put together another very solid record. Their are no big hits here and you likely won’t see it on many album of the year lists in December but it is solid all the way through. Nobody that gives the record a spin should be disappointed either.

Key Tracks: “Waiting For Something” “When I Was Young” “Clear Eye Clouded Mind”

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