250 word album review: Robert Finley – Age Don’t Mean A Thing

Robert Finley - Age Don't Mean A Thing

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Robert Finley is as true of a modern blues artist as you will hear. His debut album “Age Don’t Mean A Thing” was recorded at age 62 and contains splashes of all the musical influences that you would expect.

On the title track he howls like BB King, as he does through most of the record but he provides much more as he samples soul and funk as well. Tracks like “I Just Want To Tell You” are swimming in blues tradition with down and out lyrics but covered in jazzy horns to make it upbeat. His raspy vocals on “Age Don’t Mean A Thing” show he’s more into showing raw emotion that trying to deliver a Teddy Pendergrass style performance. He even gets loose with some funk with help of a solid horn section on “Come On” that sounds like it was transported straight from the 70s. The conflicting ideologies on “Snake In My Grass” and “Is It Possible To Love 2 People” is bothering. The latter is hard to take as sincere because of the former. He is shooting for some smooth soul but at times comes up short.

Overall the record feels rough at times but still has strong moments like the down home soul of “Make It With You” that make the album worth sampling. It seems the blues are where his strengths lie and where he is most sincere. An album more focused around those songs could really be something worth investing in.

Key tracks: “Age Don’t Mean A Thing” “Come On” “Make It With You”

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Album at a glance: Til Willis & Erratic Cowboy – Habit of Being

Til Willis & Erratic Cowboy - Habit of Being

Habit of Being” is the latest release from the shockingly productive Lawrence, Kansas act Til Willis & Erratic Cowboy. The 4 songs only run about 9 minutes but give you a fair sampling of what Willis does. The EP is available on 7-inch vinyl in a few different colors that also unlock a bonus track. The opening title track is a punky romp while “Nobody Calls Me Home” is an obvious tip of the cap to The Replacements despite clocking in at under a minute and the lyrics consisting of nothing more than the title, the Stinson-style riff alone makes it worthwhile though. “When The Snow Melts” is easily the strongest track here ending the EP. A trotting bass line carries the song right into several harmonica parts adorning the slowed down number nicely helping it shine.

Key Track: “When The Snow Melts”

  1. Habit of Being
  2. Happy Birthday To The Bomb
  3. Nobody Calls Me Home
  4. When The Snow Melts
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Album at a glance: The Invisible World – Color / World

The Invisible World - Color / Echo

This 6 song EP from Kansas City’s The Invisible World expands on their debut EP “Welcome To The Invisible World” from 2014. This collection does find them more balanced and confident. The clean sounding production helps songs like the acoustic “Brick By Brick” and fuzz guitar of “Bellamy” thrive. Their strength here however is when they drop their inhibitions and rock out like on “Oughta Know” and “Color/Echo.” The shouting vocals don’t break as the band jams like a Foo Fighters hybrid. Big sounding drums aid these tracks in sounding bigger than some of the slower numbers here may suggest. These rockers countered by a couple almost beach bum sounding songs make for a nice balance for the EP and shows the group is only getting better at this point.

Key Track: “Oughta Know”

  1. Oughta Know
  2. Joliet
  3. Bellamy
  4. Brick By Brick
  5. Color/Echo
  6. The Way
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Vinyl Court – Guns N’ Roses – Lies

GunsNRosesLies

  • Artist: Guns N’ Roses
  • Album: Lies (1988)
  • Purchased at: Garage Sale (St. Joseph, Mo) for $1

On the heels of their giant breakthrough debut “Appetite for Destruction” Guns N’ Roses released this double EP to appease fans. It consists of 4 live tracks and 4 new largely acoustic songs. “Patience” became one of the band’s biggest hits and is well known for it’s massive radio play and sappy lyrics. This is long before Axl Rose became the biggest douchebag in rock history and the EP is actually not bad. Sure “Appetite” is better but it has that AC/DC’s “Back In Black” quality of being played so much nobody really ever needs to hear it again.

Other songs like “Used To Love Her” and “One In A Million” are pretty decent if you can ignore the murderous intentions of the first song and the blind, racist hatred contained by the second. Side A has a gem tucked away within its grooves in “Mama Kin.” It’s a cover of an Aerosmith song and it really embodies what was great about Guns N’ Roses for a few months. They were just different enough from bad 80s rock and just similar enough to 70s arena rock to be interesting. Overall this may be the most listenable GN’R release at this point.

For a buck at a yard sale this was an easy pick up. The cover artwork is made to look like a National Enquirer-type magazine to go with the album’s title. It’s ridiculous and over the top but stays consistent with everything that made the band what they were. Even if the album isn’t great it’s a nice addition to your collection.

Rating: C+

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250 Word Album Review: Austin Miller – Engine

Austin Miller - Engine

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Austin Miller proves he is around to stay as a songwriter with “Engine.” His release “More Than One Way” was one of the best releases of 2013 with its great songwriting and versatile musicianship and Miller takes all the strongpoints of that album and adds them here making for another beautiful album of songs.

The combination of “Curse The Road” and “Bags at the Door” to start the album are a perfect microcosm of the record. Miller uses his lyrical wizardry and smooth voice to carry songs, he gives them a natural flow that not all songwriters can pull off. On “City Dweller” he explores the familiar topic of love but puts a nice spin on it with the chorus “The city’s not for me/but I have reason to believe you might be.” On “Ghosts of Carolina” Miller sings of battles in trying to moving on while his signature smooth songwriting style carries the song. Carefully placed horns adorn the album and in some cases hit their spot perfectly as the violin does on “Curse The Road.” An uplifting tempo is also something Miller does well, making sad lyrics spin and sound positive, like on “Sittin’ On Top of the World” where he preaches about a breakup isn’t going to get him down.

“Engine” is one of the strongest albums written so far this year, the songs are smooth and hook laden and the lyrics are dead on. There is no reason not to keep this album on repeat for a while, it only gets better with repeated listens.

Key Tracks: “Curse The Road” “Bags at the Door” “Ghosts of Carolina”

You can buy this album very cheap on Austin Miller’s bandcamp page.

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250 Word Album Review: Joey Kneiser – The Wildness

Joey Kneiser - The Wildness

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Back in February of 2013 My Morning Jacket’s Jim James released his debut solo record called Regions of Light and Sound. That record was extremely disappointing. Joey Kneiser has just released the record we all wanted and expected from Jim James at that time.

With The Wildness Joey Kneiser has put out a gem, his vocal stylings are similar to Jim James and at times, like on “Every Port in the Storm,” he jams like My Morning Jacket.  Kneiser puts a country tinge on his music and is careful to include some rockers as well. On “Heaven Only Wants Us Once We’re Dead” he shows off his penmanship with his lyrics only sounding better with his sweet bellow. “The Heart Ever Breaking” finds him spitting out a deadpan Tom Petty song, Kneiser even nails Petty’s vocal inflections and of course his sense of melody and hooks. The song sounds like it wouldn’t have been terribly out of place on Damn The Torpedoes back in 1979. “Run Like Hell” and “The Wildness” capture americana music perfectly, with bits of twang paired with guitar riffs and big choruses. The Wildness wins the best lyrics competition with this great roll: “Rock n Roll doesn’t lie / You just don’t wanna know the truth / it loved you more when you were young / before you had so much to lose.”

It’s rare an album clicks instantly. The Wildness is an incredibly smooth listen, the songs flow naturally and there are enough hooks and change-ups on the album to keep it away from monotony.

Key Tracks: “The Wildness” “Heaven Only Wants Us When We’re Dead” “The Heart Ever Breaking” “The Good Ones”

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Album at a glance: The Flood Brothers – Boom Land

The Flood Brothers - Boom Land

These bluesy fuzz rockers from Columbia, Missouri have a great sound. The two-piece band is adorned with distorted guitar picking, noisy slide guitar and driving drum beats to create some loose noise. “Girl I Know” is a slowed down jam that stands out and “Run, Run, Run” is essential listening with it’s almost live, improvised feel. On “Woman of Mine” they lose themselves in a Hendrix-style groove and they lament for old styles in “’41” which is fitting because it’s obviously inspired by old bluesmen. In fact the whole 16 song album reeks of love for electric blues, Chess Records and any Muddy Wolf correlation you wish to draw. If you are looking for an easy comparison, The Flood Brothers and Black Keys obviously share influences, so yes, they sound alike.

Key Track: “Girl I Know”

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Concert Review: Reverend Horton Heat / Unknown Hinson / Nashville Pussy / Lucky Tubb live at Knuckleheads in Kansas City 6/17/16

A tour poster for Reverend Horton Heat, Unknown Hinson, Nashville Pussy and Lucky Tubb & The Modern Day Troubadours for spring 2016.

A tour poster for Reverend Horton Heat, Unknown Hinson, Nashville Pussy and Lucky Tubb & The Modern Day Troubadours for spring 2016.

It was really as much a carnival as a concert. An adult carnival of course. Knuckleheads is buried deep in the train yards along the Missouri River in Kansas City and it served as a logical spot for such an event to occur. The bands on the bill serve as an interesting combination of people; hillbillies and metalheads joined by their love of live music and PBR.

The trains would coast by throughout the night and get cheers when the whistles blew as they chugged by. The balcony area of the outside portion of Knuckleheads is an excellent place to watch the trains in addition to the bands. For this larger show the side street by the honky tonk bar was barricaded off and filled with tables for overflow from the show, this proved to help the pressure in front of the stage without a doubt. The audience resembled a bike rally in most cases, many had actually driven their motorcycles. It wasn’t uncommon to see a man’s beard longer than a woman’s hair and the majority of the audience would be sporting tattoos. This goes with the crowds of these bands.

Lucky Tubb & The Modern Day Troubadours would take the stage while the sun was still attempting to set. So if you are seeing this tour, be warned, it will start early. TheTroubadours throwback country set, complete with an open-mouth bass and a steel guitar, would last a half hour and prove to be a solid lead-in for the night. Tubb would hit favorites like “I’m Comin’ Home” “Heard Your Name” and “Sweet Sweet Kisses.” The four piece band would also indulge in some western swing with “Cowtown Boogie” and toward the end of their time pay tribute to Ernest Tubb with a cover of “Thanks A Lot.”

Lucky Tubb & The Modern Day Troubadours play live at Knucklehead's Saloon in Kansas City, Missouri on 6/17/16.

Lucky Tubb & The Modern Day Troubadours play live at Knucklehead’s Saloon in Kansas City, Missouri on 6/17/16.

How do you follow a twangy set of songs from a band? Bring on a metal band of course. Nashville Pussy took the stage to a roar and quickly got the crowd riled up with a furious version of their anthem “Come On Come On.” The band is a balding rocker in a leather vest in front of a drummer with a long greying beard flanked by two women on bass and lead guitar, making for a pretty interesting stage show. Ruyter Suys, the lead guitarist, would thrash and headband for the entire show, her curly blonde hair and low cut shirt made her a bigger star in the set than lead singer Blaine Carwright. Carwright would howl out favorites like “Pillbilly Blues” “Wrong Side of a Gun” and “Go to Hell” while playing his black flying V guitar. He would even take off his Pantera style cowboy hat and drink a beer out of it at one point. At one point during the cock-rock showcase there would be a ridiculous drum solo, but can’t we agree all drum solos are ridiculous? The show would end the same way most Nashville Pussy sets end, with a raging performance of the crowd favorite “Go Motherfucker Go.”

Nashville Pussy play live at Knucklehead's Saloon in Kansas City, Missouri on 6/17/16.

Nashville Pussy play live at Knucklehead’s Saloon in Kansas City, Missouri on 6/17/16.

Next the roadies would remove a tarp over the large lit letters spelling out “REV” indicating who would take the stage next. You might think Unknown Hinson would be up next but on this tour his set is within the Reverend Horton Heat’s set. The reality is that most people were waiting on the Rev to take the stage the whole night. The crowd would really respond well to lead guitarist and singer Jim Heath’s first picks on his signature guitar. His surfbilly style is very distinct and after over 25 years for the band is easily recognized. Heath can captivate the entire audience with his guitar runs because of his impressively fast fingers and use of distortion and whammy bar. “Psychobilly Freakout” was, as always, a fan favorite with Heath’s awkward vocals added to the largely instrumental song. “Jimbo Song” is always a fan favorite as the crowd can sing along by spelling out the bass player Jimbo Wallace’s name in a song that sounds like it could be for a Saturday Morning Cartoon.

Jim Heath of Reverend Horton Heat plays live at Knucklehead's Saloon in Kansas City, Missouri on 6/17/16.

Jim Heath of Reverend Horton Heat plays live at Knucklehead’s Saloon in Kansas City, Missouri on 6/17/16.

Halfway through the set Heath would introduce Unknown Hinson as a special guest. Reverend Horton Heat would back him as he ran through about 5 of his own songs. These tongue in cheek songs were of course well known by the crowd. He would indulge in some twangy country on “I Ain’t Afraid of Your Husband” then some hilarious balladry for “Your Man Is Gay.” He would leave the stage as the REV would continue their set. They would blast into a strong number from their latest album, titled REV, with “Let Me Teach You How To Eat.” They would also hit that record for the driving rockabilly tune “Smell of Gasoline” and the nonsensical mostly instrumental “Zombie Dumb.”

Unknown Hinson and Reverend Horton Heat play live at Knucklehead's Saloon in Kansas City, Missouri on 6/17/16.

Unknown Hinson and Reverend Horton Heat play live at Knucklehead’s Saloon in Kansas City, Missouri on 6/17/16.

Jimbo would introduce Heath by telling his love of country and sliding into a cover of Johnny Cash’s “Folsom Prison Blues” as it was given the rockabilly Horton Heat treatment of course. A roaring “400 Bucks” would whip the crowd into more of a frenzy than any other song on the night before Unknown Hinson would make his way to the stage again. Hinson would come out from backstage wearing leather gloves and take them off to grab his guitar, he isn’t quite as good as Heath at playing it but he definitely holds his own. Ernie Locke from the now defunct Kansas City band Tenderloin would also come out to play harp as a special guest. As a finally the band and Hinson would jam out on a long version of the Unknown Hinson song “King of Country Western Troubadours.”

A tour poster for Reverend Horton Heat, Unknown Hinson, Nashville Pussy and Lucky Tubb for spring 2016.

A tour poster for Reverend Horton Heat, Unknown Hinson, Nashville Pussy and Lucky Tubb for spring 2016.

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Concert Review: Murder By Death / Tim Barry at The Granada in Lawrence, KS 3/31/16

Murder By Death with Tim Berry tour poster

Murder By Death was dubbed “the most genuine, hard working band out there” by opening act Tim Barry at The Granada in Lawrence, Kansas. Their 80 minute set later that night would do nothing to dispute the claim. They have a strong connection with their rabid fanbase and power through their set unapologetically. Part of an established band’s duties is choosing a good opening act their audience will enjoy, with the addition of Tim Barry on this tour they did exactly that as well.

Tim Barry looks like the guy that changed your carburetor at the body shop or maybe he was the guy that came and fixed your pipes last summer. He is also a talented songwriter that has gained a steady following by putting his heart and soul into every live performance. He comes to center stage casually with a ball cap and button-up shirt and sets up his own rig. He proclaims that his first song “Dog Bumped” is a true story about a friend of his in jail. The story goes through a narrative of a man in prison for murdering an abusive boyfriend of his sister’s. Each song that followed would be centered around epiphanies and tribulations set to the soundtrack of an acoustic guitar.

Barry would sing of his truck driving days and of riding the rails of a freight train on “Church of Level Track” along with a love song to his wife called “Older and Poorer” that was overflowing with sentiment. He would get politically worked up about the realizations of The South on “Prosser’s Gabriel” before settling himself down with some Todd Snider-style humor on “Downtown VCU.” His connection with the audience was great because of his honest narratives and really putting himself into his performances much the way Possessed By Paul James and William Elliott Whitmore do. He would casually mentioned he may be playing in the street later before letting the night’s headliner have the stage.

Singer/songwriter Tim Berry preforms live at The Granada in Lawrence, Kansas on 3/31/16 opening for Murder By Death.

Singer/songwriter Tim Barry preforms live at The Granada in Lawrence, Kansas on 3/31/16 opening for Murder By Death.

Tim Barry setlist from The Granada in Lawrence, KS 3/31/14

  • Dog Bumped
  • No News From North
  • Walk 500 Miles
  • Idle Idylist
  • Church of Level Track
  • This November
  • Older and Poorer
  • Prosser’s Gabriel
  • Downtown VCU
  • Avoiding Catatonic Surrender

Murder By Death came out to a full crowd of loyal fans at The Granada. The audience was filled with 30s somethings misfits with the women often having chest tattoos and the men commonly having finely combed hair with untamed beards. There probably weren’t many prom queens or high school quarterbacks in the crowd would be a fair assessment. The band came out to patient and attentive ears. Once they broke into “I Came Around” to start their set the crowd began to rumble.

The band has frequented the theater several times over their career so many repeat customers were listening from the pit, this would lead to several requests for songs from older records, which the band complied with. They would first get out of the way setlist standards like “The Curse of Elkhart” “Brother” and “Steal Away.” They would hit their latest album Big Dark Love modestly with the title track, “Dream in Red” “Natural Pearl” and possibly the record’s best song, the barren “Strange Eyes.” Lead singer Adam Turla would admit he was getting over a cold and might need help if the crowd knew the songs but his performance would prove otherwise. After singing “Dream in Red” he would comment “I wrote a depressing setlist tonight, that was a murder ballad and this song’s about hell.” before segwaying into “Raw Deal.”

The lefty lone guitarist leading the band switched between electric, acoustic and a signature red hollow body guitar during the set. He was flanked by cellist Sarah Balliet who maintained a stoic demenor throughout and the band’s secret weapon Matt Armstrong on bass. To truly understand what Armstrong adds to the band you need to watch them live, he provides so much of the group’s mood with his low-end bass it is impressive. Degan Thogerson would be sufficient behind the drum kit and multi-instrumentalist David Fountain would prove to be irreplaceable. Fountain pounds away on the keyboards as well as strumming mandolin, playing steel guitar, trumpet and providing the Murder By Death’s lone backing vocal.

Murder By Death preforms live at The Granada in Lawrence, Kansas on 3/31/16. Left to right: multi-instrumentalist David Fountain, cellist Sarah Balliet and lead singer/guitarist Adam Turla.

Murder By Death preforms live at The Granada in Lawrence, Kansas on 3/31/16. Left to right: multi-instrumentalist David Fountain, cellist Sarah Balliet and lead singer/guitarist Adam Turla.

The slower, acoustic “Shiola” and “Three Men Hanging” would prove to be set highlights before the thunderous closer of “I’m Coming Home” that works as a perfect closing song for a set. They would return to the stage for a short two song encore of “Spring Break 1899” and the seldom-performed request song “Killbot 2000” that is one of their oldest tunes. After the finally they collectively shrugged their shoulders at their unpredictable performance of the song before walking off stage for the final time, resulting in a strange ending to the show.

A good band pairing is essential to a show and this concert had it. Tim Barry and Murder By Death complimented each other nicely. Murder By Death have one of the more unique sounds you will find, like a cross between a throwback band and a halloween special. Their shows do infact prove Barry right, they are one of the hardest working bands around.

Murder By Death setlist from The Granada in Lawrence, KS 3/31/14

  • I Came Around
  • 52 Ford
  • The Curse of Elkhart
  • Strange Eyes
  • Big Dark Love
  • White Noise
  • Lost River
  • Foxglove
  • Steal Away
  • Natural Pearl
  • Shiola
  • Three Men Hanging
  • Brother
  • The Big Sleep
  • Dream In Red
  • Raw Deal
  • Until Morale Improves, The Beatings Will Continues
  • I’m Coming Home
  • Spring Break 1899
  • Killbot 2000

 

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2001: The year that saved Rock and Roll

2001 was a desolate time. 15 years removed from today and I’d give every dime I have to go back. Rock and Roll had really faded away and given way to N’Sync and the Backstreet Boys and a bunch of underground crap garage bands. This would ultimately prove to be the year the badasses took Rock and Roll back! A full menu of tasty treats would unfold throughout the year and make everyone believe again. They said that the radio waves were stale but they were wrong, An amazing group of pioneers took the reins and saved the most badass music genre. Pioneers named Chad Kroeger, Scott Stapp and Fred Durst collectively said “enough bullshit, let’s fuckin’ rock.”

Of that year it is difficult to narrow down just who had the biggest impact but one thing is for sure, Rock and Roll is still feeling the shockwaves from 2001. Here is my best attempt at narrowing down possibly the greatest year in Rock history into just a few albums. Here are my top 5 albums from 2001 that ultimately would prove to save Rock and Roll.


 

Nickelback – Sliver Side Up

released September 11, 2001

NickelbackSilverSideUp

Nickelback proved you could be Canadian AND amazing. From the first time I heard “How You Remind Me” I was hooked like never before. We’ve all had our heart broken and Chad Kroeger seemed to reach in our collective chests and pull those feelings out and put them in a song. Not to be outdone, and emotional ode to his father that was never around is found on “Too Bad.” If you can make it through that song without tearing up you are a bigger man than I. The songs from this record created thousands of future rock stars working as influences for such young rockers as Five Finger Death Punch, Shinedown and Seether. This album has its mark on history and it’s in the shape of a guitar.


 

Staind – Break The Cycle

released May 22, 2001

StaindBreakTheCycle

It’s been a while since I’d heard an album this good. Fresh off the Family Values tour Staind released this juggernaut featuring the smash hit “It’s Been A While” that you can still hear ringing out of pickups with rebel flags in the back window to this day. Aaron Lewis would later cater to that crowd more with a country career but this album is where he hooked them. If you want a smash up rocker that nails you in the face “Open Your Eyes” into your CD player, the guitar is heavy enough to send you into a state of ecstasy. It was called “Break The Cycle” and that’s exactly what it did, breaking America’s cycle of no kick ass rock.


 

Linkin’ Park – Hybrid Theory

released October 24, 2001

LinkinParkHybridTheory

 

Linkin Park proved rap and rock didn’t have to be separate things. With Mike Shinoda busting rhymes better than anyone in the 90s and Chester Bennington’s booming voice they had two frontmen better than 99.9% of the bands in the world. “In The End” was a smash hit along with “One Step Closer” and “Crawling.” These songs dominated the rock airwaves and saved them from crappy alternative bands. This album was such an amazing debut for a band it became THE bestselling record of the booming year of 2001. It would go on to sell 27 million copies. With songs this quality captivating both the rock and rap community it’s hard to see how it wouldn’t have sold that many copies.


 

Creed – Weathered

released November 20, 2001

CreedWeathered

Religion and rocking out don’t have to be two separate entities either. Creed’s frontman Scott Stapp wore his religion on his chest and proved that being a faithful man wasn’t a bad thing and it didn’t mean you couldn’t tour and sing to millions of hard rocking fans. This album had the most emotional song of 2001 with the gut wrenching “One Last Breath” that some fans still can’t listen to 15 years later. With “Freedom Fighter” they netted the military crowd and with “My Sacrifice” they wrote possibly the biggest Rock and Roll and religious crossover song of all-time. They may sing that they are “rusted and weathered” here on this album but they proved they were easily in their prime. In a perfect world Creed would still be touring and their songs would still ring out of every stereo you see.


 

Limp Bizkit – Chocolate Starfish and the Hot Dog Flavored Water

released October 17, 2000

LimpBizkitChocolateStarfish

The Who isn’t the only band that can lay claim to a song named “My Generation.” Fred Durst and company took the crusty old title and gave it new life. Hats would turn backward across the nation in honor of this amazing band and album. Proving they weren’t no mama’s boys they put 46 instances of the word “fuck” into one song on “Hot Dog” just to prove they didn’t play by anyone’s rules. “Rollin'” is a song I still sing every time I grip my steering wheel and when they sing “it’s my way or the high way” I fuckin’ believe them. Sure this record came out in late 2000 but it’s impact was definitely felt throughout 2001.


 

Puddle of Mudd – Come Clean

released August 28, 2001

PuddleOfMuddComeClean

I know, I know.. this is a 6th album for 2001. Realistically how could I resist? The badassness of the cover is enough to make it be on here. When you put a kid’s bare ass on your album cover it isn’t child pornography, it says “we’ve always been badass.”Spelling Mudd with two Ds? Who thinks of that? It’s awesome! You know the massive hit single “Control” with the legendary poetic line “I love the way you look at me, I love the way you smack my ass” and I know you still have it on your iPod just like I do. Not to be outdone by the emotional impact of great songs like “One Last Breath” and “Too Bad” Puddle of Mudd put out “Blurry” that made all of our eyes blurry… with tears. Wes Scantlin was just a midwest boy with a dream of being Kurt Cobain. I think it’s obvious he eclipsed that with this album alone.


 

So there it is, 15 years ago Rock and Roll obtained perfection and this article is proof. 6 staggeringly good records that still stand the test of time. Let’s hope these album never go away, I think their influence on any good music you hear is obvious and in that respect we hear them all the time.


 

You’ve probably realized by now that this is an April Fools Day joke. If you haven’t you should pay closer attention. These albums are all pretty terrible and if there is one true comment in this article it is that the ripple effect from these albums can still be felt in music today. This is very true, only not in a good way. These bands all crumbled for a reason and we should be thankful for that. If this article made you mad write me an email and I’ll hope it makes you feel better, I won’t read it. Thanks for playing along.

 

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